An Unnatural Vice (Sins of the Cities #2) by K.J. Charles

This title may be purchased from Amazon.

In the sordid streets of Victorian London, unwanted desire flares between two bitter enemies brought together by a deadly secret.

Crusading journalist Nathaniel Roy is determined to expose spiritualists who exploit the grief of bereaved and vulnerable people. First on his list is the so-called Seer of London, Justin Lazarus. Nathaniel expects him to be a cheap, heartless fraud. He doesn’t expect to meet a man with a sinful smile and the eyes of a fallen angel—or that a shameless swindler will spark his desires for the first time in years.

Justin feels no remorse for the lies he spins during his séances. His gullible clients simply bore him. Hostile, disbelieving, utterly irresistible Nathaniel is a fascinating challenge. And as their battle of wills and wits heats up, Justin finds he can’t stop thinking about the man who’s determined to ruin him.

But Justin and Nathaniel are linked by more than their fast-growing obsession with one another. They are both caught up in an aristocratic family’s secrets, and Justin holds information that could be lethal. As killers, fanatics, and fog close in, Nathaniel is the only man Justin can trust—and, perhaps, the only man he could love.

Rating: A

The feeling that washed over me when I finished An Unnatural Vice isn’t one I experience all that often, but I suspect we all know what it is; that wonderful sense of awe and sheer elation that settles over you when you’ve just read something incredibly satisfying on every level.  A great story that’s excellently written and researched; characters who are well-drawn and appealing; a book that stimulates intellectually as well as emotionally… An Unnatural Vice has it all and is easily one of the best books I’ve read so far this year.

The Sins of the Cities series has been inspired by author K.J. Charles’ love of Victorian Sensation Fiction, stories full of intrigue, murder, blackmail, missing heirs, evil relatives, stolen inheritances… I’m a big fan of the genre, and I absolutely love the way the author has brought its various elements into play in terms of the plot and overall atmosphere. The events in An Unnatural Vice run concurrently with those of book one, An Unseen Attraction, so while this one could be read as a standalone I’d definitely recommend reading the series in order.

Handsome, well-educated and wealthy, Nathaniel Roy trained in the law, but now works as a crusading journalist, dedicated to exposing social injustice and waging campaigns against industrial exploitation.  His editor has asked him to write an article about the mediums who prey on the wealthy, and as part of his research, he arranges to attend a séance held by the so-called Seer of London, Justin Lazarus.  Highly sceptical and determined to expose him as a fraud, Nathaniel is nonetheless fascinated by the man’s skill at what he does while being frustrated at not being able to work out how the hell he is manipulating the various objects in the room without touching them.  Worse still, however, is the unwanted spark of lust that shoots through him when he sets eyes upon the Seer for the first time, a visceral pull of attraction he hasn’t felt in the almost six years since he lost the love of his life; and the way Lazarus seems able to see into the very depths of Nathaniel’s soul is deeply unnerving and intrusive. He hates it at the same time as he is fascinated by the things Lazarus tells him and finds his convictions shaken and his thoughts consumed by the man over the next few days.

As far as Justin Lazarus is concerned, the gullible and credulous who make up the bulk of his clientele get exactly what they deserve and he refuses to feel guilty over giving them what they want – deceit and lies and sympathy – while they watch the people around them steal, whore or starve in the streets.  But a sceptic like Nathaniel Roy represents the sort of challenge Justin can’t pass up; he isn’t surprised when the man requests a second, private, meeting, and he uses it to push all Roy’s buttons, opening up the not-fully healed wounds of his grief while playing on the lust Justin had recognised at their first meeting.  The air is thick with suppressed desire and not-so-suppressed loathing as the two men trade barbs and insults – and even Justin recognises that this time, he’s probably gone too far and made an implacable enemy.

