Pretty Face (London Celebrities #2) by Lucy Parker

pretty-face

This title may be purchased from Amazon

The play’s the fling

It’s not actress Lily Lamprey’s fault that she’s all curves and has the kind of voice that can fog up a camera lens. She wants to prove where her real talents lie—and that’s not on a casting couch, thank you. When she hears esteemed director Luc Savage is renovating a legendary West End theater for a lofty new production, she knows it could be her chance — if only Luc wasn’t so dictatorial, so bad-tempered and so incredibly sexy.

Luc Savage has respect, integrity and experience. He also has it bad for Lily. He’d be willing to dismiss it as a midlife crisis, but this exasperating, irresistible woman is actually a very talented actress. Unfortunately, their romance is not only raising questions about Lily’s suddenly rising career, it’s threatening Luc’s professional reputation. The course of true love never did run smooth. But if they’re not careful, it could bring down the curtain on both their careers…

Rating: A

Lucy Parker’s début novel, Act Like It was – it seems – an instant hit, one of those books you suddenly see all over your Goodreads feed because all your friends are reading it. I’m confidently predicting the same for her follow up, Pretty Face, because it’s every bit as vibrant, funny, sexy and poignant as the first book – quite possibly even more so, on all counts. I finished the last page with a smile on my face and feeling uplifted – and wondering if I had the time to go back and read it all over again, which doesn’t happen very often, I can tell you.

Like its predecessor, Pretty Face is set amid the chaotic world of London’s West End, shedding light on all the behind the scenes activity that has to happen in order to mount a theatre production, and taking a good look at the impact of celebrity culture and media intrusion on the lives of those who work in that particular field.

Luc Savage is an extremely successful and respected director. He has the reputation of being something of a martinet – a stickler for discipline and professionalism and a hard task master, although not unfair or mean. The theatre is in his blood; his father is an actor, his mother an opera singer and over the past few years he has invested heavily – both in terms of money and time and effort – in renovating the Queen Anne Theatre, which has been owned and run by his family for generations, but which fell into disrepair some twenty-five years earlier. It’s a massive task for him both professionally and personally, but it’s nearing fruition and he has chosen to open with a production of 1553 a play by a multi-award winning young playwright and in which the three principal characters are Queen Mary I, Elizabeth Tudor and Lady Jane Grey. Having had to recast the role of Mary due to the fact that his long-time girlfriend, actress Margot Roy, recently left him to get married to an Italian opera singer, Luc now faces the prospect of having to re-cast Elizabeth, too, because the actress originally chosen has broken her leg. One of the young actresses on the list of potential replacements is Lily Lamprey, twenty-six, blonde, beautiful and the star of the hit historical drama-cum-soap opera, Knightsbridge, in which she plays the part of Gloria, a scheming man-stealer that viewers love to hate.

Luc knows that casting a popular TV star could be good publicity and increase ticket sales, but no way is he interested in bringing on board some Marilyn Monroe look-alike with a porn-star voice who probably needs direction to tie her own shoes. But his casting director – whom he trusts – thinks Lily has potential and eventually Luc is persuaded to give her an audition. And when he does, he’s surprised to discover that Lily definitely does have a certain something –

Under the soap-opera shit, an actor

– even though her voice is going to need work.

You can read the rest of this review at All About Romance.

The Secret of Love (Rakes and Rebels #2) by Cynthia Wright (audiobook) – Narrated by Tim Campbell

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This title may be downloaded from Audible via Amazon.

When Lady Isabella Trevarre first laid eyes on Gabriel St. Briac, she announced to her best friend: “That is the man I will marry!” Now a woman grown, Izzie has traded her girlish dreams for the independent life of an artist, but she never quite forgot the dazzling Frenchman who captivated her young heart. When he appears again in Cornwall, the seeds of desire grow between them.

As Napoleon’s army loots art treasures throughout Europe, Gabriel St. Briac’s priceless Leonardo da Vinci painting vanishes from its hiding place. Bent on recovering his family’s prized possession, Gabriel sets sail for the chaos of wartime France – only to find Izzie stowed away on his ship. Though fearful for her safety, he allows her to join in his quest. But Izzie harbors a dark secret…a secret that could shatter the tender blossom of their trust. When danger puts them both to the test, will these two guarded souls dare to risk all for love?

