Her Heart for a Compass by Sarah Ferguson with Marguerite Kaye

her heart for a compass uk

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London 1865

In an attempt to rebel against a society where women are expected to conform, free-spirited Lady Margaret Montagu Scott flees her confines and an arranged marriage. But Lady Margaret’s parents, the Duke and Duchess of Buccleuch, as close friends with Queen Victoria, must face the public scrutiny of their daughter’s impulsive nature, and Margaret is banished from polite society.

Finding strength amongst equally free-spirited companions, including Queen Victoria’s daughter Princess Louise, Margaret resolves to follow her heart. On a journey of self-discovery that will take her to Ireland, America, and then back to Britain, Lady Margaret must follow her heart and search for her place, and her own identity, in a changing society.

Rating: B

Her Heart for a Compass is the first (adult) novel by Sarah Ferguson, Duchess of York, and in it, she and her co-writer, historical romance author Marguerite Kaye, explore the life of one of the Duchess’ ancestors, Lady Margaret Montagu Scott, a young woman who defied the strict conventions of Victorian England to live life under her own terms.

I reviewed this one with Evelyn North, one of my fellow reviewers at AAR.

You can read our review at All About Romance.

The Devil and the Heiress (Gilded Age Heiresses #2) by Harper St. George

the devil and the heiress

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No one would guess that beneath Violet Crenshaw’s ladylike demeanor lies the heart of a rebel. American heiresses looking to secure English lords must be on their best behavior, but Violet has other plans. She intends to flee London and the marriage her parents have arranged to become a published author–if only the wickedly handsome earl who inspired her most outrageously sinful character didn’t insist on coming with her.

Christian Halston, Earl of Leigh, has a scheme of his own: escort the surprisingly spirited dollar princess north and use every delicious moment in close quarters to convince Violet to marry him. Christian needs an heiress to rebuild his Scottish estate but the more time he spends with Violet, the more he realizes what he really needs is her–by his side, near his heart, in his bed.

Though Christian’s burning glances offer unholy temptation, Violet has no intention of surrendering herself or her newfound freedom in a permanent deal with the devil. It’s going to take more than pretty words to prove this fortune hunter’s love is true….

Rating: B-

Harper St. George’s The Devil and the Heiress is book two in her series of novels about Gilded Age Heiresses, wealthy – or potentially wealthy – young American women who come to England to search for a titled husband. Laura Lee Guhrke’s An American Heiress in London has a similar premise as does Maya Rodale’s Keeping Up With the Cavendishes; all feature American heiresses and the Transatlantic culture clash as they struggle to adapt to the rigid conventions of English high society in which, despite their enormous wealth, they are looked down upon because their money is “new” and their breeding questionable. I haven’t read the previous book (The Heiress Gets a Duke), which was generally well received, but I read this one easily as a standalone so anyone choosing to jump in here won’t find it difficult to do so.

Dabney Grinnan and I chatted about this one over at All About Romance and both agreed it was a bit… lacklustre, with a bland heroine and an unmemorable romance.

You can read the rest of this review at All About Romance

A Lady’s Formula for Love (Secret Scientists of London #1) by Elizabeth Everett (audiobook) – Narrated by Elizabeth Jasicki

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What is a Victorian lady’s formula for love? Mix one brilliant noblewoman and her enigmatic protection officer. Add in a measure of danger and attraction. Heat over the warmth of humor and friendship, and the result is more than simple chemistry – it’s elemental.

Lady Violet is keeping secrets. First, she founded a clandestine sanctuary for England’s most brilliant female scientists. Second, she is using her genius on a confidential mission for the Crown. But the biggest secret of all? Her feelings for protection officer Arthur Kneland.

Solitary and reserved, Arthur learned the hard way to put duty first. But the more time he spends in the company of Violet and the eccentric club members, the more his best intentions go up in flames. Literally.

When a shadowy threat infiltrates Violet’s laboratories, endangering her life and her work, scientist and bodyguard will find all their theories put to the test – and learn that the most important discoveries are those of the heart.

Rating: Narration – C+; Content – C

I’ve always loved historical romance, and although I’m finding it increasingly difficult to find historicals to enjoy (so much HR right now features twenty-first century people in costume) I still look out for new authors to try. Elizabeth Everett’s début romance, A Lady’s Formula for Love, was getting quite a bit of advance buzz, narrator Elizabeth Jasicki is experienced in the genre – although I don’t think I’ve listened to her before – so I decided to give this one a go, and… I really wish I could tell you it was great. But I can’t.