Mutual enmity notwithstanding however, Nathaniel and Justin are destined to be thrown into each other’s orbits once again when Justin receives a visit from two men who are trying to locate the children of a woman named Emmeline Godfrey who, they tell him, had been part of their “flock” until they ran away aged fourteen.  Justin recalls the desperate woman who visited him a year earlier asking about her twins, and the men want him to find them.  Sensing an opportunity, Justin puts on a show without telling them anything and thinks that’s that – until he remembers seeing an advertisement in the newspaper offering a reward for information about the same twins, giving Nathaniel Roy’s name as the person to contact. Always on the lookout for a way to make money, Justin decides to approach Roy with what he knows – but their discussion quickly descends into an erotically charged slanging match in which the mutual lust and hostility that has hung in the air between them since their first meeting boils over into a frenzied sexual encounter.  Despite having been turned inside out by “one of the better fucks of the nineteenth century”, Justin is still keen to focus on what he can get for his information, while Nathaniel just wants him gone, berating himself for having been so damned stupid as to have let things go so far.

Readers of the previous book will recall that Emmeline Godfrey was the name of the woman the now-deceased Earl of Moreton married in secret some years before contracting a later, bigamous marriage.  This means that the male twin is now the rightful earl, but with money and estates at stake, someone is going to great lengths to silence those who could reveal the truth – and now, Justin Lazarus has unwittingly put himself in the firing line.  A solitary man who has built a life in which he answers to and depends on nobody, Justin has no-one to turn to when he finds himself on the run from the men threatening him – no-one, that is, apart from the man who despises him and has sworn to expose him as a fraud – Nathaniel Roy.

On the most basic level, this is an enemies-to-lovers romance, but in the hands of K.J. Charles it is so much more than that.  Nathaniel is a man who is going through life by the numbers and doesn’t quite realise it; frozen by grief, he doesn’t expect ever to feel love or desire again and certainly not for a shifty bastard like Justin Lazarus.  Nathaniel finds it difficult to understand why a man gifted with such perspicacity and insight would choose to make a living by cheating the weak and vulnerable; but when Justin turns to him for help and Nathaniel glimpses the clever, amusing and desperately lonely man lying beneath the tough, prickly exterior, he is unable to deny the truth of his feelings any longer and admits to himself that he is coming to love Justin in spite of everything.  Justin is unapologetic and suspicious at first; born in a workhouse to a mother he never knew, his has been a hard life and he’s done what he had to in order to survive. He’s made something of himself through hard work, quick wits and sheer strength of will and doesn’t want to be beholden to anyone.  He tries to push Nathaniel away and dismisses his assertions that Justin is a better man than he believes himself to be, but Nathaniel’s obvious belief in him gradually starts to break down his emotional barriers.  The chemistry between the pair is off the charts, but amid all their snarling, vitriolic banter, come moments of real tenderness and understanding and watching these two damaged and very different men fall for each other is gut-wrenchingly beautiful. By the end of the book there is no doubt that they are deeply in love and in it for the long haul.

The writing is exquisite and the book is full of incredibly evocative scenes, whether it’s the descriptions of the thick, poisonous pea-souper that envelops London or the excitement of the opening séance, which is a real tour-de-force.  The mystery of the missing Taillefer heir is smoothly and skilfully woven through Justin and Nathaniel’s love story and the ending brilliantly sets up the next book, An Unsuitable Heir, due for release later this year.  But while the mystery is certainly intriguing, the real heart of the book is the complicated, messy but glorious romance between two bitter enemies.  An Unnatural Vice is a must-read and I can’t recommend it highly enough.

Slightly Dangerous (Bedwyn Saga #6) by Mary Balogh (audiobook) – Narrated by Rosalyn Landor

This title may be downloaded from Audible via Amazon

All of London is abuzz over the imminent arrival of Wulfric Bedwyn, the reclusive, cold-as-ice Duke of Bewcastle, at the most glittering social event of the season. Some whisper of a tragic love affair. Others say he is so aloof and passionless that not even the greatest beauty could capture his attention. But on this dazzling afternoon, one woman did catch the duke’s eye – and she was the only female in the room who wasn’t even trying.

Christine Derrick is intrigued by the handsome duke…all the more so when he invites her to become his mistress. What red-blooded woman wouldn’t enjoy a tumble in the bedsheets with a consummate lover – with no strings and no questions asked. An infuriating lady with very definite views on men, morals, and marriage, Christine confounds Wulfric at every turn. Yet even as the lone wolf of the Bedwyn clan vows to seduce her any way he can, something strange and wonderful is happening. Now for a man who thought he’d never lose his heart, nothing less than love will do.

