On the trail of an aristocrat’s secret son, enquiry agent Mark Braglewicz finds his quarry in a music hall, performing as a trapeze artist with his twin sister. Graceful, beautiful, elusive, and strong, Pen Starling is like nobody Mark’s ever met – and everything he’s ever wanted. But the long-haired acrobat has an earldom and a fortune to claim.
Pen doesn’t want to live as any sort of man, least of all a nobleman. The thought of being wealthy, titled, and always in the public eye is horrifying. He likes his life now – his days on the trapeze, his nights with Mark. And he won’t be pushed into taking a title that would destroy his soul.
But there’s a killer stalking London’s foggy streets, and more lives than just Pen’s are at risk. Mark decides he must force the reluctant heir from music hall to manor house, to save Pen’s neck. Betrayed by the one man he thought he could trust, Pen never wants to see his lover again. But when the killer comes after him, Pen must find a way to forgive – or he might not live long enough for Mark to make amends.
Rating: Narration – A: Content – B+
K.J. Charles brings her wonderful Victorian-set romantic/gothic/mystery Sins of the Cities trilogy to a most satisfying conclusion with An Unsuitable Heir, in which missing heirs are found, peril is encountered, murder is a distinct possibility and love grows in the unlikeliest of places. I’ve found the trilogy utterly captivating and entirely delightful; the characters, the setting and the plotting are extremely strong throughout and given that I’m a fan of the sort of Victorian sensation novel which Ms. Charles has taken as her inspiration, I’ve relished the way she has incorporated key elements of the genre into the trilogy. While An Unsuitable Heir isn’t my favourite book of the three (that’s An Unnatural Vice), it’s nonetheless an exciting and fitting end to the series; and another excellent, vibrant performance from Matthew Lloyd Davies makes it a terrific listen.
As I’ve covered the individual plots of the other books in my reviews (linked below), I’m not going to attempt a comprehensive rehash here. I’ll just say that if you’re thinking of listening to this audiobook without reference to the others, I wouldn’t recommend it; the series really does need to be listened to in order. The romances are played out in each, but the overarching plotline of the search for the missing heir to the Moreton earldom runs through all three novels – and because of this, there will be spoilers for the earlier books in this review.
You can read the rest of this review at AudioGals.