The widowed Violet Hughes, Lady Greycliff, is a brilliant chemist and the founder of Athena’s Retreat, ostensibly a social club for ladies, but really a place for them to indulge their passion for science and to undertake research, somewhere they can use their brains and display their intelligence freely without having their ideas belittled by men. But word has leaked out about the true purpose of the club, and Violet has received threats against her and the club that her stepson William, Viscount Greycliff (who is a government agent) suspects originate from a radical, anti-government group. Grey has to be away from London for a few weeks, so he engages Arthur Kneland, a former colleague and experienced protection officer, to act as bodyguard for Violet while he’s away.

You can read the rest of this review at AudioGals.

A Rogue to Remember (League of Scoundrels #1) by Emily Sullivan

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After enduring five interminable seasons, Lottie Carlisle has had enough of shallow London society, her boring little life, and her uncle Alfred’s meddling. When he demands she accept a proposal by the end of next season or else he will choose a husband for her, she devises a plan: create a scandal shocking enough to make her unmarriageable and spend her spinsterhood far enough away in the countryside where no one will ever recognize her.

Alec Gresham hasn’t seen Lottie since he left his childhood friend without a word five years ago. So he’s not surprised to find her furious when he appears on her doorstep. Especially bearing the news he brings: her uncle is dying, her blasted reputation is still intact, and Lottie must return home. As they make the journey back to her family estate, it becomes increasingly clear that the last five years hasn’t erased their history, nor their explosive chemistry. Can Lottie look past her old heartache and trust Alec, or will his secrets doom their relationship once again?

Rating; B-

This historical romance début from Emily Sullivan shows promise, but despite its good points (likeable characters with great chemistry and well-written love scenes) the book is ultimately derailed by a lack of focus and clear direction, uneven pacing, nonsensical plot points and some poor editing.  That the author’s ability to actually write shines through is what earns A Rogue to Remember book a (very) cautious recommendation – she’s worth checking out, because if those problems can be eliminated, then she could very well become an author to watch.

At twenty-four, Lottie Carlisle has had enough of London Seasons and the marriage mart.  After causing a scandal when she publicly rejected the suitor her uncle favoured (the heir to an almost bankrupt earldom who wanted her fortune), she decided enough was enough and set out to ruin her reputation so as to put herself beyond the pale.  Sent out of the country on a trip to Italy with a battleaxe of a chaperone – and also with a warning from her uncle that she’ll be married to a man of his choosing before the year is out – she gives the chaperone the slip and leaves behind a note saying (or strongly implying) that she’s run off with her Italian lover.  She hasn’t, of course; instead, she poses as a widow and heads for the cottage in the small Tuscan village where her late parents had spent their honeymoon.  She’s leased it for a year and intends to live a quiet but independent life there. (The fact she’s planned to live in Italy without being able to speak more than a few words of Italian bugged me right off the bat.)

Lottie has managed this quiet independent existence for a few months when, out of the blue, she receives a visit from someone she hasn’t seen in years – Alec Gresham, the boy she’d grown up with, and the young man who’d broken her heart when he left England without a word five years earlier.  Alec was her uncle’s ward, and was groomed by him for a career as a spy (Lottie’s uncle Sir Alfred appears to be a mild-mannered eccentric, but is actually a ruthless government spymaster) – even though Alec’s real interest was ancient history and he wanted to pursue an academic life.  Alec and Lottie were both orphans and they had something of an idyllic childhood, growing together as they grew up, and slowly falling in love.  But when Alec asked for permission to marry Lottie, Sir Alfred refused, telling Alec he’d ruin his life if he didn’t leave the country immediately and start working as one of his agents. Between the scandal of his birth and his complete lack of funds, Alec was convinced he could never give Lottie the life she deserved and scurried off with his tail between his legs.

Now, five years later, Alec has been sent to bring Lottie back to England because her uncle is seriously ill and probably dying.  Lottie isn’t happy to see him (even as she can’t deny that even after five years and serious heartbreak she’s still attracted to him) and is even less so to hear that the news of her flight with her imaginary lover has been hushed up and her reputation is still more or less intact. After many argumentative exchanges (all dripping with lust and longing), Lottie agrees to return on condition they stop off in Venice.