Rating: Narration – A+; Content – A-

In this final book in Mary Balogh’s Bedwyn series, the limelight at last turns to Wulfric, Duke of Bewcastle, the eldest of the six Bedwyn siblings who, along with the Marquess of Dain, Sebastian St. Vincent and a handful of others, is one of historical romance’s best beloved and most unforgettable heroes. He’s been a strong secondary presence in the other books in the series and has come across as a rather forbidding man with a reputation for being extremely proper, arrogant and cold, able to wound at twenty paces simply by virtue of a raised quizzing glass and a disdainful look. In Slightly Dangerous, we discover more about what has made him into the man he is and watch him unravel a bit as he finally meets his match.

Now that his brothers and sisters are all happily settled and starting families of their own, Wulfric is at a loss. He has fulfilled the vow he made when he assumed the title to make sure that they were all well taken care of – and at the age of thirty-five, realises he is lonely. His London home feels empty and he doesn’t much like the idea of returning to his principal seat at Lindsey Hall for the summer because that will be empty, too. He is also mourning the recent death of his mistress of ten years, not because he was deeply in love with her, but because they had been comfortable together and he had cared for her. It is this loneliness that prompts him to accept an invitation to a house-party being held by Lord and Lady Renable, although it doesn’t take him long after his arrival to regret his decision. He feels badly out of step with most of the other guests, having very little in common with any of them, and is not amused when he discovers that several of the younger ladies are setting their caps at him. The only person in attendance who is close to him in age is the widowed daughter of a schoolmaster, Mrs. Christine Derrick, who, he has already observed, is ridiculously impulsive and has no idea of proper behaviour.

You can read the rest of this review at AudioGals.

Pretty Face (London Celebrities #2) by Lucy Parker (audiobook) – Narrated by Morag Sims

This title may be downloaded from Audible via Amazon.

The play’s the fling.

It’s not actress Lily Lamprey’s fault that she’s all curves and has the kind of voice that can fog up a camera lens. She wants to prove where her real talents lie – and that’s not on a casting couch, thank you. When she hears esteemed director Luc Savage is renovating a legendary West End theater for a lofty new production, she knows it could be her chance – if only Luc wasn’t so dictatorial, so bad tempered, and so incredibly sexy.

Luc Savage has respect, integrity, and experience. He also has it bad for Lily. He’d be willing to dismiss it as a midlife crisis, but this exasperating, irresistible woman is actually a very talented actress. Unfortunately their romance is not only raising questions about Lily’s suddenly rising career; it’s threatening Luc’s professional reputation. The course of true love never did run smooth. But if they’re not careful, it could bring down the curtain on both their careers…

Rating: Narration – B+; Content – A-

Pretty Face, the follow-up novel to Lucy Parker’s successful and hugely entertaining Act Like It, is a funny, sexy Rom-Com set amid the hustle and bustle of London’s Theatreland that clearly proves that Ms. Parker is no one-hit-wonder. This book is every bit as charmingly well-written as its predecessor, just as full of zinging one-liners, and equally possessed of an attractive and engaging central couple and small, but well-drawn supporting cast. And in the midst of all the humour and delicious sexual tension are moments of true poignancy, too, moments that show the author is as gifted at creating three-dimensional characters with flaws and insecurities and shedding subtle insight onto their emotional lives as she is at writing wonderfully witty banter.

Actress Lily Lamprey was lucky enough to land a job on the popular costume-drama-cum-soap-opera, Knightsbridge, when she was fresh out of drama school, but four years later she is looking to move on and shed the image of man-eating vamp she’s acquired as a result of the part she plays on the show. She knows it has prevented her from getting other roles, but is determined to break out and show that she is capable of more than getting her kit off week after week on TV. And now she has the chance to do just that, as she’s been called to audition for Luc Savage, one of the most widely respected directors in the West End. Savage has a reputation for being cold and dictatorial, but there’s no denying his shows are incredibly successful and that working for him could really kick-start her career… even though Lily doesn’t think she’s got a snowball’s chance in hell of landing the part.

You can read the rest of this review at AudioGals.

Tinderbox (Flashpoint #1) by Rachel Grant (audiobook) – Narrated by Greg Tremblay

This title may be downloaded from Audible via Amazon

In the volatile tinderbox of the Horn of Africa, Morgan Adler has made the paleoanthropological find of a lifetime. The discovery brings her to the attention of a warlord eager to claim both Morgan and the fossils, forcing her to make a desperate dash to the nearby US military base to beg for protection.

