A Convenient Fiction (Parish Orphans of Devon #3) by Mimi Matthews (audiobook) – Narrated by Alex Wyndham

This title may be downloaded from Audible via Amazon

She Needed a Husband…. It’s been three years since Laura Hayes’ father died, leaving her and her invalid brother to subsist on the income from the family’s failing perfume business. But time is swiftly running out. What she needs is a husband, and fast. A noble gentleman who can rescue them all from penury. When a mysterious stranger arrives in the village, he seems a perfect candidate. But Alex Archer is no hero. In fact, he just might be the opposite. He Wanted a Fortune…. Alex has no tolerance for sentiment. He’s returned to England for one reason only: to find a wealthy wife. A country-bred heiress in Surrey seems the perfect target. But somewhere between the village railway station and the manor house his mercenary plan begins to unravel. And it’s all the fault of Laura Hayes – a lady as unsuitable as she is enchanting. From the beaches of Margate to the lavender fields of Provence, a grudging friendship slowly blossoms into something more. But when scandal threatens, can a man who has spent his entire life playing the villain finally become a hero? Or will the lure of easy riches once again outweigh the demands of his heart?

Rating: Narration – B; Content – C+

A Convenient Fiction is book three in Mimi Matthews’ Parish Orphans of Devon series, and the first of the set I’ve listened to (I read the first book, A Matrimonial Advertisement), and I confess I picked it up for review principally because Alex Wyndham is the narrator (the earlier books in the series were narrated by someone I don’t care to listen to). The author has a reputation as someone who pays attention to historical detail and accuracy in her novels, and her characters speak and behave in a way that is very period-appropriate – which isn’t something I can say about a lot of the historical romances published recently. Her writing is smooth and engaging and she has the knack for creating nicely simmering romantic chemistry between her protagonists – but if you’re someone who likes a bit of on-page action between the sheets in your romances, then you won’t find that here, as Ms. Matthews closes the bedroom door very firmly once the characters make it that far!

You can read the rest of this review at AudioGals.

The Princess Plan (Royal Weddings #1) by Julia London

This title may be purchased from Amazon

London’s high society loves nothing more than a scandal. And when the personal secretary of the visiting Prince Sebastian of Alucia is found murdered, it’s all anyone can talk about, including Eliza Tricklebank. Her unapologetic gossip gazette has benefited from an anonymous tip off about the crime, forcing Sebastian to ask for her help in his quest to find his friend’s killer.

With a trade deal on the line and mounting pressure to secure a noble bride, there’s nothing more dangerous than a prince socialising with a commoner. Sebastian finds Eliza’s contrary manner as frustrating as it is seductive, but they’ll have to work together if they’re going to catch the culprit. And soon, as temptation becomes harder to ignore, it’s the prince who’ll have to decide what comes first—his country or his heart.

Rating: D+

I’ve read and enjoyed a number of Julia London’s books in the past, so I thought I’d give her latest title a try.  The Princess Plan is billed as a mixture of mystery and romance, in which a visiting prince teams up with a lively spinster to solve a murder and falls in love along the way.  It seemed as though it might be an enjoyable romp, but sadly wasn’t.  The mystery wasn’t mysterious, the romantic development was non-existent, it wasn’t fun and it wasn’t a romp.  Unless you define a romp as pages of inane chatter and un-funny attempts at banter that seem to exist only as a way of padding out the page count.

Miss Eliza Tricklebank is twenty-eight years of age, and a spinster who keeps house for her father, a Justice of the Queen’s Bench (who has recently lost his sight) and mends clocks to earn a little something on the side.  Her sister Hollis is a widow who inherited a publishing business from her late husband and now publishes Honeycutt’s Gazette of Fashion and Domesticity for Ladies, and her best friend Lady Caroline Hawke is a debutante (well, she’s described as such, but if she’s the same age as Hollis or Eliza then she’s quite an elderly debutante!), and together the three of them spend lots of time chattering about nothing in particular while also deciding what to put in the next edition of the Gazette.  Under discussion when the book opens, is the visit to London by a delegation from the small (fictional) country of Alucia, in London in order to negotiate a new trade agreement at the behest of its crown prince, who is rumoured to be in search of a bride.

Caroline – who, we’re told, knows everybody in London – is able to secure invitations to the masked ball held in honour of the visit for herself and her friends, and it’s here that Eliza, quietly getting tipsy on the rum punch, makes the acquaintance of a gentleman she later realises is none other than Crown Prince Sebastian.