The next part of the story is the road-trip (and yes, there’s Only One Bed, accidental (post-bathing) ogling and lots of lusty imaginings – oh, and that one time Lottie can see “the sizeable bulge at the front of his trousers” even though Alec has his back to her. #editingfail.)  But in general, it’s nicely done with some good descriptive prose, and I appreciated the non-English setting.  When Lottie and Alec get to Venice, the author introduces one of Alec’s colleagues for no good reason (other than to signal ‘next hero’, I presume) together with a spy-plot in which Alec is ordered to cozy up to a French widow with connections to a German arms dealer.  There’s a fight to the death (well, almost) and a daring escape, but this subplot doesn’t really go anywhere, and while I suppose it’s intended to show us exactly why Alec is The Best Spy Evah (according to Sir Alfred, he has “the best instincts I’ve ever seen”) – it actually makes him seem rather inept.  And the final chapters, after Lottie returns to England, veer off into melodrama territory, with a dastardly plot to force Lottie into marriage and the introduction of a traitor who has been selling information to the enemy, a last-minute plotline that comes and goes so quickly it might as well have not been there at all.

Lottie and Alec are likeable individually and make a good couple, and the author writes their yearning for each other extremely well. The sexual tension between them is palpable, and the childhood friendship, while only glimpsed a handful of times comes across strongly.  I liked Lottie’s spirit and the way she challenges Alec without being one of those ‘look at how unconventional I am!’ heroines, and while Alec frustrated me at times, he’s a sexy, brooding hero (hello, hot history professor!), a decent man trying to do the right thing by the woman he loves.

I realise I’ve said quite a few negative things here, so you’re probably wondering why I’m giving this book a low-level recommendation.  Well… if you strip away the extraneous spy plot, there’s a decent romance here.  The pacing is uneven – the first half of the book is set-up and there’s too much introspection and not enough interaction – and the aforementioned nonsensical plot points and inconsistencies were annoying.  But it’s clear that Emily Sullivan can write and knows how to tell a story; what she needs to do now is work on honing that skill to sharpen her focus on the romance, incorporate fewer plotlines and weed out those inconsistencies I’ve mentioned.  A Rogue to Remember is a promising début despite its flaws, and I hope Ms. Sullivan is given the time and space to further develop her talent as a writer.

Murder on Cold Street (Lady Sherlock #5) by Sherry Thomas

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Inspector Treadles, Charlotte Holmes’s friend and collaborator, has been found locked in a room with two dead men, both of whom worked with his wife at the great manufacturing enterprise she has recently inherited.

Rumors fly. Had Inspector Treadles killed the men because they had opposed his wife’s initiatives at every turn? Had he killed in a fit of jealous rage, because he suspected Mrs. Treadles of harboring deeper feelings for one of the men? To make matters worse, he refuses to speak on his own behalf, despite the overwhelming evidence against him.

Charlotte finds herself in a case strewn with lies and secrets. But which lies are to cover up small sins, and which secrets would flay open a past better left forgotten? Not to mention, how can she concentrate on only murders, when Lord Ingram, her oldest friend and sometime lover, at last dangles before her the one thing she has always wanted?

Rating: A-

Murder on Cold Street, the fifth book in Sherry Thomas’ acclaimed Lady Sherlock series picks up immediately where the previous book (The Art of Theft) left off, so if you haven’t read it yet, then you might want to wait to read this review until you have.  In fact, there will probably be spoilers for other titles in the series here, and while in some respects these novels are standalone mysteries, the character relationships and some plot arcs are ongoing and you’ll get more out of the later books if you’ve read at least some of the earlier ones.

Right at the end of The Art of Theft, after Charlotte, Lord Ingram, Mrs. Watson and Livia had returned from their latest escapades in France, a buoyant Lord Ingram, finally resolved on putting himself out there as regards his feelings for Charlotte, was diverted from his purpose by the news that his friend, Inspector Robert Treadles, had been arrested on suspicion of murder.  While it’s true that Lord Ingram’s friendship with the inspector had cooled a little in recent months on account of the policeman’s disapproval of Charlotte’s being the brains behind the formidable Sherlock Holmes, she and Lord Ingram are no less determined to do everything they can to discover the truth and prove the Inspector’s innocence.

This is going to be rather difficult however, as comes to light when Mrs. Treadles arrives in Baker Street to engage Sherlock to work on her husband’s behalf.  She explains that he was found covered in blood,  gun in hand, in a locked room with two men who had been shot to death, and that as far as Inspector Brighton – who is in charge of the investigation –  is concerned, Treadles is guilty and it isn’t going to take much to convict him.

