Cosmo Saville adores his new husband but his little white lies—and some very black magic—are about to bring their fairytale romance to an end. Someone is killing San Francisco’s spellcasters—and the only person Cosmo can turn to—the man who so recently swore to love and cherish him—isn’t taking his phone calls..
The only magic Police Commissioner John Joseph Galbraith believes in is true love. Discovering he’s married to a witch—a witch with something alarmingly like magical powers—is nearly as bad as discovering the man he loved tricked and deceived him. John shoulders the pain of betrayal and packs his bags. But when he learns Cosmo is in the crosshairs of a mysterious and murderous plot, he knows he must do everything in in his mortal power to protect him.
Till Death do them Part. With their relationship on the rocks, Cosmo and Commissioner Galbraith join forces to uncover the shadowy figure behind the deadly conspiracy…
Can the star-crossed couple bring down a killer before the dark threat extinguishes love’s flame?
I Buried a Witch is the middle book in Josh Lanyon’s Bedknobs and Broomsticks trilogy, a series of fantasy/mystery/romance novels set in and around San Francisco and featuring witch and antiques dealer Cosmo Saville and his husband, John Joseph Galbraith, the Commissioner of Police.
The books don’t really stand alone as there’s an overarching storyline, (and the previous book raised more questions than it answered!) so if you haven’t read book one, Mainly by Moonlight, then you’ll be a bit lost if you start here; and it also means there will be spoilers in this review.
Mainly by Moonlight introduced readers to the world of the Craft (as Cosmo and his fellow witches refer to themselves) and its hierarchy; Cosmo is pretty high up in the pecking order, being the son of the witch next in line to be Crone (chief witch!), the Duchesse d’Abracadantès. Cosmo is preparing to marry the man he’s fallen head-over-heels in love with in just a few short weeks, and to say that the duchesse is not at all happy about her son’s decision to marry an ordinary mortal would be a massive understatement. She drops a bombshell when she tells Cosmo that John is under a love-spell; Cosmo is furious and insists that the spell be lifted immediately, even if it does mean that there’s a chance he’ll lose the love of his life.
While Cosmo is looking for signs that John is falling out of love with him, he’s also dealing with a number of troubling incidents ranging from the murder of a business rival to the sudden disappearance of one of his oldest friends, to another close friend being put into a coma following a hit-and-run, and to top it all, discovers the existence of a secret organisation whose activities threaten the entire Craft. As the day of the wedding draws closer, Cosmo is relieved to discover that John doesn’t want to call it off, even though Cosmo can’t ignore the subtle changes that have started to take place in their relationship. He’s so deeply in love that he carelessly ignores the warning signs that perhaps entering into marriage without having told John the truth about himself is not the best idea.
At the beginning of I Buried a Witch, Cosmo and John return home from their honeymoon in Scotland and are starting to settle into their new home. Sadly, however, it’s not long before things between the newlyweds become strained and Cosmo is forced to admit that he has no-one but himself to blame for the tension between them. When he discovers that several members of the local Wiccan community have been murdered in various gruesome ways, Cosmo wants to be allowed to help with the investigation; his knowledge of Wiccan customs, together with his witchy insight and understanding of possible motives surely make him the person best placed to provide the sort of information the police will need, but John makes it clear, in no uncertain terms, that he doesn’t want Cosmo going anywhere near the investigation. Cosmo, of course, is having none of it, and the shit hits the fan when, during an argument, he tells John the truth about himself.
John, utterly stunned and furious at the deception, packs his bags and leaves that night.
Cosmo is devastated but not ready to give up on his marriage quite yet, even though John refuses to see or speak to him. While he tries to find a way to repair the damage, Cosmo can’t help continuing to look for solutions to the various magical conundrums that surround him. Who is the so-called Witch Killer and how are they connected to the murder (in book one) of Seamus Reitherman? Who is responsible for the hit-and-run that almost killed his friend? And worse, who is trying to kill him? Combined with some of the questions left over from the first book, there’s a lot to unravel here, and clearly some of these questions won’t be answered until the final book in the series, Bell, Book and Scandal.
I continue to like Cosmo as a character; he’s made mistakes and doesn’t always listen to good advice, but he’s smart and funny and kind-hearted, and I really want him to get the HEA he wants and deserves. The trouble is that at the moment, I’m not convinced that John is the man for him. In my review of Mainly by Moonlight, I said I recognised hints that there was more to John than meets the eye; the fact that he seemed able to deflect much of Cosmo’s magic appeared to be important, and I was eager to find out why, but the reason given here – if it’s the real reason – is almost an afterthought and does nothing to shed light on John’s character. In fact, he continues to be overbearing and dismissive of Cosmo; the scene in which John expects Cosmo to deal with the contractors coming to build a pool at the back of their house when Cosmo has said, explicitly, that he’s terrified of water and doesn’t want a pool left me wondering (again) what on earth Cosmo sees in him. But then, John will do or say something that indicates he really does care a great deal for Cosmo, and I’m rooting for them to find their way back to one another. In fact, there’s something of an epiphany for Cosmo when he finally realises that theirs has never been a relationship between equals and that if they’re to have any chance at a future together, he must stop trying to be someone he’s not and start to assert himself – and most importantly, be himself.
I dithered a bit when it came to assigning a final grade for this book. I was caught up in the story and in spite of my reservations about John, I ended up really wanting him and Cosmo to work out their differences and make a fresh start. But then perhaps that’s a testament to the author’s skill; she’s created two very different characters in John and Cosmo, and in spite of the fact that one of them is much easier to like than the other – I usually find it difficult to enjoy a romance in which I feel one character doesn’t really deserve the other – has written them and their relationship in a way that has me wanting things to work out for them. I might not love John, but I believe, honestly and truly, that Cosmo does – and that makes me at least want to like him. So it’s a low-level recommendation from me for I Buried a Witch; I’m invested enough to want to see all the mystery elements brought to a conclusion and to see how John and Cosmo are able to come back from their separation and make their tentative reunion into something solid, so I’ll be picking up the final book in the trilogy when it’s released in the Spring.