Jack Reardon, former SAS soldier and current Australian Meta-State asset, has seen some messy battles. But “messy” takes on a whole new meaning when he finds himself tied to a chair in a torture shack, his cover blown wide open, all thanks to notorious killer-for-hire Ethan Blade.
Blade is everything Jack doesn’t believe in: remorseless, detached, lawless. Yet, Jack’s only chance to survive is to strike a bargain with the devil and join forces with Blade. As they trek across a hostile desert, Jack learns that Blade is much more than a dead-eyed killer – and harder to resist than he should be.
A year later, Jack is home and finally getting his life on track. Then Ethan Blade reappears and throws it all into chaos once more. It’s impossible to trust the assassin, especially when his presence casts doubts on Jack’s loyalty to his country, but Jack cannot ignore what Blade’s return means: the mess that brought them together is far from over, and Ethan might just bring back the piece of Jack’s soul he thought he’d lost forever.
Rating: Narration: B+; Content: A
I’ve been looking for something to fill the Seven of Spades-shaped hole in my life, so I was delighted to discover L.J. Hayward’s Where Death Meets the Devil, book one in her Death and the Devil series. In it, a former SAS officer and a deadly assassin end up striking the devil’s own bargain when they’re forced to work together in order to survive a trek across the hostile Australian desert while evading a shit-ton of mercenaries in the pay of a dangerous mob boss.
Where Death Meets the Devil opens on probably the crappiest birthday ever for Jack Reardon, who, instead of partying, drinking of lots of beer and stuffing his face with cake, finds himself tied to a chair in a shack in the middle of the back of beyond. He’s an operative of the Office of Counterterrorism and Intelligence – known simply as The Office – run by the Meta-State, a top secret intelligence network stretching across Australia, New Zealand, Malaysia, Singapore and other Southeast Asian countries which share information and resources to combat national and international terrorism; and for the last fifteen months he’s been working undercover in the criminal organisation run by Samuel Valadian in an attempt to find proof of his association with terrorist groups around the world. But someone has alerted Valadian to the presence of a spy in their midst – hence Jack’s current predicament. He tries to brazen it out, but when Valadian calmly introduces his associate Ethan Blade – one of the world’s deadliest, most ruthless killers – Jack figures his luck has run out.
You can read the rest of this review at AudioGals.
Dylan has worked for Gabe for two years. Two long years of sarcastic comments. Two long years of insults, and having to redo the coffee pot four times in the mornings to meet his exacting standards.
Not surprisingly he has devoted a lot of time to increasingly inventive ways to murder Gabe. From stabbing him with a cake fork, to garrotting him with his expensive tie, Dylan has thought of everything.
However, a chance encounter opens his eyes to the attraction that has always lain between them, concealed by the layers of antipathy. There are only two problems – Gabe is still a bastard, and he makes wedding planners look like hardened pessimists.
But what happens when Dylan starts to see the real Gabe? What happens when he starts to fall in love with the warm, wary man that he sees glimpses of as the days pass?
Because Gabe is still the same commitment shy, cold man that he’s always been, or is he? Has Dylan had the same effect on Gabe, and has his solid gold rule of no commitment finally been broken? With his heart taken Dylan desperately needs to know, but will he get hurt trying to find the answers?
Rating: Narration: A; Content: A
Sometimes, you listen to the first few minutes of an audiobook and know you’re going to love it – which is exactly what happened to me with Lily Morton’s Rule Breaker, the first book in her Mixed Messages series. It’s yet another of those books friends have been telling me for ages that I really must read, and once again, audio has proved the perfect way for me to catch up – and Joel Leslie’s fantastic performance only makes me even more thankful to have experienced the story in this format.
Rule Breaker charts the development of the opposites-attract romance between high-powered lawyer Gabe Foster and his assistant Dylan Mitchell; and as soon as I heard Dylan’s opening lines, I knew I was in for just the sort of fun-filled snark-fest that is right up my alley.