At this initial meeting, it’s obvious to both Charlotte and Lord Ingram that Mrs. Treadles is holding something back from them, and any pressure they try to exert causes Mrs. Treadles to insist ever more steadfastly that there’s nothing else they need to be aware of.  They tacitly agree not to pursue this further (for now), but know they have to get to the bottom of whatever secret she’s keeping if they’re to gain a proper understanding as to what might have happened on the night of the murders.
Murder in Cold Street is a clever locked-room mystery, and the author keeps us on our toes as we follow Charlotte and Lord Ingram unearthing clues and suspects as they work tirelessly to prove Treadles’ innocence.  We learned in an earlier book in the series that while Mr. and Mrs. Treadles were a devoted couple, things had become a little strained between them of late, ever since she inherited the family business, Cousins Manufacturing, on the recent death of her brother.  Alice – Mrs. Treadles – an intelligent, educated woman, was keen to take up the reins of the business, but her husband wasn’t pleased at her moving beyond the “domestic sphere”.  The two dead men were related to Cousins in some way – one was an employee, the other a former business partner who had also been a mentor to Mrs. Treadles – and when Charlotte suggests that perhaps the deaths are tied to Cousins somehow, a closer look into the company business reveals things that may well have been worth killing over.

As always, the mystery is clever and well-executed, and I really enjoyed watching ‘the gang’ – Charlotte, Lord Ingram, Mrs. Watson and Penelope – all working together and playing off one another.  Even better is the amount of time that Charlotte and Lord Ingram spend together;  I know, I know, these are mainly historical mysteries, but Ms. Thomas injected so much delicious sexual tension and palpable longing between the couple right from the first book that I – along with many fans, I’m sure –have been eagerly lapping up even the tiniest signs of romantic attachment between them!  I won’t say too much, but there are significant progressions here; Charlotte, always so unperturbable and not at all romantic is displaying some vulnerability when it comes to Lord Ingram, and there’s a greater realisation on her part of his reasons for holding back from her for so long. As for Lord Ingram, well, he’s always been completely swoonworthy, but Ms. Thomas somehow makes him even more dreamy; we’re in his head a fair bit in this book and his thoughts and reflections about his past and his relationship with Charlotte are interesting and insightful. When it comes to their working relationship, they’re so in sync that that they almost don’t need to talk at all, and I loved that. He’s every bit as shrewd and observant as Charlotte is, he’s her intellectual equal as well as a man in love who is ready to accept her, foibles, eccentricities and all, in whatever way she will accept him.  And it’s fairly clear Charlotte is coming to realise something along the same lines.  She prides herself on logic and clear-headed calculation… but Lord Ingram is occupying her thoughts more and more frequently, in a way she’s so far reserved for the finest madeira or plum cake (!)

Throughout the story, Sherry Thomas deftly makes some very pertinent points about societal injustice in the Victorian era without resorting to lengthy polemics or info-dumps.  Mrs. Treadles’ difficulties in assuming control of Cousins Manufacturing due to the misogyny displayed by the all-male management team made me want to spit, and the obliviousness of an otherwise kind and decent man to the fact that his mixed-race niece was frequently made deliberately uncomfortable was both subtle and hard-hitting at the same time.

So, why the A- and not a flat-out A, especially considering I enjoyed so many things about Murder on Cold Street?  Well, I have to admit that I’m getting a little bit frustrated with the Moriarty plotline in the sense that after five books, I still have very little idea what he’s up to in the way of a Master Plan.  He’s this nebulous baddie pulling strings somewhere in the wings, and okay, so he’s a master criminal with his finger in many dastardly pies, but even though, at the end of this book, Lord Ingram warns Charlotte that Moriarty must consider her an enemy now, he’s not inspiring the same sense of dread in me that he obviously is in the characters.  Again, perhaps that’s my fault and I’ve missed (or forgotten) something important.  Even so, Murder on Cold Street is a readable, clever and compelling addition to the series and should definitely be on any historical mystery fan’s Wish List.

A Rogue of One’s Own (League of Extraordinary Women #2) by Evie Dunmore

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A lady must have money and an army of her own if she is to win a revolution – but first, she must pit her wits against the wiles of an irresistible rogue bent on wrecking her plans . . . and her heart.

Lady Lucie and her band of Oxford suffragists are finally prepared for a coup against Parliament. But who could have predicted that the one person standing between her and success is her old nemesis and London’s undisputed lord of sin, Lord Ballentine? Or that he would be willing to hand over the reins for an outrageous price – a night in her bed.

Lucie tempts Tristan like no other woman, burning him up with her fierceness and determination every time they clash. But as their battle of wills and words fans the flames of long-smouldering devotion, the silver-tongued seducer runs the risk of becoming caught in his own snare.

As Lucie tries to outmanoeuvre Tristan in the boardroom and the bedchamber, she soon discovers there’s truth in what the poets say: all is fair in love and war . . .