You’re shocked, I can tell.

Flirting and silliness ensure until Sebastian has to go to put in an appearance at the meet and greet portion of the evening, after which he finds himself a woman for the night.  This means Sebastian never does go to meet with his secretary and dear friend Matous, who had told him he needed to see him as a matter of urgency.

And who turns up dead the next morning, his throat cut.

You can read the rest of this review at All About Romance.

Gilded Cage (Lilywhite Boys #2) by K.J. Charles

This title may be purchased from Amazon

Once upon a time a boy from a noble family fell in love with a girl from the gutter. It went as badly as you’d expect.

Seventeen years later, Susan Lazarus is a renowned detective, and Templeton Lane is a jewel thief. She’s tried to arrest him, and she’s tried to shoot him. They’ve never tried to talk.

Then Templeton is accused of a vicious double murder. Now there’s a manhunt out for him, the ports are watched, and even his best friends have turned their backs. If he can’t clear his name, he’ll hang.

There’s only one person in England who might help Templeton now…assuming she doesn’t want to kill him herself.

Rating: A-

K.J. Charles proves – once again – that she’s at the top of her game with Gilded Cage (the sequel to her late-Victorian-jewel-thief-caper Any Old Diamonds), which combines an intriguing murder mystery with a superbly written and swoon-worthy second chance romance.  It’s funny, it’s sexy, it’s poignant and it’s brilliantly observed, featuring wonderfully written, flawed characters who leap off the page, a villain worthy of all the boos and hisses and a high-stakes plot.

When jewel thief and one half of the Lilywhite Boys, Templeton Lane, encountered enquiry agent Susan Lazarus in Any Old Diamonds, it was clear there was a shared history between them – and that it wasn’t one that either of them remembered with fondness.  In Gilded Cage, readers learn the truth of that history – a story of young love gone badly wrong – after Templeton is accused of a double murder and Susan is the only person he feels he can turn to for help.

Against the advice of his associate Jerry Crozier – whom Templeton believes has lost his nerve since he fell in love – Templeton decides to go alone to a house in Mortlake in order to steal a set of highly valuable opals.  Things are going as planned until he enters the bedroom where the safe is located and discovers the house’s owner lying on the floor in a pool of blood.  When a terrified servant wakes the rest of the house, Templeton gets out (not before grabbing the jewels though!), evading his pursuers by swimming across the Thames (risky in the cold and dark) and then makes his way to the East End shop belonging to their regular fence, Stan, where he finds Jerry waiting for him.  Both are furious with Templeton for being so careless, not just of his personal safety, but of theirs, too, and tell him that he needs to get out of the country fast or face the hangman’s noose.  Angry and hurt at what he sees as a betrayal – although he does grudgingly admit to having cocked up big time – and unable to leave England owing to an increased police presence at the ports, Templeton needs to clear his name, which is how he ends up seeking out Susan Lazarus and hoping she won’t turn him in herself before he’s had a chance to explain.

What follows is part second chance romance part murder mystery in which the two leads are finally able to talk about their shared past while also gaining a new appreciation for and understanding of each other and who they are now.  Susan is a wonderful heroine.  Fiercely intelligent, no-nonsense, perceptive and loyal with just a hint of vulnerability she keeps well hidden, she’s not thrilled about seeing the man who broke her heart seventeen years earlier, but also knows that whatever else he is, he’s not a murderer and agrees to help him prove his innocence by finding the true culprit. And although Templeton comes across as a bit of a git to start with – his temper-tantrum over what he sees as Jerry’s ‘defection’ and new-found happiness causes Templeton to make very poor decisions and behave like a petulant kid – he is gradually revealed to be a decent, thoughtful man, his obvious respect for Susan, his acceptance of her bisexuality, and his being prepared to follow her lead (both in the investigation and in their personal interactions) more than making up for his earlier poor judgment and selfishness.

Their relationship is superbly done, the chemistry sizzles and I loved watching them talk through the issues that lie between them and find their way back to each other.  The dialogue – laced with wit and very astute social observation – sparkles, and the plot very cleverly weaves together the threads of past and present to create an immensely satisfying three-dimensional story that has fun poking fun at and playing around with genre tropes.