I want to kill my boss.
It has become an absolute truth that a small portion of my time every day, is now taken over with creating increasingly inventive ways to murder him slowly. Take today for instance. Today I’m debating whether to hang him out of the tenth-floor window tied to the conference table, or disembowel him with the cake knife from the tea trolley. This is all done while taking diligent notes at the meeting he’s forced me to sit on in. Never let it be said that men can’t multitask.
You can read the rest of this review at AudioGals.
Sir Philip Rookwood is the disgrace of the county. He’s a rake and an atheist, and the rumors about his hellfire club, the Murder, can only be spoken in whispers. (Orgies. It’s orgies.)
Guy Frisby and his sister, Amanda, live in rural seclusion after a family scandal. But when Amanda breaks her leg in a riding accident, she’s forced to recuperate at Rookwood Hall, where Sir Philip is hosting the Murder.
Guy rushes to protect her, but the Murder aren’t what he expects. They’re educated, fascinating people, and the notorious Sir Philip turns out to be charming, kind – and dangerously attractive.
In this private space where anything goes, the longings Guy has stifled all his life are impossible to resist…and so is Philip. But all too soon, the rural rumor mill threatens both Guy and Amanda. The innocent country gentleman has lost his heart to the bastard baronet – but does he dare lose his reputation too?
Rating: Narration – A- : Content – A
Another 2018 favourite lately come to audio, K.J. Charles’ Band Sinister is, quite simply, a total delight. The author made no secret of the fact that it’s an homage to the works of Georgette Heyer, who practically invented the ‘modern’ Regency Romance single-handed, or that she employed a number of favourite tropes in terms of the characterisation and plot – and yet in spite of all that, there is no doubt whatsoever that this is a K.J. Charles book, through and through. On the surface, it’s the story of the country innocent seduced by the wicked lord, but in reality, it’s so much more than that, conveying important ideas about the nature of love and friendship, social responsibility and the importance of being true to oneself and of living as one’s conscience dictates.
Guy and Amanda Frisby were born into the landed gentry but have come down in the world. When their mother ran off with her much younger lover, their father took to heavy gambling and heavy drinking and died leaving them with nothing but scandal to their name. When the story opens, Guy is reading – somewhat apprehensively – the gothic novel Amanda has written and sent to a publisher, and in which she has modelled her villains on their near-neighbour, Sir Philip Rookwood (whose older brother was the man with whom their mother ran away), and his close friend, the devilish Lord Corvin, a man with quite possibly the blackest reputation in England.
You can read the rest of this review at AudioGals.
Detective Levi Abrams and PI Dominic Russo are reunited and more committed to each other than ever, but they can’t truly move forward with their lives until the serial killer who’s been tormenting them is behind bars. When a secret burial site is discovered in the desert with the remains of the Seven of Spades’s earliest victims, that goal finally seems within reach.
But just as the net is tightening, the neo-Nazi militia Utopia launches their master plan with a devastating act of terror that changes the landscape of Las Vegas forever. As Levi and Dominic scramble to prevent the city’s destruction, they’re opposed by treacherous forces that propel them toward catastrophe. In the end, Levi’s fate may rest in the hands of the very killer he’s been hunting.
The race to save Sin City is on, and these players are going for broke. No matter how hopeless things seem, as long as they’re together and they’ve got a chip to play and a chair to sit in, they’re still in the game.
Cordelia Kingsbridge’s Seven of Spades series earned a place on my Best of 2018 list, and the penultimate book, One-Eyed Royals, was actually my pick for best book of the year. I’ve shouted from the rooftops about this series for the last six months and to say I’ve been eager to get my hands on this final instalment is one hell of an understatement! A Chip and a Chair is, I’m delighted to say, a supremely fitting end to what has been an incredible series – a tightly-plotted, utterly gripping story full of high-stakes action, emotional highs and lows, and boasting a wonderfully developed, sexy romance between a couple of complex, well-defined and compelling characters.