Rating: Narration – B-; Content – C+

This latest instalment in Cynthia Wright’s long-running Rakes and Rebels series is the sequel to Smuggler’s Moon, which I reviewed a couple of years back. Even though it’s part of a series, The Secret of Love can be listened to as a stand-alone novel, because while some characters from other books in the series appear in this one, they have secondary roles to play and the storyline is self-contained, so there is no real need to have read or listened to any of the other instalments.

At the end of Smuggler’s Moon, fourteen year-old Lady Isabella – Izzie – Trevarre told her best friend that she had met the man she was going to marry. That man was Gabriel St. Briac, a handsome young Frenchman and associate of her brother Sebastian’s from the brief time he made his living as a smuggler. Moving on six years, we find Isabella in London at the salon of the famous artist, <a href=https://en.wikipedia.org/wiki/%C3%89lisabeth_Vig%C3%A9e_Le_Brun, who recognised Izzie’s considerable artistic talent and agreed to be her mentor. Izzie is determined not to end up trapped in a loveless marriage like her mother and has set her sights instead on making her way in the world as an artist.

You can read the rest of this review at AudioGals.

Wild Wicked Scot (Highland Grooms #1) by Julia London (audiobook) – Narrated by Derek Perkins

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This title may be downloaded from Audible via Amazon

Born into riches and groomed in English luxury, Margot Armstrong didn’t belong in a Scottish chieftain’s devil-may-care world. Three years ago she fled their marriage of convenience and hasn’t looked back – except to relive the moments spent in wild, rugged Arran McKenzie’s passionate embrace. But as their respective countries’ fragile unity threatens to unravel, Margot must return to her husband to uncover his role in the treachery before her family can be accused of it.

Red-haired, green-eyed Margot was Arran’s beautiful bride. Her loss has haunted him, but her return threatens everything he has gained. As the Highland mists carry whispers of an English plot to seize McKenzie territory, he must outmaneuver her in games of espionage – and seduction. But even as their secrets tangle together, there’s nothing to prevent love from capturing them both and leading them straight into danger.

Rating: Narration – A-; Content – B

I confess straight out that I’m not the world’s biggest fan of books with the word “Scot” or “Highlander” in the title as the majority of those I’ve read have seemed to have identical plots and characters. So reviewing Wild Wicked Scot, the first in Julia London’s new Highland Grooms series wasn’t an automatic choice for me – until I saw Derek Perkins listed as the narrator. I’ve listened to him several times before and he always delivers a solid, entertaining performance, so with him at the helm, I settled in to enjoy at least the narration – and discovered that, taken as a whole, the listen exceeded my expectations.

Lady Margot Armstrong, the daughter of the Earl of Norwood , is nearly eighteen, beautiful, flighty – and rather spoiled. She enjoys the attentions of the well-mannered, courtly young gentlemen around her and fully expects she will eventually marry one of them and continue living in the style to which she is accustomed. Until one night when, completely out of the blue, her father introduces her to Laird Arran Mackenzie and announces that they are to be married.

You can read the rest of this review at AudioGals.

TBR Challenge: The Wagered Widow by Patricia Veryan

the-wagered-widowThis title may be purchased from Amazon.

HE INSISTED ON TREATING HER LIKE A TROLLOP!

… and Rebecca Parrish, a most respectable young widow, found him utterly odious. What right had this supercilious rake, Trevelyan de Villars, to incessantly force his attentions on her? Rebecca far preferred Trevelyan’s charming friend, the noble Sir Peter Ward. Indeed, her dreams of handsome Sir Peter aimed straight for the altar!
What Rebecca soon discovered duly horrified her. For her dear Sir Peter and the contemptible Trevelyan had formailzed a bet – that Trevelyan could seduce the very proper widow within a month’s time.

Still, Trevelyan’s attentions grew ever more passionate. And Rebecca found (to her horror!) that she thrilled to his touch. As her heart strove to resist this irresistible cad, she suddenly saw what he really was: A libertine no more – now at last and forever in love!

Rating: B

Although I’ve been aware of Patricia Veryan for a number of years, up until recently, her books were out of print and the only way to obtain them was to find rather tatty second-hand paperbacks. Fortunately, many of her books have now been made available digitally, meaning that I was able to make her my “new to me author” for February’s TBR Challenge prompt.

