In the third installment of Maya Rodale’s captivating, witty series, a marquess finds his fair lady – but must figure out how to keep her.
Claire Cavendish is in search of a duke but not for the usual reasons. The man she seeks is a mathematician; the man she unwittingly finds is Lord Fox: dynamic, athletic, and as bored by the equations Claire adores as she is by the social whirl upon which he thrives. As attractive as Fox is, he’s of no use to Claire…or is he?
Plus his brawn…
Fox’s male pride has been bruised ever since his fiancée jilted him. One way to recover: win a bet that he can transform Lady Claire, society’s roughest diamond, into its most prized jewel. But Claire has other ideas – shockingly steamy ones.
Equals a study in seduction.
By Claire’s calculations Fox is the perfect man to satisfy her sensual curiosity. In Fox’s estimation Claire is the perfect woman to prove his mastery of the ton. But the one thing neither of them counted on is love.
Rating: Narration – A; Content – B
Anyone familiar with Maya Rodale’s current Keeping Up with the Cavendishes series can’t fail to have noticed that the plots of the previous books in the series (Lady Bridget’s Diary and Chasing Lady Amelia) have been loosely based on famous films**. The plot of Lady Claire Is All That, the third instalment, is no exception, deriving a storyline from the 90s movie She’s All That, which in turn borrowed its plot from Pygmalion.
The basic premise is that of high-school jock – in this case an incredibly handsome, ridiculously wealthy, hugely popular marquess – meets and falls for high-school geek – here, a new-to-London American lady who is obsessed with mathematics and widely thought to be rather odd. It’s a fun, fluffy listen for the most part, but amid the froth, Ms. Rodale manages to make some pertinent points about sexism and feminism, and to include some moments of insight and introspection on the parts of both hero and heroine as they come to realise they need to make some major re-evaluations of their sense of self and plans for the future.
You can read the rest of this review at AudioGals