As is always the case when reviewing suspense novels, I’m not going to say too much about the plot so as to avoid spoilers, but there are spoilers for the earlier books in the series in this review.
For the better part of a year, Las Vegas has been the ‘home base’ for a particularly devious serial killer dubbed the Seven of Spades, because each of their victims has had a seven of spades playing card left on their body. Right from the start, the killer cultivated a relationship – of sorts – with homicide detective Levi Abrams; he’s the one they contact, the one they’ve sometimes fed information to and the one they’ve gone to great lengths to protect. As the books have progressed, the SoS’s partiality for Levi has led to increased suspicion among his colleagues and a growing sense of isolation from them; a man with anger management issues who struggles to keep himself under a tight rein at the best of times, Levi has been slowly unravelling and getting closer and closer to the edge of his control.
The love and support of his partner, PI Dominic Russo, has kept Levi grounded for the most part, although the couple hit a rocky patch at the end of book three, Cash Plays, after Dominic, a compulsive gambler, relapsed, his lies and manipulation driving a wedge between them. Their break-up left both of them struggling through some of the blackest times of their lives alone, but by the end of One-Eyed Royals, they were back together, filled with a new determination to work things out between them – and at the beginning of A Chip and a Chair, they’re moving into a new apartment. It’s been a month since the game-changing events at the end of One-Eyed Royals, and the Seven of Spades has been quiet since then – but Levi knows it’s only a matter of time before they strike again.
When a construction crew working in the desert unearths a number of bodies in various stages of decomposition, Levi and his work-partner Martine are convinced they’ve found the Seven of Spades’ first victims. Examination and testing is going to take time, but a long overdue piece of luck leads Levi to a real breakthrough in the case – just as the LVMPD is forced to turn its attention to the threat posed by the far-right neo-Nazi gang, Utopia, which has been stepping up its activities in recent weeks, instigating a string of violent hate crimes across the Las Vegas valley and causing panic among the local population. When credible evidence is found that they’re planning to mount a series of terrorist attacks, the city is thrown into chaos. Worse still, Utopia is intent on challenging the Seven of Spades – and on using Levi to get to them.
As to the rest… well, you’ll have to find out for yourself because my lips are sealed! Yes, we do find out the identity of the Seven of Spades and yes, it’s a shocker; the author cleverly presented several candidates, none of whom was more or less likely than any of the others, and I know people who have been speculating about their identity since book one. But odd as it may seem, I was so invested in the relationship between Levi and Dominic, and the way they and their circle were affected by the Seven of Spades’ actions, that learning the killer’s actual identity wasn’t my main focus; all of the possibles were people close to Levi in some way, so that whoever it turned out to be, it was going to be an incredibly harsh betrayal – and it was knowing that was coming that I found to be one of the most compelling elements of the story.
I devoured A Chip and a Chair in one sitting, and if I’d been any closer to the edge of my seat, I’d have been sitting on the floor! I was right there with Levi and Dominic as they got closer and closer to discovering the truth, my pulse racing during the spectacular, mid-book action sequence and then again as Levi, Dominic and their small band of allies – including Rebel, Dominic’s specially trained personal protection dog! – race to find the man behind Utopia’s reign of terror and prevent an atrocity the like of which Las Vegas has never seen.
And in the middle of all of it are Levi and Dominic, closer, stronger and more in love than ever, still battling their demons but thoroughly committed to working through them together and being completely open and honest with one another. I’ve said in previous reviews that I’ve been really impressed with the author’s depiction of Dominic’s addiction and that continues here; she hasn’t glossed over it just because the guys are back together and makes it clear that Dominic is still struggling and will probably continue to do so, but that he’s working hard, every day, to fight it. And there are big self-revelations for Levi, too, as he finally faces up to some long-buried truths about himself – and the final scene *sigh* – gave me All The Feels.