Rating: B+

Evie Dunmore emerged onto the historical romance scene last year with Bringing Down the Duke, a tightly written, strongly characterised story which clearly marked the appearance of a fresh voice in the genre.  So – with that runaway success under her belt, the question fans of the genre were asking was ‘can she do it again or was that a flash in the pan?’  Well, I’m here to tell you that she clearly can do it again, because in A Rogue of One’s Own, she once more tells a thoroughly entertaining story featuring compelling characters and a sensual romance that is very firmly anchored in its late Victorian setting, while also delivering a feminist message in a way that is properly entrenched within the fabric of the story and faithful to the character of the heroine.

Lady Lucie Tedbury, a leader of the British suffragist movement, was disowned by her family a decade earlier for publicly espousing her radical beliefs. She now lives in what can best be described as genteel poverty in Oxford, where she and her friends meet regularly to discuss and organise their activities on behalf of the sufrragist cause.  Their current focus is lobbying Parliament to abolish or amend the Married Woman’s Property Act, and they are on the verge of purchasing half of the shares in publishing house London Print, with a view to publishing their report attacking the Act in its periodicals.  But a few days later, Lucie is horrified to learn that the other fifty percent have just been purchased by Tristan Ballantine, heir to the Earl of Rochester, a notorious libertine who was the bane of her childhood existence.

This is a major setback. Tristan is never going to agree to publish the report, which means all the time and effort spent collecting their data will be wasted.  But Lucie has never been one to give up without a fight and asks Tristan what it will take for him to sell her another one percent of the shares to give her a controlling interest in the company.  Tristan’s price?  A night in her bed. Or his.  He’s not fussed.

Tristan, a second son, never expected to inherit his father’s title.  The Earl of Rochester is a cruel man who insisted on absolute obedience and did his best to beat anything he regarded as not masculine out of his younger son.  Tristan went into the army and served in India, where he earned the Victoria Cross, but the death of his older brother means Tristan is now heir to the Rochester earldom, and his father is determined to make Tristan do his duty to the title by getting married and begetting an heir.  Tristan has no wish to do any such thing, but the earl – who can no longer beat him into submission – has found other ways to control his wayward son over the years, and anticipating his refusal, says that if Tristan doesn’t do as he’s told, then he will arrange for the Countess – who, by the sound of it is what we’d call bi-polar – to be put into an asylum.

Tristan is no longer fully financially dependent on his father, but his plan to get his mother away to safety – perhaps to India – needs funds, which is where London Print comes in.  Years earlier, Tristan anonymously authored a collection of romantic poetry which proved very popular; he now plans to republish it with his name attached, knowing that his reputation as a war hero and London’s most notorious rogue means it will sell in large numbers and provide the money he needs.

Both Lucie and Tristan are extremely well-drawn, complex characters who have upsetting and painful circumstances in their pasts and are trying hard to do what they think is right in their presents.  They’re easy to like and root for, and although Tristan does come across as a bit of a cold bastard to start with, Ms. Dunmore does a brilliant job of showing the reader that a thoughtful, sensitive and damaged man lies beneath the outwardly heartless philanderer, and revealing why the boy who liked to read rather than shoot, and to take care of animals rather than hunt them grew a tough outer shell and cultivated a reputation as a callous womaniser and corrupter of youth.

It’s clear that Tristan has long been carrying a torch for Lucie, but typical of the emotionally-stunted male, he metaphorically pulled her pigtails (and even dyed them once!) to hide the fact that he was sweet on her when they were younger.  Lucie has no interest in giving up the little freedom she has by getting married and has dedicated herself to the suffragist cause, but her disinterest in marriage doesn’t – to her dismay – mean that she isn’t interested in men, or at least, in one man in particular.  The chemistry between the pair crackles right from the start as they embark upon a battle of wills, and things heat up even more.  Tristan knows what a woman’s desire looks like; Lucie is horrified at herself for being so strongly attracted to him, and the confusion that afflicts her is very well depicted – how can she desire a man while despising him? But she is also surprised as she starts to discover the real man beneath the veneer, a well-educated, well-read man with an artistic soul and a willingness to listen and understand.

I was impressed with the way the author incorporates the feminist message in this book.  Lucies’s thoughts and feelings are incredibly well articulated and never come across as preachy or mere lip-service,  but as essential truths:

“A man’s lack of voice is connected to his lack of property… A woman’s lack of voice is forever connected to the fact that she is a woman. “

Anyone who knows anything about the period will know that women had few (if any rights) and that the few that were eventually won took a lot of continual, hard work by many.  (And that while many things have changed in the last 150 years, there are still many that have not).  And while Lucie is outspoken and prepared to stand up for what she believes in she also recognises the need to operate within the limits of the society in which she’s living.  She may be tough and determined, but there’s a vulnerable side to her she strives never to reveal, but which readers are allowed to glimpse as she wrestles with her conscience over her ability to continue to dedicate herself to her work should she become involved with Tristan.

