Her finances are in dire straits, and best-selling author Sarah Blake is struggling to find a big idea for her next book. Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-boat in 1915. What she discovers there could change history.
Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced member of parliament whose family archives might contain the only key to the long-ago catastrophe….
Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, preoccupied with business…and something else on which she can’t quite put a finger. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect – but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander and take charge of her own life….
Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the US, and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems….
As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives…and history itself.
Rating: Narration – B+ : Content – B
Three authors, three main characters, three narrators; The Glass Ocean is a dual timeline story from the pens of the 3Ws – Williams, Willig and White – that weaves together interconnecting stories featuring three very different woman in two different time-periods almost a century apart. I have no idea which author penned which character – and apparently it’s a very closely guarded secret – but the narration is clearly assigned, with Vanessa Johansson reading the chapters told by Sarah Blake, and Brittany Pressley and Saska Maarleveld reading those from the points of view of Caroline Hochstetter and Tess Schaff respectively.
Five years earlier, Sarah Blake wrote a very successful book about the mid-nineteenth century Irish Potato Famine. For a year she was feted, interviewed, sought after for book signings and events… but when inspiration for a follow-up book failed to arrive, she more or less fell off the radar, and now, even her agent hardly ever calls her. She’s struggling – both creatively and financially – and in desperation, turns to an old family heirloom, breaking her promise to her Alzheimer-stricken mother and opening the chest that belonged to her great-grandfather, who died when the RMS Lusitania was torpedoed by a German U-Boat in 1915. What she finds there leads her to travel to England to request access to the archives of the Langford family in the hope that the documents contained within it will help her to find answers to the questions raised by her great-grandfather’s papers. The problem is that getting permission to view the Langford family’s documents is going to be difficult. John Langford MP has recently become unwillingly entangled in a scandal involving his ex-wife and is lying low in an attempt to dodge the paparazzi stalking him, so Sarah is going to have to approach him carefully – and probably using subterfuge – if she’s to stand any chance of getting him to agree to her request.
You can read the rest of this review at AudioGals.