Master Sergeant Pax Blanchard has orders to intercept Dr. Adler before she reaches the base, and in so doing saves her life. After a harrowing afternoon, he safely delivers her to his commanders, only to find his responsibilities toward protecting the obstinate archaeologist have only just begun. Morgan and Pax are forced to work together in the Djiboutian desert heat, but it is the fire that ignites between them that threatens to combust them both. For the Green Beret, involvement with the woman he must protect is a threat to his career, while for the archaeologist, the soldier is everything she never wanted but somehow can’t resist. When Morgan uncovers a mystery surrounding Djibouti’s most scarce and vital resource, the danger to her reaches the flashpoint. For Pax, protecting her is no longer a matter of following orders, and he’ll risk everything to bring her back alive.

Rating: Narration – A; Content – A-

I discovered Rachel Grant’s romantic suspense novels less than a year ago, and have been hooked ever since. I’ve read and listened to several of the titles in her Evidence series, all of them tightly-plotted thrillers interwoven with a nicely steamy romance featuring intelligent, sassy heroines and gorgeous, alpha-male heroes. The author makes excellent use of her own background in history and archaeology in her books, which are extremely well researched both in terms of the locations in which they are set, and the technological and specialist detail which add so much interest and depth to the stories. Tinderbox, the first book in her new Flashpoint series is no different. The story opens with a bang – literally! – and the pace never lets up, as our two protagonists are drawn into a dangerous conspiracy in a part of the world which exists on a knife-edge.

Doctor Morgan Adler has been contracted by the Djibouti government to undertake an archaeological survey of the proposed route of a new railway. That particular area, known as the Horn of Africa (on the East coast – Djibouti is bordered by Eritraea, Ethiopia and Somalia) is a haven for terrorists and pirates –as well as being a veritable treasure trove for archaeologists. Morgan has just made what is likely to be the find of the decade – if not the century – in ‘Linus’ a set of three and a half million-year-old remains that could prove to be as significant an archaeological find as Lucy was in the 1970s. But she has been forced to flee the dig by several armed men working for Etefu Desta, an Ethiopian warlord looking to expand his territory into Djibouti. With the American Embassy closed, the only place she can think of that will be able to provide secure storage for the finds she has so far uncovered is the US military base at Camp Citron, and she’s on her way there with her precious cargo when she’s stopped by two Green Berets – Special Forces Operatives – about two miles from the camp.

You can read the rest of this review at AudioGals.

FOR A CHANCE TO WIN A COPY OF THE AUDIOBOOK OF TINDERBOX, READ MY INTERVIEW WITH THE AUTHOR AND ENTER THE GIVEAWAY HERE

A Lady’s Code of Misconduct (Rules for the Reckless #5) by Meredith Duran

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This title may be purchased from Amazon.

A DEAL WITH THE DEVIL…
Trapped in the countryside, facing an unwanted marriage and the theft of her fortune, Jane Mason is done behaving nicely. To win her freedom, she’ll strike a deal with the most dangerous man she knows—a rising star in politics, whose dark good looks mask an even darker heart.

…NEVER GOES TO PLAN.
The bitter past has taught Crispin Burke to trust no one. He’ll gladly help a lovely young heiress, provided she pays a price. Yet when a single mistake shatters his life, it is Jane who holds the key to his salvation. And in a world that no longer makes sense, Crispin slowly realizes that she may be the only thing worth fighting for…

Rating: A

Fans of Meredith Duran have had a fairly long time to wait between the publication of her last novel – Luck Be a Lady – and this new one, which is billed as the fifth in her Rules for the Reckless series, but I’m pleased to report that the wait, while frustrating, was well worth it. In A Lady’s Code of Misconduct, she has once again dazzled me with the beauty and focus of her writing, and her ability to craft a tightly-knit, intriguing plot and wonderfully complex, imperfect and highly intelligent characters who very quickly take on lives of their own in the mind of the reader.

The story centres around the political career and machinations of Mr. Crispin Burke MP, the second son of Viscount Sibley and most definitely the black sheep of his family. With ambitions to become Prime Minister, Burke has steadily drawn many in the Commons to his side by means of threats, blackmail and bribery; his name is a byword for corruption in parliamentary circles and it seems as though he is about to achieve his goal. His Penal Reform bill, a punitive, unfair piece of legislation, has enough support to defeat the government and unseat Palmerston.

