To Catch a Rogue (London Steampunk: The Blue Blood Conspiracy #4) by Bec McMaster

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An impossible heist. A thief and a rogue. But will she steal his heart, instead?

The Company of Rogues finally knows the identity of the mastermind behind a plot against the queen—but their enemy is still one step ahead of them. When he kidnaps one of theirs, the Rogues plan a daring rescue mission that will lead them into the heart of the bloodthirsty Crimson Court.

It’s a job for a master thief, and there’s nothing Charlie Todd likes more than a challenge. To pull off the impossible, Charlie needs a crew, including the only thief who’s ever been able to outfox him.

He broke her heart. But now she must risk it all to save his life…

Lark’s spent years trying to forget her past, but the one thing she can’t ignore is the way a single smile from Charlie still sets her heart on fire. When he proposes they work together again, it feels just like old times, but she has one rule: this is strictly business.

It’s Charlie’s last chance to prove he can be trusted with her heart. But Lark’s keeping a deadly secret. And as passions are stirred and the stakes mount, it might be the kind of secret that could destroy them all…

Rating: A-

To Catch a Rogue, the fourth book in Bec McMaster’s London Steampunk: The Blue-Blood Conspiracy series picks up more or less from where the previous book (You Only Love Twice) left off.  Like its predecessors, it’s a fabulous mixture of action, adventure, suspense and romance that pulled me in from the very first page and kept me utterly enthralled until the very end; I’ve been following the series from the beginning and can honestly say that it’s got better and better with each subsequent book.  One thing though – it’s definitely NOT a standalone, so if you like the sound of it, I’d strongly suggest going back to the beginning and starting with Kiss of Steel – I promise you won’t regret it.

There will be spoilers for the previous books in this review.

It’s been two weeks since the Company of Rogues finally uncovered the identity of their deadliest enemy, the person responsible for the plot to overthrow the queen and for unleashing all manner of chaos upon London.  Lord Balfour, former right-hand man to the cruel and evil prince consort was thought to have been killed by the Duke of Malloryn during the revolution which overthrew the ruling Echelon, but he survived and has been engineering his revenge – on the city and on Malloryn.  At the end of You Only Love Twice, the duke was captured by Balfour’s lackeys and at the beginning of To Catch a Rogue, we discover he’s been taken to Russia, where Balfour is masquerading as the consort of the Grand Duchess Feodorevna at the violent and deadly Crimson Court.

The Company of Rogues, the small band of spies, assassins, thieves and bounty-hunters assembled by Malloryn to fight the threat to London and the queen, knows where he has been taken and has put together a plan to get him out.  It’s going to be incredibly dangerous and incredibly difficult; the Crimson Court is deadly, merciless and ruthless and the only protection they will have is the diplomatic immunity afforded them by virtue of the invitation sent to Lord Leo Barrons to attend the celebrations commemorating the tsarina’s coronation.

Charlie Todd – who has been a recurring character through both series – has been working for Malloryn and the CoR for some months and, along with Gemma Townsend, has come up with a rescue plan.  But to pull it off, they’re going to need outside help, someone who has never met a lock they couldn’t pick or a wall they couldn’t scale, and Charlie knows just the person for the job.

Lark Rathinger and Charlie were practically inseparable until, on the night of the revolution, her adoptive father, Tin Man, was killed saving Charlie’s life and Lark herself was so badly injured that she’d have died if Charlie hadn’t acted quickly and infected her with the craving virus that turned her into a rogue blue-blood and saved her life.  Overwhelmed with guilt over Tin Man’s death Charlie left Whitchapel – and Lark – behind, and although they’ve seen each other occasionally since, nothing between them has been the same.  Lark doesn’t blame Charlie for what happened, but she is still angry at him for abandoning her when she needed him the most, and is determined never to let him know that he broke her heart.

When Charlie turns up out of the blue and asks Lark to join the mission to free Malloryn, she is tempted by the thought of working with him again.  They’ve always shared a strong connection, the ability – almost – to read each other’s thoughts, and she recalls the thrill of pulling off the most difficult, risky jobs like a well-oiled machine… but she also recalls that the last time they’d worked together someone she cared for had died.  So she refuses – until she realises that Charlie and the CoR won’t be mounting their rescue mission in England, but in Russia.

I’m not going to say more about the plot, which is multi-layered and brilliantly conceived.  The author creates a pervasive atmosphere of menace from the moment the CoR arrives at the Crimson Court, and there’s the real sense that one false move could lead to disaster (and probably a most unpleasant death).  Two other important storylines are skilfully interwoven with the scheme to rescue Malloryn; one concerning Lark’s hitherto unknown past, which is connected to the Russian court in ways nobody expected, and the other devoted to the romance between Lark and Charlie, something fans of the series have been long awaiting.  This is friends-to-lovers romance at its very best; it’s tender, sensual and gorgeously romantic and there’s never any question that these two people know each other inside out and care deeply for one another in spite of the past hurt and misunderstandings that lies between them.  Lark and Charlie have been in love with one another ever since they were old enough to recognise the feeling for what it was, and their years apart have done nothing to lessen the intensity of the pull between them.   Worried for Charlie’s safety, Lark tries to shut him out and remain aloof, but it’s impossible.  From the moment they’re reunited, the pair resumes the verbal sparring that has characterised their relationship, although now, they’re both aware of the undercurrents of sexual tension and desire that run beneath their banter; and soon, they’re addressing the issues that lie between them and confessing the truth of their feelings for one another.  Even so, Charlie knows Lark is holding something back from him (and it’s a doozy!) but he’s a patient man and hasn’t waited this long to be with her to give up now.

I never come away from a Bec McMaster book feeling as though I liked one of the principals more than the other, or that the hero didn’t deserve the heroine in the end, or vice versa.  Each one of her couples are well-matched in terms of intelligence, understanding and ability, and the relationships she creates are ones of mutual respect and equality.  Charlie and Lark are a case in point; they’re both extremely good at what they do, and they never underestimate each other’s ability to do what has to be done.  They want to keep each other safe, yes, but there’s no overprotective BS and their trust and confidence in each other is wonderful to see.  Lark is a great heroine; she’s gutsy and intelligent but with a hidden vulnerability that makes her more rounded and Charlie… *sigh*… Charlie is simply gorgeous.  Not just to look at (although a six-feet-plus, broad shouldered, blond Adonis is nothing to be sneezed at!), but he’s kind, intuitive and loyal – it’s his belief that Malloryn would come for him were he in trouble that is the driving force behind the rescue mission – and his willingness to wear his heart on his sleeve for Lark is swoonworthy:

“I missed you so much I could barely breathe, but I needed the time to work out who I was, and you needed the space to grieve. I missed you. Every day. Every night. Every breath I took.”

To Catch a Rogue is a fast-paced, action-packed, intensely romantic adventure that features a couple of terrific principals, an engaging secondary cast of familiar characters (some of the digs at Byrnes had me laughing out loud), truly menacing bad-guys, and a wonderfully complex and superbly executed plot.  I’m eagerly looking forward to the final book (Dukes are Forever) next year, although I’ll also be sad to bid goodbye to this world and these characters.  The London Steampunk books are dangerously addictive, but when they’re this good, who cares?

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