BRING A LITTLE JOY TO THE WORLD? NOT TODAY, SANTA.
Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He’s on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents’ charming small town hellscape. Population: who cares?
It’s bad enough he’s stuck in some festive winter wonderland—it’s even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who’s unimpressed with anything and everything Matthew does.
Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior…with Hector as his maddening plus-one. But even a Grinch can’t resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince’s heart grow three sizes this year.
Timothy Janovsky’s You’re a Mean One, Matthew Prince is one of those fish-out-of-water stories wherein a spoiled brat is sent away to some backwater they wouldn’t normally set one toe of their Louboutins in and finds meaning, purpose, and often, love as well. It’s a story we’re all read hundreds of times before (and as this one is set around the Christmas period, there are plenty of very obvious references to the most famous meanie-finds-humanity tale of all time), but while the story is decently executed and the characters are likeable, it doesn’t really have anything that sets it apart from the other gazillion stories that employ the same theme.
Twenty-one-year-old Matthew Prince has it all – good-looks, wealth and internet fame thanks to the regularity with which his antics end up on the gossip sites. His latest – the impulsive purchase of an island (yes, you read that right) following a recent break up has finally brought his parents to say enough is enough and put their collective foot down. To prevent a possible PR disaster, he’s sent to spend a month with his maternal grandparents at their cabin in Wind River in downright stifling, middle-of-nowhere western Massachusetts. And as if things aren’t bad enough, he learns he’s to be sharing a room – with bunk beds, no less – with Hector Martinez, a former student of his grandfather’s, to whom he offered temporary accommodation when it looked like Hector wasn’t going to be able to afford to finish college.
Matthew certainly appreciates the eye candy, but it becomes quickly apparent that the down-to-earth Hector is not the slightest bit impressed or awed by Matthew.
“For someone whose last name is Prince, you’re not very charming.”
He’s not used to being so easily dismissed, but then realises it doesn’t matter, because he’s already plotting ways to get back to NYC in time to throw his famous New Year’s Eve bash alongside his bestie, Bentley. But when his plan to sneak away is foiled – by Hector, no less – Matthew realises he’s stuck there until he does what his parents have sent him there to do – grow up and prove to them that he can behave like a responsible adult. The perfect opportunity to do just that presents itself when the organiser of the town’s annual charity gala is unable to undertake the job due to illness. When his grandmother suggests that perhaps Matthew should lend a hand, he just about manages to conceal his horror at the idea of becoming involved in what is undoubtedly the sort of thing he would never (normally) be seen dead at – until Hector subtly reminds him of something he’d rather his grandparents didn’t know about (his plan to go to spend his time in Wind River at the local hotel instead of staying with them.) Matthew decides he’ll pitch in and plan the gala – after all, planning parties is his ‘thing’ (he even copes with his anxiety attacks by planning events in his head) – but first, he’s got to switch gears and plan something that the people of the town will like, rather than something he thinks they should like.
Thankfully, Hector is on hand to point Matthew in the right direction and soon Matthew finds himself starting to enjoy making connections with the townsfolk and, for the first time in many years, enjoying the Christmas season. He’d always loved that time of year as a kid, but by the time he was thirteen, the joy had been sucked out of it, replaced by false sentiment and illusions of family togetherness – and expensive gifts that were somehow supposed to make up for the loss. It’s been a long time since he’s let himself feel anything approaching his youthful love for the season, but working on the gala with Hector alongside him – having a silly Christmas cookie baking competition and debating the merits of the various Christmas movies (the Muppets win every time!) – helps Matthew begin to find the comfort and joy he thought he’d lost. Along the way, he gets to know himself, too, learning who Matthew Prince is and what he could become away from the city, the wealth, the labels and the fair-weather friends.
Matthew is likeable despite his initial snobbishness, because the author does a good job of balancing the bratty attitude and behaviour with a good sense of humour and hints that behind the glitz, glamour and designer clothes, he’s struggling. His GAD (general anxiety disorder) is sensitively and realistically portrayed and the author skilfully explores what it’s like to be someone in the public eye and media spotlight simply because your parents are famous – and to be the child of parents who have little time for you – so that it’s easy to feel sympathy for Matthew and root for him to find his way through all the crap in his life to find happiness.
The festive, small town setting is well done, and the secondary characters are all nicely rounded – even Matthew’s parents, who are never demonised, instead coming across as flawed people who have made poor choices. That said, Matthew’s mother does something inexcusable in the last part of the story – and even though it’s clearly born of fear, it’s tough to get past.
Matthew’s romance with Hector is cute, and I liked how supportive Hector is once they get past that initial antagonistic phase, but the romance does play second fiddle to Matthew’s journey. Hector is a great guy – he’s funny, compassionate, sexy and sweet – but the story is more about Matthew growing up, learning to take responsibility for himself and his life and breaking out of the patterns he’s fallen into. (The couple of sex scenes barely require the ‘warm’ rating, by the way.)
I had a bit of trouble grading this one, mostly because I suspect I’m not really the target audience for a book like this, and so, while it has a lot going for it, for me, it hits that ‘just above average, but seen it all before’ area. The writing is strong, Matthew’s internal dialogue is a great mixture of poignant and funny, and his character growth is easy to follow, but the middle of the book is a bit slow and the Crisis Moment in the last section feels contrived and obvious.
In the end, there’s nothing actually wrong with You’re a Mean One, Matthew Prince – it’s cute and fluffy and full of Christmas cheer (extra Brownie points for two characters bonding over a love of The Muppet Christmas Carol) but it didn’t wow me or have anything really new to offer. It’s a head/heart thing; I can see perfectly well that there’s a lot about the book that some people will absolutely love – but I wasn’t feeling it, which is why I’ve ended up giving it a B-. It might not be something I feel I can recommend to readers who have similar tastes to mine – but I’m sure there are plenty of people out there who will enjoy it more than I did.