Burke’s closest ally is Philip Mason, a man with as black a heart and as few principals, and who is currently supporting himself and his family at the expense of his niece, Jane, whose father left his considerable fortune to her at his death. Mason is unable to touch the principal amount, but has been syphoning off everything he could for years, and intends to marry her to his son in order to keep the money in the family. Jane is twenty-three, but has never had a season and is not allowed to go beyond the gates, so she has, in effect, been a prisoner for the past six years. But worse than all that is the fact that she has had to pretend to be a brainless ninny for all of that time. Her late parents were progressive, so she was well-educated and brought up to think for herself and not to be afraid to express her opinions – but her uncle believes women should be seen and not heard and Jane has had to suppress that side of herself while she has bided her time and waited for an opportunity to escape.

Finally, that opportunity has arrived – only to be thwarted by the odious Crispin Burke. Even though Jane has encountered him numerous times over the years, this is the first time she has really talked to him or even been close to him, and she is simultaneously surprised and repelled to discover that he holds a strange fascination for her. He’s a beautiful man, no question, but he’s ruthless, amoral and rotten to the core and his methods disgust her – but he offers her some advice and a way of avoiding her uncle’s wrath, in exchange, naturally, for something he wants – information on something involving Mason. Jane has no alternative but to agree to do as he asks.

Not long after this, and shortly before the final reading of his bill, Burke is attacked and left for dead on the London streets. Having taken his advice and inveigled her uncle into bringing her to London, Jane hatches an audacious plan, one that was also suggested to her by Burke, albeit with a different outcome in mind. She uses a fraudulently obtained – but legitimate – marriage certificate and announces that she and Burke were recently – and secretly – married. She will shortly be a widow according to the doctors, and her marriage will release her father’s fortune into her hands, meaning that she can finally achieve her dream of travelling to New York and making a new life for herself.

Of course, things don’t go according to plan and Crispin survives – although there are big gaps in his memory and he can remember little of what happened over the past five years. Now caught in a lie, Jane feels guilty and unsure, but decides that she needs to play along with the fake marriage, at least until the legalities surrounding the release of her inheritance are completed. I’m normally a little sceptical about amnesia plots, but didn’t blink when I learned that this book used one, because I knew that Meredith Duran would make it work. She does that and then some; the way she transforms Crispin from a ruthless, conscienceless politician to a man of honour and sound principles who genuinely wants to make the world a better place is brilliant, but more importantly, it’s believable. There are still facets of the old Burke remaining – the keen mind, the devilish sense of humour, the aura of implacability and sense of his being a dangerous man, but the more he finds out about his old self, the more determined he becomes to face the demons of his past, eradicate them and move on.

Because he can’t afford others to see how much his injuries have affected him, Crispin asks for Jane’s help in navigating his way through all his political alliances and connections. She can’t deny that being able, after so long, to use her brain and have her opinions listened to and respected is incredibly flattering and freeing, or that the ‘new’ Crispin is compassionate, thoughtful, unexpectedly vulnerable and incredibly attractive.

Jane is just as satisfyingly complex a character as Crispin, and her story of self-discovery is equally compelling. Her situation as the virtual prisoner of her uncle evokes sympathy, and her character is set up as a kind of representation of truth and justice… yet as the story progresses, she is shown to have been as deceitful and secretive in her way as Crispin has been in his. The way that she comes to understand herself more, and also to understand what drove Crispin to take the path of blind, conscienceless ambition is superbly done, as is Crispin’s conviction that no matter what he can or cannot remember, his feelings for Jane won’t change. I loved that Jane tries to spare him learning the worst of himself and that when he does, it just makes him stronger and all the more determined to become a better man.

The chemistry between the protagonists is intense, and their romance develops believably and at a realistic pace. Jane gradually overcomes her suspicions and opens herself to the attraction she realises she has long felt for Crispin, even though she can’t quite let go of her fear that the ‘old’ him could return at any moment. And I loved that Crispin never questions his marriage; for him, Jane is his rock from the moment he awakens, building on the hints of interest she sparked in him even before his attack and showing clearly but subtly that his feelings for her run deep.

