The Lord of Blackwell Manor, Miles, is plagued by a family curse that changes him into a shape-shifting wolf every month during the full moon.
Lucy, a smart, attractive, and well-respected botanist, travels to Blackwell Manor to take care of her sick cousin, Kate, who is married to Miles’ younger brother. For Lucy, the trip is a welcome respite from her work and recent discovery of a breakthrough serum that could eliminate the scourge of vampires from London. But Lucy finds more than she bargained for when she arrives at the Manor.
Miles, who is brash and inhospitable, does not take kindly to visitors. He is still unsettled by the mysterious death of his newlywed wife. And then there’s Marie, Miles’ sister, who was attacked and murdered just weeks earlier. Miles is horrified to think that he might be to blame for the deaths. And who is the ghost that haunt the halls?
Lucy is convinced that the death of Miles’s wife and sister – as well as her cousin’s mysterious illness – are tied together, but how? Lady Charlesworth has her eye on inheriting Blackwell Manor for her family. Could her daughter, Candice, or her son, Arthur, have had a hand in the mysterious deaths? The clues make a vampire suspect highly likely. During her investigation, Lucy finds herself caring deeply for Miles, but he fights to keep his distance in order to protect Lucy from his family’s secret. And, yet, he feels attracted to the woman who is able to look past the fearsome-looking scar that has marred his handsome face. With no other option, Miles and Lucy must work together if they are to find the answer to the mysteries at the manor.
But that’s not all Lucy wants to solve. There’s a deeper mystery behind Miles. Can she solve that too? Ultimately, she must decide if she can love the man – beast and all.
Rating: Narration – B+; Content – B-
A Victorian era steampunk/paranormal story, Beauty and the Clockwork Beast is the first in a projected series from this new-to-me-author, and while it was an enjoyable listen, I can’t say that it breaks any new ground. The story is a fairly predictable one, and while the author has peppered the text with things like “telescribers” (which I imagine are mobile phones or tablets), “tons” (short for automatons which are programmed by means of metal punched-cards), steam-powered airships and ray guns; and thrown in a few vampires and shape-shifters for good measure, I never felt as though I was in a fully-defined and alternative world. There’s a nicely gothic feel to the story overall, but really, this is just Victorian England with a few extras bolted on.
Lucy Pickett has gone to stay with her cousin Kate at Blackwell Manor. Kate is newly and happily married to Jonathan Blake, younger brother of the Earl of Blackwell, but she has been unwell for some time, and Lucy is concerned about her. Lucy works for the Botanical Aid Society and is an expert on plants and herbs and their medicinal – and other – qualities. She is a botanist of some renown and one of a small number of people working on a top-secret project to develop something to combat Vampyric Assimilation Aid, a drug which enables vampires to move around in daylight and blend in with the normal population, making them even more dangerous than they already are. Lucy hopes that she will be able to find out what is wrong with Kate and help her to regain her health.
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