As is always the case with this author, the writing is superb, the characters are fully-rounded, flawed individuals, and the whole novel is permeated by a wonderful sense of time and place.  Most impressive of all is Susan, a woman who faces the same challenges and restrictions faced by all women at the time (late 19th century) with regard to personal freedom and independence, but who is nonetheless forging her own path as best she can, and the HEA is both original and perfectly in character as well as being thoroughly satisfying.  My one criticism of the story is that because most of the investigation takes place off-page, the sense of urgency – Templeton stands to hang if found guilty, after all – isn’t quite as strong as it should have been.

Although the book works perfectly well as a standalone, there are some lovely shout-outs to both the Sins of the Cities and the Society of Gentlemen; Templeton Lane is really James Vane, whose Great Uncle was Richard Vane –  the mention of the slender, elderly man who taught Templeton the art of silent footsteps was just lovely! – and we get a little peek into the home life of Susan’s ‘guvnors’, Nathaniel Roy and Justin Lazarus, who is clearly as much of a shifty bastard as he ever was.

Gilded Cage is a fantastic read and one no fan of historical romance should miss.  K.J. Charles is one of the very few writers in the genre who really understands it, and given the current deplorable state of HR in general, a true gem like this is not to be missed.

 

TBR Challenge: Widdershins (Whyborne & Griffin #1) by Jordan L. Hawk

This title may be purchased from Amazon

A reclusive scholar. A private detective. And a book of spells that could destroy the world.

Love is dangerous. Ever since the tragic death of the friend he adored, Percival Endicott Whyborne has ruthlessly suppressed any desire for another man. Instead, he spends his days studying dead languages at the museum where he works. So when handsome ex-Pinkerton Griffin Flaherty approaches him to translate a mysterious book, Whyborne wants to finish the job and get rid of the detective as quickly as possible.

Griffin left the Pinkertons after the death of his partner. Now in business for himself, he must investigate the murder of a wealthy young man. His only clue: an encrypted book that once belonged to the victim.

As the investigation draws them closer, Griffin’s rakish charm threatens to shatter Whyborne’s iron control. But when they uncover evidence of a powerful cult determined to rule the world, Whyborne must choose: to remain safely alone, or to risk everything for the man he loves.

Rating: B

Like so many of the books I end up reading for the TBR Challenge each year, Jordan L. Hawk’s paranormal/romantic suspense Whyborne & Griffin series is one I’ve been meaning to read for AGES, so this prompt was just what I needed to galvanise me into reading book one, Widdershins.

Percival Endicott Whyborne comes from a very wealthy family – his father is a railroad baron – but didn’t want to go into the business (as his older brother did) and is thus somewhat estranged from his family.  His mother has been unwell for years and he doesn’t get on with his father, who disapproves of his choice to dedicate himself to comparative philology (Whyborne is fluent in thirteen languages and can read more,) scholarship and a job in the Department of Antiquities at the Ladysmith Museum in Widdershins, Massachusetts.  He keeps himself very much to himself, never really having got the hang of social interaction, and ruthlessly suppresses his attraction to men,  still haunted by thoughts of the first boy he ever loved and blaming himself for his tragic death.  He has only one real friend, Dr. Christine Putnam, a fiercely intelligent, independently minded archaeologist who won’t let him hide himself away all the time, and who, it must be said, has some of the best lines in the book:

“I will not surrender my profession simply because men throughout history have been unduly enamored of their penises!“

(this said in response to a male colleague seeking to prevent her looking at a papyrus fragment depicting a fellow “… in rather an excited state.” )

The appearance of ex-Pinkerton detective Griffin Flaherty at the museum upsets Whyborne’s carefully maintained equilibrium.  Flaherty been asked to investigate the death of Philip Rice, son of the museum’s director who, the day before he died, sent a small, leather-bound book to his father which Griffin has brought to the museum – specifically to Whyborne – to have translated in order to see if its contents have any bearing on Philip’s death.  Although Whyborne is supposed to be working on deciphering some ancient scrolls which are due to be displayed in an upcoming exhibition, he agrees, wanting nothing more than to get the translation done and get rid of the handsome, too-friendly detective who is far too tempting for his peace of mind.

Whyborne’s efforts quickly reveal the book to be an Arcanorum, a book of arcane spells and alchemical treatises which details many occult rituals, not least of which is one able to bring back the dead.  As strange things start happening – from grave robbing to the appearance of mysterious and terrifying beasts, to break-ins at the museum  and the discovery of a powerful and ancient cult – Whyborne and Griffin are drawn into an investigation that will test them both to the limit and force them both to confront some of their darkest fears.

