The play’s the fling.
It’s not actress Lily Lamprey’s fault that she’s all curves and has the kind of voice that can fog up a camera lens. She wants to prove where her real talents lie – and that’s not on a casting couch, thank you. When she hears esteemed director Luc Savage is renovating a legendary West End theater for a lofty new production, she knows it could be her chance – if only Luc wasn’t so dictatorial, so bad tempered, and so incredibly sexy.
Luc Savage has respect, integrity, and experience. He also has it bad for Lily. He’d be willing to dismiss it as a midlife crisis, but this exasperating, irresistible woman is actually a very talented actress. Unfortunately their romance is not only raising questions about Lily’s suddenly rising career; it’s threatening Luc’s professional reputation. The course of true love never did run smooth. But if they’re not careful, it could bring down the curtain on both their careers…
Rating: Narration – B+; Content – A-
Pretty Face, the follow-up novel to Lucy Parker’s successful and hugely entertaining Act Like It, is a funny, sexy Rom-Com set amid the hustle and bustle of London’s Theatreland that clearly proves that Ms. Parker is no one-hit-wonder. This book is every bit as charmingly well-written as its predecessor, just as full of zinging one-liners, and equally possessed of an attractive and engaging central couple and small, but well-drawn supporting cast. And in the midst of all the humour and delicious sexual tension are moments of true poignancy, too, moments that show the author is as gifted at creating three-dimensional characters with flaws and insecurities and shedding subtle insight onto their emotional lives as she is at writing wonderfully witty banter.
Actress Lily Lamprey was lucky enough to land a job on the popular costume-drama-cum-soap-opera, Knightsbridge, when she was fresh out of drama school, but four years later she is looking to move on and shed the image of man-eating vamp she’s acquired as a result of the part she plays on the show. She knows it has prevented her from getting other roles, but is determined to break out and show that she is capable of more than getting her kit off week after week on TV. And now she has the chance to do just that, as she’s been called to audition for Luc Savage, one of the most widely respected directors in the West End. Savage has a reputation for being cold and dictatorial, but there’s no denying his shows are incredibly successful and that working for him could really kick-start her career… even though Lily doesn’t think she’s got a snowball’s chance in hell of landing the part.
You can read the rest of this review at AudioGals.