A Lady’s Code of Misconduct is a must-read for fans of this author and of historical romance in general. The political background is interesting, well-researched and smoothly incorporated so the reader never feels as though they are being given a history lesson, and the plot which gradually emerges – relating to the information the ‘old’ Crispin was seeking from Jane – is intriguing and suspenseful. Add in the wonderful romance and two compelling but vulnerable and flawed protagonists, and you’ve got an un-put-downable book which I’m already sure will go down as one of my favourite books of the year.

Historical romance really doesn’t get better than this.

Pretty Face (London Celebrities #2) by Lucy Parker

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This title may be purchased from Amazon

The play’s the fling

It’s not actress Lily Lamprey’s fault that she’s all curves and has the kind of voice that can fog up a camera lens. She wants to prove where her real talents lie—and that’s not on a casting couch, thank you. When she hears esteemed director Luc Savage is renovating a legendary West End theater for a lofty new production, she knows it could be her chance — if only Luc wasn’t so dictatorial, so bad-tempered and so incredibly sexy.

Luc Savage has respect, integrity and experience. He also has it bad for Lily. He’d be willing to dismiss it as a midlife crisis, but this exasperating, irresistible woman is actually a very talented actress. Unfortunately, their romance is not only raising questions about Lily’s suddenly rising career, it’s threatening Luc’s professional reputation. The course of true love never did run smooth. But if they’re not careful, it could bring down the curtain on both their careers…

Rating: A

Lucy Parker’s début novel, Act Like It was – it seems – an instant hit, one of those books you suddenly see all over your Goodreads feed because all your friends are reading it. I’m confidently predicting the same for her follow up, Pretty Face, because it’s every bit as vibrant, funny, sexy and poignant as the first book – quite possibly even more so, on all counts. I finished the last page with a smile on my face and feeling uplifted – and wondering if I had the time to go back and read it all over again, which doesn’t happen very often, I can tell you.

Like its predecessor, Pretty Face is set amid the chaotic world of London’s West End, shedding light on all the behind the scenes activity that has to happen in order to mount a theatre production, and taking a good look at the impact of celebrity culture and media intrusion on the lives of those who work in that particular field.

Luc Savage is an extremely successful and respected director. He has the reputation of being something of a martinet – a stickler for discipline and professionalism and a hard task master, although not unfair or mean. The theatre is in his blood; his father is an actor, his mother an opera singer and over the past few years he has invested heavily – both in terms of money and time and effort – in renovating the Queen Anne Theatre, which has been owned and run by his family for generations, but which fell into disrepair some twenty-five years earlier. It’s a massive task for him both professionally and personally, but it’s nearing fruition and he has chosen to open with a production of 1553 a play by a multi-award winning young playwright and in which the three principal characters are Queen Mary I, Elizabeth Tudor and Lady Jane Grey. Having had to recast the role of Mary due to the fact that his long-time girlfriend, actress Margot Roy, recently left him to get married to an Italian opera singer, Luc now faces the prospect of having to re-cast Elizabeth, too, because the actress originally chosen has broken her leg. One of the young actresses on the list of potential replacements is Lily Lamprey, twenty-six, blonde, beautiful and the star of the hit historical drama-cum-soap opera, Knightsbridge, in which she plays the part of Gloria, a scheming man-stealer that viewers love to hate.

Luc knows that casting a popular TV star could be good publicity and increase ticket sales, but no way is he interested in bringing on board some Marilyn Monroe look-alike with a porn-star voice who probably needs direction to tie her own shoes. But his casting director – whom he trusts – thinks Lily has potential and eventually Luc is persuaded to give her an audition. And when he does, he’s surprised to discover that Lily definitely does have a certain something –

Under the soap-opera shit, an actor

– even though her voice is going to need work.

Lily landed the gig on Knightsbridge when she was fresh out of drama school, and now wishes she hadn’t been so quick to sign up for four years and wants to move on to something else.  Her public persona has very much been shaped by the character she plays, and she is frequently depicted as being a blonde bimbo who will shag anything in trousers.  It’s unkind and it’s upsetting, and she tries to ignore it – but there’s no doubt that it’s an image that’s going to be hard to shake, and has almost certainly counted against her when looking for other work.  So to audition for Luc Savage is an amazing opportunity to change direction and make her name for something other than getting her kit off on a regular basis.