I enjoyed the story, which is immensely readable and entertaining, and I really liked the two central characters, reclusive, gawky Whyborne, and the more outgoing Griffin, whose handsome, charming exterior hides insecurities and emotional damage of his own.  While the story is related entirely from Whyborne’s PoV, the author does a terrific job of showing us Griffin through his eyes, although of course, Whyborne fails to notice the other man’s interest in him because he’s become so used to believing himself to be dull, awkward and unattractive.  But Griffin is smitten from the start; he obviously finds Whyborne’s shyness endearing and is also able to see beyond the bumbling scholar to the courageous, brilliant man beneath, his feelings made clear by the way he treats Whyborne with the sort of courtesy and respect he has never received from anyone before.

Their relationship starts as a slow, smouldering burn, with lots of longing looks and glancing touches, but after that, it moves fairly quickly – perhaps just a little bit too quickly – from that initial frisson to emotional commitment.  As this is the first book in a long running series (the eleventh and final book has just been published), the author could have perhaps taken a little more time to get them to the the ILYs.  I liked them as a couple and liked the way they come to know each other and talk about their pasts; the romance is both sweet and sexy as Griffin gradually coaxes Whyborne from his shell and Whyborne starts to allow someone beyond the emotional walls he’s so carefully constructed.  I just would have liked there to have been a little more time spent building an emotional connection between that initial slow burn and the declarations.  Delayed gratification and all that 😉

The plot, with its Lovecraftian influences and overtones, is a mix of suspense and supernatural horror, full of scary monsters, spooky goings-on (and a fair few “eeew!” moments) and a charismatic though creepy AF villain. The story is well-paced, with plenty of action interspersed among the more intimate and introspective moments, and moves inexorably towards a high-stakes climax which, while perhaps a tad predictable is nonetheless exciting.

In spite of my reservations about the romance and some aspects of the plot, I enjoyed Widdershins and am looking forward to reading the rest of the series.

The Art of Theft (Lady Sherlock #4) by Sherry Thomas

This title may be purchased from Amazon.

As “Sherlock Holmes, consulting detective,” Charlotte Holmes has solved murders and found missing individuals. But she has never stolen a priceless artwork—or rather, made away with the secrets hidden behind a much-coveted canvas.

But Mrs. Watson is desperate to help her old friend recover those secrets and Charlotte finds herself involved in a fever-paced scheme to infiltrate a glamorous Yuletide ball where the painting is one handshake away from being sold and the secrets a bare breath from exposure.

Her dear friend Lord Ingram, her sister Livia, Livia’s admirer Stephen Marbleton—everyone pitches in to help and everyone has a grand time. But nothing about this adventure is what it seems and disaster is biding time on the grounds of a glittering French chateau, waiting only for Charlotte to make a single mistake…

Rating: A-

The Art of Theft is the eagerly awaited fourth book in Sherry Thomas’ superb series of historical mysteries starring Charlotte Holmes, a most unusual young woman whose keen, logical mind and incredible deductive skills would have been completely disregarded in Victorian England had she not invented the infirm but brilliant brother Sherlock who is – in name only of course – the greatest detective the nation has ever seen.  While each book in the series has a central mystery that is solved by the end, there are a number of overarching plot-threads and recurring characters which mean it’s probably not the best idea to pick up The Art of Theft without having read the other novels in the series; readers will get much more out of the wonderfully intricate characterisation and the various relationships between the characters by starting at the beginning with book one, A Study in Scarlet Women.   Because of the way the books are interlinked, there will be spoilers for the rest of the series in this review.

The aftermath of the tumultuous events of The Hollow of Fear sees Lord Ingram Ashburton in the country looking after his children, Mrs. Watson in Paris with her niece, Miss Olivia Holmes nearing the completion of her Sherlock Holmes story, and Miss Charlotte Holmes helping to settle her eldest sister, Bernadette, whom she removed from a home, into her new surroundings.  It’s a brief period of quiet that is broken when Charlotte receives a request for help from someone identifying  themselves only as A Traveler from Distant Lands.