I’ve often seen her work likened to Georgette Heyer’s, and although I think that Heyer fans are likely to enjoy Ms. Veryan’s books, they are quite different in certain essentials.  For one thing, almost all Ms. Heyer’s books are set during the Regency, while only around a third of Ms. Veryan’s are; most of her books are set more than fifty years earlier in the Georgian era.  In fact, the cover of the paperback edition (1984) of The Wagered Widow proudly proclaims it to be A Regency Romance, whereas it’s actually set almost seventy years before the Regency, in 1746, just a year after the Battle of Culloden.  And for another, her books usually have a political element; Ms. Veryan’s series of romantic adventures – The Tales of the Jewelled Men, The Golden Chronicles and the Sanguinet Saga (which is set during the Regency) all use the Jacobite rebellion and Battle of Culloden as important plot points and feature characters who are in some way connected with both events.

The Wagered Widow is a standalone book that also works as a prequel to The Golden Chronicles, which I definitely intend to read now they’re all available as ebooks.  It tells the story of a lively young woman who has just finished her year of mourning for her late husband – who has left her in impecunious circumstances and with a six year old son to look after.  Rebecca Parrish is petite, lovely, vivacious and well aware of her tendency towards hoydenish behaviour.  She is also aware that, if she is to secure a well-to-do second husband who will be able to keep her and Anthony more than comfortably, she is going to have to tone down her liveliness a little and be a little more demure; after all, no man wants a wife who could be labelled ‘fast’.

When she makes the acquaintance of Sir Peter Ward, a wealthy gentleman who also happens to be extremely handsome and not too much older than she is, Rebecca thinks she has found the solution to her problems.  She knows it’s mercenary of her, but she has her son and his future to think of, and she decides to fix Sir Peter’s interest and secure an offer of marriage from him.  It’s true that he’s rather reserved and a bit of a stick-in-the-mud, but he’s kind and attentive and Rebecca knows she could do a lot worse than wed a man who will care for and look after her, even if there is no great passion or love between them.  The problem is that his friend, the darkly attractive Trevelyan de Villars knows exactly what Rebecca is about, and takes every opportunity he can to tease her about it.  De Villars has the blackest reputation and is widely known to be a rake of the first order, something Rebecca won’t let him forget.  His wickedly humorous, flirtatious teasing is often very funny; she devises various epithets for him in her head – The Brute, The Lascivious Libertine, The Wicked Lecher…  he infuriates her,  she amuses him and the sparks fly.

The plotline might not be very original, but it’s well-executed, with lots of humour and fun dialogue, an entertaining secondary cast (especially the foppish Sir Graham Fortescue who is definitely more than he seems) and a touch of drama in the later stages.  The way that Rebecca very gradually comes to see just which of the two gentlemen is the right one for her is nicely done;  we watch her slowly shedding her prejudices about de Villars at the same time as he finds it increasingly difficult to maintain his coolly cynical persona around her, and the few scenes in which he interacts with Rebecca’s son, who very shrewdly notes that “… his eyes say different to his words”  – are utterly charming.  The couple doesn’t progress past a few kisses on the page, but there’s a nice frisson of sexual tension between them, and it’s clear that these are two people who are passionately in love.

The writing is witty and spry and makes use of expressions and idioms that feel authentic, and there is plenty of detail about the fashions, décor and customs of the day, so those of us who like a bit of history in our historical romance certainly won’t be disappointed.  But one of the things I was most pleasantly surprised about in this book was the characterisation.  In some of the older romance novels I’ve read, it’s sometimes fairly thin, but that is most definitely not the case here.  Rebecca is a fully-rounded character who own up to her flaws and while Trevelyan is perhaps not quite so well-developed, his feelings and motivations are easy for the reader to discern and through them, we get a clearer picture of the real man beneath the outer layer of world-weary ennui.

The Wagered Widow is a light-hearted, frothy read overall and is firmly rooted in the time in which it is set by the addition of the secondary plotline that revolves around the continuing search for Jacobite fugitives.  I really enjoyed it and am looking forward to reading more of Ms. Veryan’s work.

Claiming Mister Kemp (Baleful Godmother #4) by Emily Larkin

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This title may be purchased from Amazon

Lucas Kemp’s twin sister died last year. He’s put aside his mourning clothes, but not his heartache. If Lucas ever needed a friend, it’s now—and who should walk in his door but Lieutenant Thomas Matlock…

Lucas and Tom are more than just best friends; they’ve been in love with each other for years. In love with each other—and pretending not to know it.

But this time, Tom’s not going to ignore the attraction between them. This time, he’s going to push the issue.