Cordelia Kingsbridge delivered everything I wanted – and more – in A Chip and a Chair. Nail-biting tension, fantastic, vividly-written set-pieces, a complex plot, a brilliant central dichotomy that was so audacious it made me smile and moments that reduced me to tears. I’m not going to forget Levi and Dominic – or this series – in a hurry, and if you haven’t started it yet, prepare to lock yourself away for a few days, because I guarantee that once started, you won’t be able to stop reading until the very end.
What happened in high school stayed in high school. Until now.
Five years ago Michael Graham betrayed the only person who ever really knew him. Since then he’s made an art of hiding his sexual orientation from everyone. Including himself. So it’s a shock when his past strolls right into the Harkness College locker room, sporting a bag of hockey gear and the same slow smile that had always rendered Graham defenseless.
For Graham, there is only one possible reaction: total, debilitating panic. With one loose word, the team’s new left wing could destroy Graham’s life as he knows it.
John Rikker is stuck being the new guy. Again. And it’s worse than usual, because the media has latched on to the story of the only “out” player in Division One hockey. As the satellite trucks line the sidewalk outside the rink, his new teammates are not amused. And one player in particular looks sick every time he enters the room.
Rikker didn’t exactly expect a warm welcome from Graham. But the guy won’t even meet his eyes. From the looks of it, his former…best friend/boyfriend/whatever isn’t doing so well. He drinks too much and can’t focus during practice.
Either the two loneliest guys on the team will self-destruct from all the new pressures in their lives, or they can navigate the pain to find a way back to one another. To say that it won’t be easy is the understatement of the year.
Rating: Narration – A : Content – A-
The first sports romance I ever listened to was HIM, by Sarina Bowen and Elle Kennedy. I’m not a fan of sports of any kind and I worried that perhaps the sporty stuff would both bore me and go completely over my head. Well, that book proved me wrong in the sense that while the sporty stuff DID go over my head, it wasn’t prolonged enough to get boring, AND the narration by Teddy Hamilton and Jacob Morgan was so incredibly good that it enabled me to get through those parts without being tempted to fast-forward through them!
The premise of Sarina Bowen’s The Understatement of the Year bears more than a passing resemblance to HIM – one of her collaborations with Elle Kennedy – because it’s centred around ice-hockey, and the two leads – Michael Graham and John Rikker (voiced here by Christian Fox and Teddy Hamilton respectively) – are childhood friends whose friendship ends abruptly, for reasons one of them doesn’t understand. But unlike Wes and Jamie in HIM, Rikker and Graham had already acknowledged their mutual attraction and begun to explore the physical side of it before things crashed and burned between them, and their friendship ended for very different reasons, which ultimately forced one of them so far back into the closet, it’s a wonder he didn’t end up in Narnia.
You can read the rest of this review at AudioGals.
A compromising situation forced him into marriage. But has his wife been working for the enemy all along?
In a steam-fuelled world where vampires once ruled the aristocracy, a dangerous conspiracy threatens to topple the queen, and the Duke of Malloryn knows his nemesis has finally returned to enact his plans of revenge.
Malloryn can trust no one, and when incriminating photographs surface—of an enemy agent stealing a kiss from his wife—he is forced to question just why his wife, Adele, trapped him into marriage.
Is she an innocent pawn caught up in a madman’s games, or is she a double agent working against him?
The only way to discover the truth is to seduce her himself…
Adele Hamilton may have agreed to a loveless marriage in order to protect herself, but that doesn’t stop her heart from yearning for more.
Her husband promised her a cold marriage bed. He swore he’d never touch her. But suddenly he’s engaged in a campaign of seduction—and the only way to keep her wits about her is to fight fire with fire.
The ruthless beauty has locked her heart away, but can she deny the passion that flares between them? And when the truth emerges, will she be the only thing that can save Malloryn’s life?
Or the weapon his enemy will wield against him?