Deciding she needs a distraction – from caring for her sister and from pondering the shifting nature of her relationship with her long-time friend (and now, former lover) Lord Ingram – Charlotte arranges to meet this traveler, correctly assuming the request for help to have come from a woman in need.  Her visitor proves to be none other than an Indian maharani, who also turns out to be the first client ever to decline to use Sherlock Holmes’ services.  Charlotte immediately deduces that this is because the maharani needs someone who is able to do more than investigate; and her supposition is borne out not long afterwards when she and Mrs. Watson – who has confessed to Charlotte that she and the maharani had been lovers once upon a time – visit the maharani at her hotel to offer their assistance.

The lady is still resistant, but when Charlotte most ably demonstrates that she does indeed possess the skills the maharani needs to help with her current predicament, she explains that she is being blackmailed, and that she has been given specific instructions as to what to do in order to receive a packet of letters she does not wish seen by unfriendly eyes.  Every yuletide, an exclusive and extravagant art sale is held at Château Vaudrieu, just outside Paris.  The cream of French society flocks there, as do art connoisseurs, manufacturers, millionaires and princes from around the world – and the maharani’s letters are hidden in the back of a painting by Van Dyck.  She needs someone to steal the painting in order to retrieve the letters – and given the château’s location and the amount of security that surrounds the event, it will be no easy task.

Charlotte is certain that the maharani has not told them everything, but even so, she enlists the help of Lord Ingram and Mr. Stephen Marbleton, and soon they, together with Mrs. Watson and Olivia are crossing the channel and travelling to Paris, where they will meet up with one of Lord Ingram’s friends and allies, Lieutenant Attwood.  An initial reconnaissance mission of the château undertaken by Mr. Marbleton and Lord Ingram reveals that there Is much more going on there than preparations for a masquerade ball and grand art sale. Before long our intrepid band is plunged into something  that goes far beyond simple blackmail – and which will once again see them pitting their wits against the mysterious Moriarty, the shadowy criminal mastermind whose very existence has slowly become irrevocably intertwined with that of our protagonists.

If you’ve followed the series – and have followed my reviews of it – you may be asking yourself why I’ve not graded this book quite as highly as the last couple.  I did struggle with the grading because this whole series is more than a head and shoulders above almost every other similar series out there, and Sherry Thomas’ writing is so wonderfully clever and precise.  I liked pretty much everything about the book – the developments in the relationship between Stephen Marbleton and Olivia, which is plagued by seemingly insurmountable difficulties;  the inclusion of a past, lesbian love affair for Mrs. Watson and the subtle discussions of colonialism and the British Raj; and I was pleased to see Charlotte starting to face up to the truth of her feelings for Lord Ingram, and the uncertainty she’s feeling as to how they can return to their old, comfortable association now they’ve been (albeit very briefly) lovers. The mystery is as detailed, complex and well-executed as ever, and I enjoyed the ensemble nature of the story – including the appearance of Lieutenant Leighton Attwood from the author’s My Beautiful Enemy (and a nice nod to that novel’s heroine).  But after the drama of The Hollow of Fear and its late-book revelations about Lord Ingram’s (soon-to-be ex-) wife, his brother’s betrayal, and the steps forward and steps back in the complicated relationship between Lord Ingram and Charlotte, The Art of Theft sometimes felt as though it was treading water somewhat. The characters face physical danger, for sure, but the stakes simply don’t seem as high for them personally as in the previous book and I wasn’t as completely gripped by this story as I was by previous instalments.  I suspect Ms. Thomas is keeping her powder dry, though.  Looking at the bigger picture; with the middle book (The Hollow of Fear) of a five book series reaching a high point in the story arc,  it makes sense that following book (The Art of Theft) would be a kind of ‘interlude’ or transition before heading into the finale, which I am sure is going to be a corker, given the cliffhanger at the end of the last chapter of this one!**

Still, with all that said, The Art of Theft is a cracking tale, a sophisticated, fantastically well-conceived mystery featuring richly-detailed settings and fully rounded, multi-faceted characters whose relationship are drawn with considerable skill and insight. It may not be my favourite of the series, but it’s still a terrific read, and one I’m more than happy to recommend.

**Note: Since this review was posted, the author has informed me that she has plans for more than five books in total, and that “book 3 isn’t the middle of the arc, but more like the turning point at the end of act 1.”