He’s going to teach Lucas how to laugh again—and he’s going to take Lucas as his lover…

Rating: B

Claiming Mister Kemp is a long-ish novella that is the fourth story in Emily Larkin’s Baleful Godmother series.  While characters from the previous books make brief appearances, it’s perfectly possible to enjoy this as a standalone – although the other three books are excellent and well worth reading.

Lucas Kemp and Thomas Matlock have been friends ever since their first term at Eton, even though their backgrounds couldn’t be more different.  Lucas comes from a wealthy background and a warm, loving family, whereas Tom, the youngest son of an earl, was born to parents who really couldn’t be all that bothered about him, and his fondest childhood memories are of the holidays he spent at Whiteoaks, where he and Lucas made a foursome with Lucas’ cousin, Letty Trentham (Trusting Miss Trentham) and his twin sister, Julia.  The four children were close, although as twins, Lucas and Julia shared a unique bond.  They remained close as they grew into adulthood, but eventually their lives took them in different directions, with Tom going into the army, Letty and Julia entering society and Lucas inheriting an estate of his own.  But some sixteen months before this book opens, tragedy struck, and Julia was killed when she fell from her horse.  Everyone was devastated at her death, but for Lucas, it’s even worse than that.  He feels as though he has lost something of himself, and although his mourning period has ended, he continues to miss his sister intensely.  He puts on a good show for those around him, fooling those who don’t know him well, or don’t care to look beyond the surface, but inside, he’s a mess, having resorted for a time to taking too much laudanum to try to dull the pain and when that avenue was denied him (his valet found his stash and threw it away) took to drinking too much and too often.

Tom, now a member of General Wellesley’s staff, has returned to London with the general in order to speak at a military enquiry into Wellesley’s actions after the battle of Vimeiro.  A recent brush with death has given him a new appreciation for living and made him determined not to waste another minute of his life in denial of the feelings he has always held for his best friend.

It’s Lucas’ birthday, and Tom knows it will be a difficult day for him, seeing as it should have been Julia’s birthday, too.  He goes to Lucas’ lodgings intent on offering comfort and support, only to find his friend drunk and alone in the dark.  His heart breaking for Lucas all over again, Tom decides to seize the chance to show Lucas that he is not alone, and that his – Tom’s – feelings for him go beyond friendship. When Lucas, his inhibitions and defences lowered, doesn’t refuse Tom’s advances, they share a brief moment of sexual intimacy.

Afterwards, Lucas is utterly horrified and disgusted at what happened, and tries – unsuccessfully – to avoid Tom the next day.  But Tom won’t allow him to ignore what happened between them, and pushes Lucas to acknowledge the truth of his own feelings as well as the strength of the attraction between them.  As his anger with Tom lessens, Lucas finds it harder and harder to resist the pull of that attraction and allows his long suppressed feelings for his friend to come to the fore – although once their moment of shared passion is over, he is once again overwhelmed by his thoughts and his fear of discovery and being labelled a sodomite.

Given that homosexuality was punishable by imprisonment (or even death) at this time, Lucas’ fears are well-grounded.  But this is much more than a story about a man’s reluctance to explore his sexuality; it’s also about a terribly lonely man who is so mired in grief and loss that he is in danger of losing himself, too.  Lucas has known for a long time that he’s not attracted to women and refused to admit the possibility that he was attracted to men; and the moment at which Tom realises that while he’s been away in the army, surrounded by people, having sexual relationships (with both sexes), Lucas quite literally had no-one is like a punch to the gut.

While I sometimes felt that Tom was perhaps a little too pushy, he’s redeemed by the fact that he is so patient with Lucas, allowing him to dictate the pace of their sexual relationship and to do as much or as little as he wants.  He’s funny and warm and charming, and there’s absolutely no doubt as to the fact that he loves Lucas dearly and would do anything for him.  But things come to a head when Lucas’ fears overcome him once more and he pushes Tom away for what could be the last time.

The events in this story run concurrently with those of Trusting Miss Trentham and one of the things I really liked was that we get to see the other side of some of the conversations both Tom and Lucas had with Letty Trentham in that book.  But if you haven’t read it, don’t worry – as I said at the outset, this stands on its own.

Claiming Mister Kemp is a heartfelt, compelling love story featuring two well-developed and likeable central characters. The sex scenes are sensual and well-written, conveying a real sense of the depth of the love and affection between the two men, and the emotional connection between the pair is palpable.  At somewhere around 170 pages, it’s a quick and satisfying read and one I’m recommending without hesitation.