Kudos to her, too, for incorporating a bisexual hero into a mainstream historical romance.  It’s not stated overtly, but it’s fairly clear that Tristan has had relationships with men as well as women (he even gets to flirt with Oscar Wilde at one point!), although this aspect of his character isn’t explored in any detail.

Electric chemistry, an intense attraction and a growing tenderness and understanding – the romance in this book works superbly on pretty much every level, although towards the end I started to feel as though Lucie was so overwhelmed by all the work she was undertaking and all the different directions she was being pulled in that she would never have time for a romantic partner in her life – and that impression, unfortunately, remained with me until the end.  It’s one of the reasons this book didn’t quite reach DIK status.  Another is that while it ends in what is probably the only way it could have ended and remained true to Lucie’s character, it’s a bit too pat and easy;  for Tristan and Lucie to do what they do is pretty risky, especially given that discovery could pose a real threat to Lucie’s ability to continue her work.

And then there’s this:

Near the end, Lucie learns something unpleasant and slaps Tristan on the face with no provocation other than a misunderstanding and her own anger.  Violence never solves anything, and a character who resorts to it for no reason other than temper immediately loses some of my respect.  It’s not acceptable, and had the situation been reversed, the book would probably never have been published.

Overall however, A Rogue of One’s Own is a terrific read, a sensual, insightful and wonderfully poignant love story featuring a well-matched central couple whose HEA is hard-won and thoroughly deserved.  The last couple of chapters left me feeling a teeny bit deflated, but not enough to give the book anything other than a strong recommendation.

A Dark and Stormy Knight (Victorian Rebels #7) by Kerrigan Byrne (audiobook) – Narrated by Derek Perkins

This title may be downloaded from Audible via Amazon

Sir Carlton Morley is famously possessed of extraordinary will, singular focus, and a merciless sense of justice. As a man, he secured his fortune and his preeminence as Scotland Yard’s ruthless chief inspector. As a decorated soldier, he was legend for his unflinching trigger finger, his precision in battle, and his imperturbable strength. But as a boy, he was someone else. A twin, a thief, and a murderer, until tragedy reshaped him.

Now he stalks the night, in search of redemption and retribution, vowing to never give into temptation, as it’s just another form of weakness. Until temptation lands – quite literally – in his lap, taking the form of Prudence Goode. Prim and proper Pru is expected to live a life of drudgery, but before she succumbs to her fate, she craves just one night of desire.

On the night she searches for it, she stumbles upon a man made of shadows, muscle and wrath…and decides he is the one. When their firestorm of passion burns out of control, Morley discovers, too late, that he was right. The tempting woman has become his weakness. A weakness his enemies can use against him.

Rating: Narration – A-; Content – B-

Note: There may be spoilers for the earlier books in the series in this review.

Back in 2015/6 when I reviewed the first two books in Kerrigan Byrne’s Victorian Rebels series, I became intrigued by the secondary character of Chief Inspector Sir Carlton Morley of Scotland Yard, and like many other readers, hoped that the author planned to write his story at some point. Well, five years later, here it is; A Dark and Stormy Knight is the seventh and final(?) book in the series and… well, I can’t say it lived up to my expectations. I’m convinced the series was originally conceived as a trilogy; the later books were pretty disappointing (with book six, The Duke With the Dragon Tattoo basically being a rehash of book one, The Highwayman, still, to my mind, the best of the series), and in those books, there was what appeared to be a gradual retconning of Morley’s character going on as the author started to drop hints of his being a Batman-style vigilante with a tragic past. Sure, we didn’t get into his head in any of the earlier books, and maybe my memory is at fault, but the Carlton Morley in this book doesn’t bear much of a resemblance to the tightly controlled, uncompromising and hard-nosed copper I recall appearing in books one and two.

You can read the rest of this review at AudioGals.

TBR Challenge: Delicious by Sherry Thomas

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He has risen from the gutters to become a powerful man–London’s foremost barrister, Mr. Gladstone’s right hand in the House of Commons. She is a woman who spends her days in the kitchen. A chance encounter changes both their lives, but she disappears at dawn, leaving behind no name, no address, and only a pair of muddy galoshes.