The Duchess in His Bed (Sins for All Seasons #4) by Lorraine Heath (audiobook) – Narrated by Kate Reading

This title may be downloaded from Audible via Amazon

For a duchess with practical desires, falling in love is an inconceivable part of her plan…

As owner of the Elysium Club which caters to women’s fantasies, Aiden Trewlove is accustomed to introducing adventurous ladies to sin and vice. But he is uncharacteristically intrigued by the mysterious beauty who visits his club one night, yearning to indulge in the forbidden – with him. Drawn to her indomitable spirit, he breaks his rule of never becoming personally involved with his clientele and is determined to fully awaken her desires.

A recent widow, Selena Sheffield, Duchess of Lushing, has never known passion, not until Aiden’s slow, sensual seduction leads her on a journey of discovery and incredible pleasure. But her reasons for visiting the notorious club are not all that they seem.

As Selena’s motives become complicated by love, she finds herself with a most unexpected choice: forge ahead with a secret plan that could secure her future – or follow her heart which could prove ruinous.

Rating: Narration: A; Content: C+

I’ve said before that I’m a fan of Lorraine Heath’s and it’s no secret that Kate Reading is one of my all-time favourite narrators. But The Duchess in His Bed, book four in the Sins for All Seasons series was a real slog and I had difficulty getting through it. The plot is fairly simple, albeit one that presented certain ethical dilemmas, but there was so much padding that I zoned out for periods of time, and found that so little had happened during those periods that I didn’t need to rewind to catch up with what was going on.

Her Grace, Selena, Duchess of Lushing, has been recently widowed. Hers was an arranged marriage, but her husband was a good man and while she wasn’t in love with him, she did love him and is genuinely grieving for him. Or she would be, if she had the time to grieve, but she doesn’t, due to another pressing concern. She and Lushing have no children and he came from a family that was not only short-lived, but also not prolific when it came to procreation. Thus, there are no male heirs to his title or the wealth that goes with it and everything will pass to the crown, leaving Selena with a comfortable income, but not one comfortable enough to enable her to ensure her sisters make good matches. Her brother, the Earl of Camberley, spends most of his time and money gaming and living the high life, despite the parlous state of the family finances, so there will be no help for her sisters coming from that quarter. But Camberley comes up with an incredibly risky plan. If Selena can bear a child within ten months of her husband’s death, he or she will be recognised as Lushing’s legitimate heir. If the baby is a boy, he’ll become the next duke, it it’s a girl, the title will pass into escheat, but the entailment is constructed in such a way as to allow a female to inherit the wealth and lands of the dukedom and will thus retain an elevated position in society.

You can read the rest of this review at AudioGals.

How to Love a Duke in Ten Days (The Devil You Know #1) by Kerrigan Byrne (audiobook) – Narrated by Derek Perkins

This title may be downloaded from Audible via Amazon

Famed and brilliant, Lady Alexandra Lane has always known how to look out for to herself. But nobody would ever expect that she has darkness in her past – one that she pays a blackmailer to keep buried. Now, with her family nearing bankruptcy, Alexandra strikes upon a solution: Get married to one of the empire’s most wealthy eligible bachelors. Even if he does have the reputation of a devil.

Love takes no prisoners.

Piers Gedrick Atherton, the Duke of Redmayne, is seeking revenge and the first step is securing a bride. Winning a lady’s hand is not so easy, however, for a man known as the Terror of Torcliff. Then, Alexandra enters his life like a bolt of lightning. When she proposes marriage, Piers knows that, like him, trouble haunts her footsteps. But her gentleness, sharp wit, independent nature, and incredible beauty awakens every fierce desire within him. He will do whatever it takes to keep her safe in his arms.

Rating: Narration: A-; Content: B

The first thing I’m going to say about How to Love a Duke in Ten Days, the first book in Kerrigan Byrne’s new Devil You Know series is this: don’t let the cutesy title fool you. Unlike most of the romances out there with dumb movie or song rip-off titles, this isn’t a light-hearted, fluffy historical rom-com. Ms. Byrne has become known for writing fairly dark stories featuring damaged characters with troubled pasts, filled with purple-tinged prose and melodrama, and this is no different. The book opens with what’s become one of the author’s trademarks – an impactful yet disturbing prologue set some years in the past that details a traumatic event in the life of one of the leads. In this case, there’s a scene of sexual assault and murder, and listeners should be aware that the assault and its effects on the heroine in terms of how she views men and relationships are mentioned throughout. And while it’s possible to avoid listening to the event itself, skipping the prologue in its entirety will mean missing out on meeting Alexandra’s friends (and future heroines) and the events that bind them together.

You can read the rest of this review at AudioGals.