A Lady Without a Lord (Penningtons #3) by Bliss Bennet

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This title may be purchased from Amazon.

A viscount convinced he’s a failure

For years, Theodosius Pennington has tried to forget his myriad shortcomings by indulging in wine, women, and witty bonhomie. But now that he’s inherited the title of Viscount Saybrook, it’s time to stop ignoring his responsibilities. Finding the perfect husband for his headstrong younger sister seems a good first step. Until, that is, his sister’s dowry goes missing . . .

A lady determined she’ll succeed

Harriot Atherton is trying to keep a secret: it is she, not her steward father, who maintains the Saybrook account books. But Harry’s precarious balancing act begins to totter when the irresponsible new viscount unexpectedly returns to Lincolnshire, the painfully awkward boy of her childhood now a charming yet vulnerable man. Unfortunately, Theo is also claiming financial malfeasance. Can her father’s wandering wits be responsible for the lost funds? Or is she?

As unlikely attraction flairs between dutiful Harry and playful Theo, each learns there is far more to the other than devoted daughter and happy-go-lucky lord. But if Harry succeeds at protecting her father, discovering the missing money, and keeping all her secrets, will she be in danger of failing at something equally important—finding love?

Rating: B+

This third book in Bliss Bennet’s series about the Pennington siblings turns its attention to the eldest, Theodosius (Theo), who became Viscount Saybrook on the death of his father just over a year earlier. On the surface, it’s a simple story about childhood friends coming together after a number of years and starting to see each other in a different light, but there’s a lot more to it than that. One of the things I have enjoyed about this author’s other books is the way she has incorporated a sound historical background into the story in a subtle and informative way. The previous book, A Man Without a Mistress, featured a couple who were very involved in politics, and here, Ms. Bennet takes a look at the importance of community, the responsibility of landowners towards their dependents, and throws in a dash of local politics without any of that overshadowing the development of the romance or the personal issues faced by both protagonists.

Since inheriting his title, the new viscount has made no move to assume the responsibilities that go with it, or to visit his estate, preferring instead to continue to live it up in London, bedding beautiful women and carousing with his many friends and acquaintances. But the recent marriage of his sister (in A Man Without a Mistress), suddenly brings Theo’s unfettered existence to an end; a meeting with his solicitor in order to arrange the payment of Sybilla’s dowry reveals that something is badly wrong with the family finances, and he realises that if he’s to do right by his sister and her new husband – who are intending to use the money to finance his bid to enter parliament – Theo will have to leave London, head to Lincolnshire and try to find out what has happened to the missing money.

He is not an uncaring man. He knows he has people depending on him, but told himself he was doing the right thing by leaving things in the very capable hands of his father’s – now his – steward, Mr. Atherton. Theo has never had a head for numbers; in fact, his father believed him to be little more than an imbecile because Theo struggled with even the most basic of calculations as a boy, and his father’s disgust very quickly turned to disapproval of practically everything else about his heir. So when he was old enough, Theo decided he might as well live down to expectations and took himself off to London where he very soon acquired himself a reputation as a cheerful, good-hearted wastrel.

You can read the rest of this review at All About Romance.

The Harlot and the Sheikh (Hot Arabian Nights #3) by Marguerite Kaye

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This title may be purchased from Amazon.

A defiant womanin a desert king’s world!

After inheriting a broken kingdom, Prince Rafiq made a vow to restore its pride by winning a prestigious horse race. To ensure success, he hires an English expert. But even notoriously controlled Rafiq is shocked when his new employee is introduced as Miss Stephanie Darvill!

Stephanie is determined to leave her shameful past and broken dreams behind she will prove to Rafiq she deserves his trust! But this hard-hearted desert sheikh calls to Stephanie in the most primal of ways Dare she give in to her wildest desires?

Rating: B

The Harlot and the Sheikh is the third book in Marguerite Kaye’s series of historical romances set in early nineteenth century Arabia, and once again features a heroine with an unusual occupation;  in this case, she’s a veterinarian specialising in the care and treatment of horses.  Ms. Kaye’s research into the scientific background and interests of each of her heroines so far is obviously extensive, and the notes she provides at end of each novel are interesting and informative.  But at the heart of each book is a complex, heartfelt and satisfying romance; and one of the things I so admire about this author is the way she is able to develop that romance while also telling an engaging story that incorporates fascinating historical and technical detail while also producing such superb descriptive prose that the reader is immediately transported to whatever location she is writing about.