When Luc and Lily meet, their first impressions of each other are not good.  Yet there’s something about Lily that slowly disarms Luc and before long he’s well and truly smitten; and when Lily starts to get to know the funny, charming man behind the persona, she is equally so. But with almost their every move under the microscope of the gossip columns – especially London Celebrity, whose editor has a grudge against Luc – there is no possibility of there being anything more between them than a working relationship.  It’s a business in which image sticks and first impressions count, and Lily can’t afford to acquire a reputation for getting jobs via the casting couch – not like her mother, a well-known torch-singer who has never made a secret of using any means necessary in order to advance her career.

To say I loved this book is an understatement – I adored it.  The romance is beautifully written and developed and the chemistry between Luc and Lily is explosive – their first kiss is one of the sexiest, most romantic I think I’ve ever read, and Ms. Parker has upped the heat level a little compared with Act Like It, writing a couple of sex scenes which are imbued with a gorgeous, tender sensuality that sends shivers up and down the spine.

One of the biggest draws, though, is the dialogue, which zings and sparkles with humour and wit in a way that left me slack-jawed with admiration – after I’d finished laughing, that is.  Honestly, if I’d highlighted every brilliant one-liner, my Kindle copy would have one or more notes on almost every page; I’ve rarely read a book where the humour is so unforced and consistently funny, and that’s not easy to do.  I also can’t deny that the book’s overall ‘Britishness’ made a really refreshing change.  I read many, many books set in 19th Century England, and not infrequently find myself complaining about the number of words and expressions used that are not naturally English (i.e, Ye Olde Americanisms).  But here, Ms. Parker – a New Zealander – is absolutely spot-on with British idioms and speech patterns and it’s both noticeable and noticeably different.

Luc and Lily are an extremely likeable pair who strike sparks off each other from the get go and are clearly perfect for each other.  They click on every level, and I really loved the way in which their growing feelings for each other just … creep up on them. There’s no lightning strike or knocking sideways in the best dramatic tradition – it’s just a moment of gentle recognition:

And her pathetic, perverse, masochistic little heart went oh – it’s you.

Lily is beautiful and talented, but she has trust issues relating to the fact that she is the result of an affair between her career-minded mother and a married man, neither of whom have ever had a great deal of time for her.  And everything she knows about Luc tells her he’s a workaholic who never prioritises his personal life, so she is just waiting for him to put work first and her second, even though it’s clear to the reader from his every word and action regarding her that he’s head-over-heels and in it for the long haul.

As for Luc, well he’s my first book-boyfriend of 2017.  I mean, honestly, this?

Luc Savage looked like Gregory Peck, circa some dapper time between Roman Holiday and To Kill a Mockingbird.  There was more bulk in the shoulders, silver in the hair and darkness in the soul; otherwise the resemblance was uncanny.

*swoon*.

But beneath the good looks is a genuine, caring man; a perfect mix of warm, funny, and irresistibly attractive, he’s a tough, determined professional but also someone who will move mountains for those he cares about.

Pretty Face is a terrific read and one I’m recommending wholeheartedly. Along with the funny, the romantic and the sexy, the author also makes some great points about sexism and celebrity culture, and writes moments of true poignancy that will have you reaching for the Kleenex.  Act Like It put Lucy Parker on my auto-read list;  Pretty Face has put her damn near the top of it, and I’m eager for more.

My Best Books of 2016 – at All About Romance

best-of-2016-covers

Over the past week or so All About Romance has been publishing the team’s lists of their Top Ten books read in 2016. The vast majority of these are books published in 2016, although a few are books published previously that have been read this year.

All my choices are 2016 titles, and as usual, it was a tough list to compile. I’ve had a good reading year (I’ll be taking a look at my stats at some point and posting about those) and at AAR, have awarded a good number of B Grades and up, indicating that I read many more books I enjoyed than books I didn’t, which I count a definite plus.

Pinning it down to ten books was TOUGH, as was picking an outright “book of the year”, because this year (unlike last), that moniker could have been applied to practically every book on my list. But being I’m a bit of an angst-bunny, I went for the book that ripped out my heart and stomped on it a few times, AND which I’d been most eagerly anticipating.  Click on the link and all will be revealed!

My Best of 2016