An honorable artist
Benedict Pennington’s greatest ambition is not to paint a masterpiece, but to make the world’s greatest art accessible to all by establishing England’s first national art museum. Success in persuading a reluctant philanthropist to donate his collection of Old Master paintings brings his dream tantalizingly close to reality. Until Viscount Dulcie, the object of Benedict’s illicit adolescent desire, begins to court the donor’s granddaughter, set on winning the paintings for himself . . .
A hedonistic viscount
Sinclair Milne, Lord Dulcie, far prefers collecting innovative art and dallying with handsome men than burdening himself with a wife. But when rivals imply Dulcie’s refusal to pursue wealthy Miss Adler and her paintings is due to lingering tender feelings for Benedict Pennington, Dulcie vows to prove them wrong. Not only will he woo her away from the holier-than-thou painter, he’ll also placate his matchmaking father in the process.
Sinner and saint – can both win at love?
But when Benedict is dragooned into painting his portrait, Dulcie finds himself once again drawn to the intense artist. Can the sinful viscount entice the wary painter into a casual liaison, one that will put neither their reputations, nor their feelings, at risk? Or will the not-so-saintly artist demand something far more vulnerable–his heart?
I’ve been looking forward to reading A Sinner Without a Saint, the fourth book in Bliss Bennet’s series about the Pennington family. It features the remaining unwed sibling, Benedict, and Viscount Dulcie, a long-standing family friend and former schoolmate of Benedict’s, with whom he appears to have a bit of a love/hate relationship. The snippets of them together we’ve seen in previous books have mostly consisted of Dulcie exercising his sharp wit and knowing manner in order to needle Benedict into reacting to him; it’s clear there’s a mutual attraction there and equally clear that Benedict isn’t particularly happy about it. This is a frenemies-to-lovers story with depth and originality; in each of the books in the series, Ms. Bennet has chosen interesting backdrops that are more than just window-dressing, and she ties her characters and storylines very closely to them.
The timeline of this book runs concurrently with those of The Penningtons books two and three and some events from those stories are referenced here, but I don’t think it’s completely necessary to have read those, as sufficient explanation is given to enable A Sinner Without a Saint to work as a standalone.
When he was just twelve years old, Benedict Pennington developed a severe case of calf love for the gorgeous Sinclair Milne, Viscount Dulcie, only son and heir to the Earl Milne. Dulcie is five years Benedict’s senior and for a time at school, Benedict was his fag (fagging was a traditional practice at British boys’ boarding schools wherein younger pupils acted as servants to the most senior boys). When Dulcie failed to return to school after the Easter holidays one year without explanation, Benedict was devastated and felt Dulcie had abandoned him. Years later, Benedict – a hugely talented artist – went to live on the continent, where he honed his craft and acquired a reputation not only as a fine portraitist, but as a connoisseur, and as such, his opinions are sought regularly by collectors. He continues to accept commissions, but his passion is the creation of a national collection of art which may be seen by all, and not just those who can afford the entrance fee to exclusive exhibitions. The prevailing belief among the artistic establishment is that the masses could have no appreciation for the fine arts but Benedict believes that art should be accessible to all and he has managed to persuade Julius Adler, a wealthy businessman and owner of the finest collection of Old Masters in England to donate some of his paintings to the project.
You can read the rest of this review at All About Romance.