Rafiq al-Antarah, Prince of the Arabian Kingdom of Bharym is a troubled young man with a great weight of responsibility upon his shoulders.  Years before, and aged just sixteen, he had watched his father destroy himself, the honour of the royal family and the spirit of his people by losing the Sabr, the renowned endurance race that symbolises Bharym’s pride and honour.  The kingdom is famous for breeding the finest horses in the world, horses whose bloodlines can be traced back to the purest of antecedents;  but following a fire that devastated the stables and stud farm after the loss of the Sabr, the kingdom – and Rafiq’s father – entered a slow and lingering decline.  When he came to the throne at twenty-two, Rafiq inherited a kingdom that seemed to have lost its way, and promised his people that he would make Bharym a better place, keen to make a number of changes and improvements and to employ various technical advancements in order to make Bharym a kingdom fit for the new century.  But his proposals and enthusiasm were met by disinterest and apathy; for Rafiq’s people, the only thing that seems to matter is to reclaim their lost pride by winning the Sabr.

Now, eight years later, it seems that victory might, at last, be within Rafiq’s grasp.  He has worked hard to rebuild his stables and the stud farm and sacrificed much of his personal happiness and peace of mind in order to do so.  But it seems that isn’t enough, because over the last few months, Rafiq has been dealt another crushing blow as he has had to watch eight of his priceless breeding stock die of an unknown disease.

He needs specialist help and he needs it quickly, so he sends for Richard Darvill, the renowned veterinary surgeon attached to the Seventh Hussars who is reputed to be the foremost equine expert in the world.  So he is not best pleased when his summons is answered not by Darvill, but by his daughter, Stephanie, who explains that her father is unable to leave his regiment given Napoleon’s progress through Europe, and that she has been expertly tutored and works alongside him as his assistant.

What Stephanie doesn’t disclose is that she jumped at the chance to travel to Arabia because of her need to get away from a scandal.  A couple of years earlier, she thought herself in love and allowed herself to be seduced by one of the Hussar officers, only to be devastated when she discovered he had no intention of marrying her.  While a man is patted on the back and praised for his sexual exploits, the woman is branded loose and wanton; Stephanie’s reputation was ruined and, not wanting to risk her father’s position with the regiment, she left, first heading back to England where she continued her work and studies at a Newmarket stud farm, and thence to Bharym, with her father’s blessing.

The fact that Stephanie is a woman is not a great issue for Rafiq, although he knows that it will be one for his Master of the Horse, who believes that a woman in the stables will bring very bad luck.  But Rafiq, impressed with Stephanie’s good sense and honesty – she does not promise a miracle, only that she will do everything in her power to help – decides to appoint her as Royal Horse Surgeon.

Although they both try to resist the pull between them, the attraction between Stephanie and Rafiq is intense and really leaps off the page.  He is impressed by her knowledge and her methods – and even by the fact that she is prepared to stand up to him when necessary – and very gradually, gets her to open up to him about her past disgrace.  She expects him to be disgusted; he shows her clearly that he is not and through his kindness and respect, helps her to start to regain her self-respect and rebuild her self-esteem.  And in turn, Stephanie helps Rafiq to lay aside the burden of guilt he still carries over the death of his wife and shows him that sometimes it’s necessary to bend in order not to break, that while tradition is important, there are times when a fresh approach is needed.

The plotline concerning the mysterious illness that plagues the horses and Stephanie’s unstinting efforts on their behalf is absorbing, and the romance between the prince and his Royal Horse Surgeon is equally so. The couple is allowed time to get to know and understand each other, and I liked that they admit the strength of their mutual attraction and agree to explore it further in a mature way.  The air sizzles between them and their physical encounters are sensual and nicely steamy.  Rafiq is a gorgeous hero – jaw-droppingly handsome, of course, but also honourable, caring and fully sensible of the responsibilities he bears; and Stephanie is perfect for him in every way – intelligent, determined and spirited while being aware of the importance of tradition and convention in the society in which she finds herself.  My one quibble is that they manage to surmount the difficulties posed by the huge gulf in their social stations very easily (he’s a prince, she’s the daughter of a former farrier), but sometimes you just have to embrace the fairy tale and go with the flow.

The Harlot and the Sheikh is a thoroughly enjoyable read from start to finish and makes another fine addition to this series of Arabian-set historicals – so if you’re looking for an historical romance with an unusual setting and background, then you need look no further.