Ten years later, the last thing Stuart Somerset expects, as he arrives at his new country estate following the unexpected death of his elder brother Bertie, is to fall in love with the delicacies from the kitchen of Madame Verity Durant, Bertie’s mysterious and notorious cook. Little does he know, Madame Durant and his lost beloved are one and the same, and he stands to lose his hard-won respectability were he to follow the yearnings of his heart.

Rating: C

It’s no secret that I’m a massive Sherry Thomas fangirl. I’ve read almost every one of her books, and when it came to this month’s TBR prompt of Backlist, I decided to read one of the two (I think) historical romances of hers I haven’t yet read – Delicious, from 2008.  Billed as a kind of Cinderella story, it features a celebrated – even notorious – cook and a highly-respected MP who reunite after they spent a night together ten years earlier, but though I like second-chance romances and I love Sherry Thomas’ writing, the story didn’t work for me at all.  In fact, it was just plain… odd.

I’ll admit to being a bit confused through the first few chapters, but one thing that is apparent early on is that gourmet chef/cook Verity Durant is not exactly what she seems.  Infamous throughout English society because of her (supposed) loose morals, she was the mistress of her employer Bertie Somerset for a time, although that relationship ended ten years before and she remained at Fairleigh Park as his cook.  Bertie dies at the beginning of the book, and his estate is inherited by his estranged half-brother Stuart, a hard-working lawyer and up-and-coming politician who is tipped as a future Prime Minister.  And the man with whom Verity shared one single night of passion ten years earlier.

Verity has mixed feelings upon learning that Stuart will be coming back into her life. She knows there is little reason for them to meet but is still in love with him even after all that time, and she wants to give him a gift, one she realises has been ten years in the making – happiness on a plate.

But unlike his half-brother, who was a real foodie, for Stuart, food is a necessity, something to fuel his body and to prevent hunger.  All he wants is to eat his first dinner as the owner of Fairleigh Park in peace and quiet while he reads his newspaper.  But from his very first mouthful of soup, he’s distracted:

The sip turned into an explosion of flavors on his tongue, rich, deep, pure, like eating the sunshine and verdure of a fine June afternoon.  Startled, he did something he almost never did – putting down his newspaper when he dined alone – and stared into the soup.

A mouthful later, he’s sent the soup away, seeing his enjoyment of it as an indulgence and a weakness.  But as the days pass, he finds himself unable to stop thinking about Madame Durant, fantasising about her even though at this point, (he thinks) he has never even met her.   Oh, and he’s just become engaged to a young woman with whom he’s been friends for a number of years and who he believes will make a good political wife.

But basically, that’s the story, Stuart fighting against seduction by proxy – the proxy being Verity’s amazing and incredibly culinary creations – while Verity simultaneously wants him to love her and actively avoids letting him see her and realise who she is.

The author makes good use of flashbacks to fill in the backstory, so we get to witness the first meeting between Verity and Stuart, the circumstances of their night together and what happened afterwards. But – and here is one of the book’s biggest problems – it was just ONE night, and the entire romance in the present is predicated on that single encounter.  It’s intensely passionate to be sure, but it’s basically insta-love, and when you add to that the fact that Verity and Stuart don’t really interact all that much in the present timeline (and when they do, they don’t see each other’s faces until right at the end), well, I found their romance really difficult to buy into.

Another problem is with the way the conflict in the romance is resolved.  Stuart’s fiancée is happily taken care of (there’s an excellent secondary romance which I liked more than the main one), but even then, Verity’s reputation will spell the end of Stuart’s political career, unless … well, a secondary character does a complete volte face and turns into a deus ex machina.

I didn’t connect with either Stuart or Verity.  Hints are dropped early on that Verity was born into an aristocratic family but was estranged from them at sixteen; she’s had a tough time of it and the fact she’s made something of herself in the face of such adversity really is admirable, but I just couldn’t become invested in her.  And I’m not sure how I feel about the fact she slept with brothers. (Okay, half-brothers, but still…) As for Stuart… two hours after finishing the book I’m trying to recall something about his personality, but other than his determination not to enjoy Verity’s cooking, and an obsession with her that springs out of nowhere, I can’t remember much.  And speaking of cooking, I really didn’t care for was the way in which the food was described as magical and life-altering and… so much hyperbole that I started skimming those parts.

I did like the secondary romance, which was funny and tender, and I think my favourite parts of the story were those when Stuart began to reappraise his relationship with Bertie, to whom he’d been really close when they were boys.  But it’s a bad sign when, in a romance novel, the love stories that are the most interesting don’t involve either of the two principal characters.