This final instalment in Bec McMaster’s London Steampunk: The Blue Blood Conspiracy series proved to be everything I was hoping for. They’ve been among the most consistently enjoyable and entertaining books I’ve read over the past couple of years, and they’ve only got better as the series has progressed, delivering fast-paced, action-packed and intricately constructed stories featuring strong, engaging characters and intense, steamy romances which deliver immensely satisfying HEAs readers can believe will last because of the strong emotional connections the author develops between all her heroes and heroines.
Dukes Are Forever sees the final showdown between the Duke of Malloryn and his arch-enemy, Lord Balfour, a confrontation that’s been brewing throughout the whole series. Readers have been there every step of the way as Malloryn and his hand-picked Company of Rogues have discovered the existence of a new, deadlier form of vampire, a virus engineered to kill blue-bloods, and a group of discontent former Echelon set on destroying London and on bringing down the Queen. Ms. McMaster has woven the threads of her story together incredibly well, taking our heroes from a position of… not quite weakness, but of knowing that their faceless enemy was always one step ahead – to one of strength as they’ve gradually put together the pieces of the puzzle, united in their determination to protect the city and the Queen, and to end Balfour, no matter what the cost to themselves.
The sense of brotherhood the author has created between the CoR – a disparate group of blue bloods, verwulfen, humans and mecs, all with specialist skills (many of them deadly) – is one of the things that has really stood out for me throughout this series. There’s never any doubt that this team has been forged in fire and that those bonds are unbreakable; they’d do anything for one another and genuinely care for each other, not that they’d ever say such a thing, showing instead how much they care and how well they know each other through their affectionate teasing and witty banter. And unlike so many series, there’s never a doubt that the Rogues dodge in and out of all the books for any reason other than that they’re necessary to the plot; there are no “just for the sake of it” cameos here!
From the beginning – and from his appearances in the earlier London Steampunk series – I’ve been intrigued by Malloryn. Handsome, coolly controlled and uber-confident (and sexy as hell!), he’s one of those heroes who keeps everything locked away and buried deep inside – not because he doesn’t feel, but because he feels deeply and is protecting himself from again experiencing the deep hurt he suffered in his youth. He’s become my favourite hero of the series (I suspected he would be – I’ve got a thing for the volcanic-fire-beneath-layers-of-ice type), and the relationship the author has built between him and the Rogues is just wonderful; they annoy him and tease the hell out of him and ground him and stop him getting too big for his boots (! – you’ll get that one once you’ve read the book!) and the moment he finally admits to himself that they’re at his side because they want to be there for him and not just because they’re duty bound is one of the real highlights of the story.
This wouldn’t be a Bec McMaster book without a steamy romance and wow, does she deliver on that score. When I first learned that Malloryn had been trapped into offering marriage to a young woman he clearly had no interest in, I thought maybe she’d remain a peripheral character, or that perhaps something would happen to prevent the match. Because we only see her through Malloryn’s eyes, we believe Adele Hamilton to be a cold, selfish schemer who was out to catch herself a powerful husband and succeeded beyond her wildest dreams. But then the author starts to drop clever hints that perhaps there’s more to it than meets the eye, and those hints are strengthened in a climactic (and seriously hot!) scene towards the end of You Only Love Twice, when Adele saves Malloryn’s life at considerable risk to her own and they show they’re not quite as indifferent to each other as they’d have others – and themselves – believe. And then during the course of this book, we learn more about what prompted Adele to act as she did; she’s not proud of it and daily feels guilty at having forced a genuinely good man into something he clearly didn’t want, but her reasons, when they are revealed fully, are completely understandable and encompass more than just herself and her own safety.
