At the exclusive Burning Cove Hotel on the coast of California, rookie reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool. The dead woman had a red-hot secret about an up-and-coming leading man, a scoop that Irene couldn’t resist. Seeking the truth about the drowning, Irene finds herself drawn to a master of deception.
Once a world-famous magician whose career was mysteriously cut short, Oliver Ward is now the owner of the hotel. He can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago. With Oliver’s help Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past – always just out of sight – could drag them both under.
Rating: Narration – C-; Content – D+
Anyone who has read or listened to even a small number of Amanda Quick’s historical mysteries will have realised that her books tend to be somewhat formulaic. I’m not saying that’s necessarily a bad thing; Ms. Quick’s particular formula – independent heroine meets mysterious, slightly dangerous hero and they solve a mystery while falling in love (and have their first sexual encounter anywhere else but a bed!) – is a popular and successful one, and I have no problem with formulaic when it’s done well. I wanted to listen to The Girl Who Knew Too Much mostly because the setting of 1930s Los Angeles is a departure from the author’s usual setting of 19th Century England, and being a bit of an old movie buff, I was looking forward to a noir-ish mystery with a touch of good old Hollywood glamour. Sadly, however both the noir and the glamour were missing and the mysteries – there are two of them – were very predictable.
Adding to my disappointment was the narration by Louisa Jane Underwood, which did nothing to help an already lacklustre book and in fact, made listening to it a chore rather than a pleasure. Had I not been listening for review, I’d have DNFed and returned it to Audible.
You can read the rest of this review at AudioGals.