A C grade is the best I can do for Delicious – and I can’t remember the last time a Sherry Thomas book got anything lower than an A grade from me.  It’s always a sad day when I have to write a negative review of a favourite author,  but I’ll just have to chalk this one up to experience and move on.

The Winter Companion (Parish Orphans of Devon #4) by Mimi Matthews (audiobook) – Narrated by Alex Wyndham

This title may be downloaded from Audible via Amazon

She needed to be seen…

As a lady’s companion, Clara Hartwright never receives much attention from anyone. And that’s precisely how she likes it. With a stormy past, and an unconventional plan for her future, it’s far safer to remain invisible. But when her new employer is invited to a monthlong holiday at a remote coastal abbey, Clara discovers that she may not be as invisible as she’d hoped. At least, not as far as one gentleman is concerned.

He wanted to be heard…

Neville Cross has always been more comfortable with animals than people. An accident in his youth has left him with a brain injury that affects his speech. Forming the words to speak to his childhood friends is difficult enough. Finding the right things to say to a lovely young lady’s companion seems downright impossible. But Miss Hartwright is no ordinary companion. In fact, there may not be anything ordinary about her at all.

During a bleak Devon winter, two sensitive souls forge an unexpected friendship. But when Clara needs him most, will Neville find the courage to face his fears? Or is saying goodbye to her the most heroic thing he can do?

Rating – Narration: B; Content- C

The Winter Companion is the fourth and final book in Mimi Matthews’ Parish Orphans of Devon series, which follows four young men who formed strong bonds of friendship as boys and who remain close friends in adulthood. This story takes place over the Christmas period and during a ‘family’ reunion as Justin, Tom and Alex (heroes of books 1-3) and their wives gather to celebrate the festive season at Justin’s North Devon home, which is where the fourth member of their group, Neville Cross, lives and works with the animals on the estate while also training to take over from Justin’s steward when he retires.

Unlike the other men – Justin went into the army, Tom moved to London and became a lawyer and Alex left England to make a living gambling and grifting – Neville never left Devon and doesn’t believe he ever will. An accident when he was younger left him with a brain injury which has affected his ability to transfer his thoughts into words. His thought processes and mental capacities are unaffected, but his difficulty in finding the right words – a situation which worsens whenever he’s nervous – has caused many to believe him to be lacking in intelligence. His friends know differently of course, but Neville is very self-conscious about it and prefers to have as little contact with other people as possible, instead spending most of his time with the horses and other animals in his care.

You can read the rest of this review at AudioGals.

An Heiress to Remember (Gilded Age Girls Club #3) by Maya Rodale (audiobook) – Narrated by Charlotte North

This title may be downloaded from Audible via Amazon

Can a scandalized heiress…

Beatrice Goodwin left Manhattan a duchess and has returned a divorcée, ready to seize control of her fate and the family business. Goodwin’s Department Store, once the pinnacle of fashion, has fallen from favor thanks to Dalton’s, its glamorous competitor across the street. But this rivalry has a distinctly personal edge….

And a self-made tycoon…

For Wes Dalton, Beatrice has always been the one – the one who broke his young heart by marrying a duke, and now, the one whose cherished store he plans to buy, just so he can destroy it. It’s the perfect revenge against a family who believed he’d never be good enough for their daughter – until Beatrice’s return complicates everything….

Find happily ever after at last?

While Goodwin’s and Dalton’s duel to be the finest store in Gilded Age Manhattan, Beatrice and Wes succumb to a desire that has only deepened with time. Adversaries by day, lovers by night, both will soon have to decide which is sweeter: winning the battle or thoroughly losing their hearts….

Rating: Narration – B; Content – C+

An Heiress to Remember, book three in Maya Rodale’s Gilded Age Girls Club series, is a second-chance, antagonists-to-lovers romance set in vibrant, bustling turn-of-the-century New York City. The story of young lovers torn asunder who reunite later in life is a familiar one, but while it’s fairly well done, the main story here is really that of a woman coming fully into her own, and sometimes the love story feels as though it’s been put into the back seat.

Eighteen-year-old department store heiress Beatrice Goodwin has fallen in love with her father’s protégé, Wes Dalton, son of an Irish immigrant family, but when we first meet them, she’s about to say goodbye. Her family is pressuring her to marry an English duke; Wes urges Beatrice to reject the duke’s offer and run away with him instead – but Beatrice is terribly torn. She loves Wes, but where will she be if she disobeys her parents? How can she refuse to do the thing she’s been brought up to do – make a prestigious marriage and do her duty to her family?

You can read the rest of this review at AudioGals.