As Dukes are Forever opens, we discover Adele is being pursued by a gentleman other than her husband, a man who has links to the Rising Sons, the organisation of former Echelon who want to restore the old hierarchy wherein blue bloods ruled the roost and all the other species are kept firmly in their – much lower – stations. When presented with evidence of Adele’s association with this man, Malloryn realises he has to take steps to work out whether she’s actively working against him – not that she’s in a position to know anything about his work with the Rogues – or if she’s being duped and used as a way to get to him. This leads to the waging of a merry war between them – only this one is a war of seduction, one in which Malloryn would seem to have the upper hand… until Adele shows she knows how to fight fire with fire, and proves as adept at taking apart her husband’s icy veneer as he is at getting past her defences. The chemistry between them is hot enough to blister paint and their ultimate compatibility is reinforced by the way we’re shown how similar they are; both very guarded and self-possessed, having built up layers and layers of walls around their emotions for good reasons – and I just loved watching them stripping away those layers and becoming vulnerable to each other.
I’ve said as much about the plot as I’m going to, but if you’ve been following the series, I think you’ll already have an idea of what’s in store, and if not, then go and get a copy of Kiss of Steel and make a start – you’ve got ten excellent novels to experience! I’ve enjoyed every minute I’ve spent in the London Steampunk world and while I’m going to miss it and these fabulous characters, I’m nonetheless incredibly grateful to have been on this wonderful journey. Dukes are Forever is a wonderfully rousing and eminently fitting finish to the series, and I loved every minute of it.
My Goodreads stats for 2018 reveal that I read 256 books in 2018 (I challenged myself to 240, so I just passed that goal!) – although 108 of those were audiobooks. I suspect, actually, that I listened to more than that, as I know I did a handful of re-listens, and I don’t tend to count those – I re-listen far more than I re-read (I don’t think I did any re-reads last year) – and I think that number of audiobooks is more than ever. Although I have fifty-six 5 star rated books showing on my stats page, the actual 5 star/A grades only number around a dozen or so; the majority are 4.5 star reads that I rounded up or audiobooks in which either story or narration (usually the narration) bumped the grade up into that bracket. I say this because, despite that number of fifty-six, when I came to make my list of what I thought were the Best Books of 2018 for All About Romance, I didn’t have too much trouble making my list, whereas normally, I’ll have fifteen to twenty I could include and have a tough job to whittle it down.
4 star ratings were my largest group (153) – and these include the 4.5 star ratings I don’t round up (B+ books) and the 3.5 star ratings I do round up (B- books), and then I had thirty-three books and audiobooks in the 3 star bracket, nine in the 2 star, one 1 star and one unrated DNF.
The titles that made my Best of 2018 list are these:
And here are a few more rambling thoughts about the books I read and the audiobooks I listened to last year.
Historical Romance is far and away my favourite genre, and for years, I read very little else. Sadly however, HR made a pretty poor showing in 2018 overall, and while there were a few that were excellent, they really were the exception. The vast majority of the newer authors – and I do try most of them at least once – can’t generally manage anything that deserves more than a C grade/3 stars (if that) and even some of the big-names just didn’t deliver. Elizabeth Hoyt’s new series got off to a terrible start with Not the Duke’s Darling, which was overstuffed, confusing and not very romantic with an irritating heroine of the worst kind (the sort who has to trample all over the hero in order to prove herself). Lorraine Heath’s When a Duke Loves a Woman – which I listened to rather than read (thank you Kate Reading, for the excellent narration!) – stretched the cross-class romance trope to breaking point and was sadly dull in places, and Kerrigan Byrne’s sixth Victorian Rebels book, The Duke With the Dragon Tattoo was a huge disappointment. On the plus side though, just before the end of the year, I read début author Mia Vincy’s A Wicked Kind of Husbandwhich was clever, witty, poignant and sexy, and is the first début I’ve raved about since 2016. Meredith Duran’s The Sins of Lord Lockwood was a triumph, and Caroline Linden’s two Wagers of Sin books – My Once and Future Dukeand An Earl Like You – were very good – intelligent, strongly characterised and deeply romantic. Of the two, I preferred An Earl Like You, a gorgeously romantic marriage of convenience story with a bit of a twist. Honourable mentions go to Joanna Shupe’s A Notorious Vow, the third in her Four Hundred series, Virginia Heath’s A Warriner to Seduce Her and Stella Riley’s Hazard, and my two favourite historical mystery series – Lady Sherlock and Sebastian St. Cyr (Sherry Thomas and C.S. Harris respectively) had wonderful new instalments out. K.J. Charles – who can’t seem to write a bad book! – published three titles – The Henchmen of Zenda, Unfit to Printand Band Sinister – all of which I loved and rated highly, and new author, Lee Welch gobsmacked me with her first full-length novel, an historical paranormal (queer) romance, Salt Magic, Skin Magic, a truly mystical, magical story with a sensual romance between opposites. Bec McMaster’s terrific London Steampunk: The Blue Blood Conspiracy continued with You Only Love Twice and To Catch a Rogue, which were wonderful; fast-paced, intelligent and witty, combining high-stakes plots and plenty of action with steamy, sensual romances.
