Strip Me by Margay Leah Justice (audiobook) – Narrated by Sebastian York and Kale Williams

This title may be downloaded from Audible via Amazon

Sam Richmond is a workaholic in danger of becoming the very man he despises – his father. Stressed and sick with worry, he’s desperate to shake off the shackles that bind him to his current path and embark on a life lived only for himself.

His friends are determined to pull him out of his funk and decide to drag him to a strip club that caters to both men and women. Sam is shocked when he develops an attraction to the show’s male headliner: Rico McIntyre. The two men end up in a backroom for a private lap dance that ends up being a game changer for them.

Because despite the fact they both identify themselves as heterosexual, they decide to explore their strange attraction for one another – if only for one night. But one night quickly becomes another and then another, until a misunderstanding tears the two apart. Both men attempt to forget about the other, only for life to unexpectedly reunite them.

Can Sam and Rico embark on a relationship and come to terms with their new understandings of themselves and who they love? Or are they doomed from the start?

Rating: Narration – B+ : Content – C-

I’m far more likely to take a chance on a new or new-to-me author in audio than I am in print, especially if their book is performed by someone I enjoy listening to. So, when Margay Leah Justice’s Strip Me came up for review with two very familiar names attached, I decided to give it a try. Kale Williams is an experienced narrator I’ve enjoyed listening to on several occasions and Sebastian York is… well, Sebastian York! If nothing else, the narration should be good, right? And it is.

But the story? There are a couple of good ideas here, but overall, it’s a bit of a mess, the characterisation is fairly superficial, and the writing is distinctly amateurish in places. Gay-For-You stories are tricky to do well at the best of times and I’ve read and listened to far better examples of the trope than this one.

You can read the rest of this review at AudioGals.