I’ve turned most often to romantic suspense this year to fill the void left by the paucity of good historical romance – many of them in audio as I backtracked through audio catalogues and got hooked on some series that first appeared before 2018, notably Cut & Run and Psycop. In print, I was really impressed with Charlie Adhara’s first two novels in her Big Bad Wolf series, The Wolf at the Door and The Wolf at Bay. I’m not a big fan of shifters, but a friend convinced me to try the first book, and I’m really glad I did. There’s a great suspense plot, two fabulous leads with off-the-charts chemistry, and their relationship as they move from suspicion to admiration to more is really well done.
The final book in Rachel Grant’s Flashpoint trilogy – Firestorm – was a real humdinger and fantastic end to what’s been one of my favourite series over the past couple of years. Superbly written and researched, topical, fast-paced and featuring fabulously developed characters, Firestorm sees two characters who’ve been dancing around each other for two books having to team up to infiltrate a Russian arms dealing ring, and, when things go south, going on the run in one of the most dangerous places in the world. Ms. Grant is one of my favourite authors and her romantic suspense novels are hard to beat.
My big – and I mean BIG – discovery this year was Cordelia Kingsbridge’s Seven of Spades series which is simply brilliant – addictive. I’ve raved about it to everyone that will listen (sorry!) and will do so again. It’s a series of five books (four are out, the fifth is due in March) that tells one overarching story about the search for a clever, devious serial killer plaguing Las Vegas. Each book advances that plotline while also having another, self-contained storyline that eventually coalesces with the main plot; it’s incredibly well done and the plots themselves are filled with nail-biting tension. The two central characters – Levi Abrams, a tightly-wound, intense homicide detective – and Dominic Russo – a congenial, much more relaxed guy who has serious problems of his own – are wonderful; they’re complex, flawed and multi-faceted, and while they’re complete opposites in many ways, they’re no less perfect for each other because of it. Their relationship goes through terrific highs and terrible lows, but as we head into the last book, they’re stronger than ever – and I can’t wait for what promises to be an incredible series finale.
Contemporary Romance isn’t a genre I gravitate towards, but for what I think is the first time EVER, one made my Best of list – Sally Malcolm’s Between the Lines. I’ve really enjoyed the three books she’s set in New Milton (a fictional Long Island resort); in fact, her novella, Love Around the Corner could easily have made the list as well. She has a real gift for creating likeable but flawed characters and for writing emotion that sings without being over the top. And I have to give a shout-out to Kelly Jensen’s This Time Forever series, three books that feature older (late thirties-fifty) characters finding happiness and their forever afters – wonderful, distinct characters, each facing particular challenges and the need to sort out all the emotional baggage that comes with having been around the block a few times.
I listened to more audiobooks than ever this year – partly, I think, because I was trying to fill the gap in my reading because so much HR was just not measuring up, and partly because the fact that I tend to genre-hop more in audio has introduced me to a number of new (to me) narrators that I’ve begun to seek out more. (Plus, I’ve had some long commutes lately!) My favourites are still my favourites: Rosalyn Landor, Kate Reading, Mary Jane Wells, Alex Wyndham and Nicholas Boulton are unbeatable when it comes to historical romances; Andi Arndt reigns supreme when it comes to American contemps, Steve West could read me cereal packets and Greg Tremblay/Boudreaux is my hero. But my list of narrators to trust has grown to include J.F. Harding, Sean Crisden, Joe Arden, Carly Robbins, Saskia Maarleveld and Will Damron.
I’ve become hooked on m/m romantic suspense this year, and have been catching up with two long-running series – Cut & Run by Abigail Roux and Madeline Urban and Psycop by Jordan Castillo Price. The Cut & Run books are fast-paced hokum, the sort of thing you see in a lot of procedurals and action films – enjoyable, but frequently full of holes. But the series is made by its two central characters – Special Agents Ty Grady and Zane Garrett – who strike sparks off each other from the get go and fight, snark and fuck their way through nine books I enjoyed to differing degrees. Unusually, the series has three narrators; the first one (Sawyer Allerde) wasn’t so great, but Sean Crisden and J.F. Harding do fabulous work in books 3-9, and while I know there’s a lot of mixed feeling out there over the later books, I’d still recommend them and the series in audio.
I’ve also been drawn to a number of books that feature psychics in some way or another – I have no idea why – and again, some were more successful than others. I enjoyed Z.A. Maxfield’s The Long Way Home– which is excellently narrated by J.F Harding – and I’m working my way through Jordan Castillo Price’s hugely entertaining Psycop series (I’ve listened to 6 books so far) narrated by Gomez Pugh who doesn’t just portray, but completely inhabits the character of Victor Bayne, the endearingly shambolic protagonist of the series. I plan to listen to the final three books very soon.
Contemporary Romance is a genre I rarely read and don’t listen to often, as it doesn’t do much for me in general. Nonetheless, I’ve listened to a few great contemporary audios in 2018, several of them in Annabeth Albert’s Out of Uniform series, notably Squared Away and Tight Quarters, the latter being one of my favourites. Greg Boudreaux’s narration was the big draw for me in picking up this series on audio (although books 1-3 use different narrators) and he continues to be one of the best – if not THE best – male romance narrators around. The praise heaped on Kate Clayborn’s début, Beginner’s Luck prompted me to pick it up in audio, although I confess that Will Damron’s name attached to it factored into that decision as well. Helen Hoang’s début, The Kiss Quotient was another contemp that generated a huge buzz, which again, prompted me to listen – and the fact that I’d enjoyed Carly Robins’ performance in Beginner’s Luck once again proved the power of the narrator when it comes to my decisions as to what I want to listen to.
As for what I’m looking forward to in 2019? First of all, I’d like a few more winners from my favourite historical romance writers, please! Although to be honest, it’s looking a bit bleak, with Meredith Duran on hiatus, and only one – I think? – book due from Caroline Linden this year. I am, however, looking forward to reading more from Mia Vincy, who has three more books in her series to come, and I’ve already read a fantastic book by K.J. Charles – I believe there’s a sequel on the way, which I’m sure will be equally fabulous. I can’t wait for the finale in the Seven of Spades series – and for whatever Cordelia Kingsbridge comes up with next, and the same is true of Charlie Adhara, whose final Big Bad Wolf book is due out in April. There are new books in their respective series coming from Sherry Thomas and C.S. Harris, so I’ll be there for those, and I’m looking forward to Deanna Raybourn’s next Veronica Speedwell book. Audio often lags behind print, so many of the audiobooks I’m eagerly awaiting are books I read in print this year, such as Amy Lane’s A Few Good Fish (which I read in August) with Greg Tremblay once again doing the honours, and Lee Welch’s Salt Magic, Skin Magic, performed by Joel Leslie, who I’m sure is going to be terrific. I’m also looking forward to the final book in Kate Clayborn’s Chance of a Lifetime Trilogy, Best of Luck, again narrated by Will Damron and Carly Robbins.
Hopefully, I’ll be back this time next year to let you all know how things have panned out!