Everything Dominic Price has worked hard to uphold is about to come crashing down on everything he holds dear.
So much for the quiet life. Just as assistant US attorney and brewery owner Dominic Price is settling into a comfy new chapter with his partner, FBI agent Cameron Byrne, the sudden death of Nic’s father puts their happily-ever-after in jeopardy. Nic immediately suspects foul play, his prime suspect a notorious gangster his father was indebted to—only now the loan shark is out for blood.
Cam has been longing for Nic to finally let him in on this very personal case. But when Nic’s belief that he’s the sole Price heir is upended, the line between personal and professional starts to blur, leaving Cam unsure of where he stands.
Nic is depending on Cam’s kidnap and rescue expertise to save his recently discovered family member before it’s too late. But with a dangerous threat closing in, the ghosts from Nic’s past cast long shadows. Any relationship could crack under the pressure, but for Nic, finding his family might mean losing the love of his life.
Although I haven’t given as high grades to the books in Layla Reyne’s Trouble Brewingseries as I did to some of those in her earlier Agents Irish and Whiskey one, for the most part, I’ve enjoyed the novels in spite of their weaknesses. This is primarily because I like the two principals – FBI agent Cameron Byrne and Assistant US Attorney Nic Price – and the sense of family and connections the author has created between them and the recurring secondary characters, most of whom appeared in the earlier series. These are quick, easy reads that are rather like TV shows or action movies in book form; the heroes are impossibly handsome, the ex-SEAL-turned-Lawyer gets to kick ass physically as well as in the courtroom, and the computer experts can hack pretty much everything in the world without breaking a sweat, or turn up all sorts of information in the five minutes it takes most laptops to simply boot up!
So. Taking a degree of suspension of disbelief as read, Noble Hops brings to a close the overarching plotline of the series, in which Nic discovered that his father Curtis Price, a wealthy businessman, was heavily in debt to Duncan Vaughn, a dangerous criminal and slippery character with a finger in many, many pies, that nobody has – as yet – been able to pin anything on. Vaughn tried threatening Nic and his business – the small craft brewery he co-owns with a former SEAL buddy – as a way to force Curtis to pay off his loans, and then to force Nic to pay them – and the fear of putting those he loves in harm’s way led Nic to try to conceal what was happening from Cam and those he’s closest to. Fortunately, by the end of book one, Nic was brought to see that he didn’t have to deal with the situation alone, and now, he and Cam are openly living together and obviously in it for the long haul. That’s not to say Nic isn’t still carrying around a large crate of worry and guilt over events in his past, but he’s at last adjusting to the fact that he has a family now – maybe not a family by blood, but one forged of strong bonds of friendship and loyalty – people who love him and he can trust to have his back.
Wes Cooper was dead. Then he wasn’t—though he’s not exactly alive, either. As an immortal not-ghost, he can transition between this world and the otherplane, which makes him the perfect thief for hire. For seventy years he’s made a “living” returning items to their rightful owners, seeing his fair share of the bizarre in the process. But he’s never witnessed murder. Until now.
His latest mission brings him more than he bargained for: a very-dead actor who is definitely going to stay that way. It’s just Wes’s luck that his ex-boyfriend, Detective Hudson Rojas, is assigned to the case. Hudson broke Wes’s heart years ago—and could again, given he’s rocking a hot silver-fox look that shouldn’t be legal.
As they work together to track down the murderer before anyone else gets hurt, it becomes clear Wes and Hudson have unfinished business. And when a secret Hudson’s been keeping threatens more than just their happiness, it might mean the end of their not-life together—permanently.
For some reason, I’ve been gravitating towards paranormal romances lately, most often ones featuring characters involved in law enforcement, which was the immediate appeal of Jenn Burke’s Not Dead Yet. It’s the first in a new series in which one of the protagonists is, as the title suggests, Not Dead. Although he’s Not Alive either, which is certainly a unique twist and not something I’ve come across before. Not Dead Yet is a hugely enjoyable read featuring two well-rounded principals, an intriguing mystery, and a slow-burn romance; I wasn’t sure what to expect when I picked it up, but it turned out to be a winner and I’m definitely on board for the rest of the series.
In 1933, Wes Cooper was shot and killed by his lover, Michael. But Michael’s sister was a witch and, unable to accept what her brother had done, cast a spell to bring Wes back to life – but not only did it resurrect him, it made him immortal, something that’s changed his life in lots of small ways as well as the one big one. Wes will never age physically and because of this, he never – well, almost never – embarks upon close friendships or relationships, knowing there’s only so long he can use the excuse of having good genes to explain away his unchanging appearance. He’s had to move around and change his identity every ten years or so in order to stop people wondering about him, and his only real friends have been the generations of witches from the family who brought him back from the dead. Even so, he’s flesh and blood; he lives in the world as we know it, but he also retains a link to the otherplane, the place where the dead go before moving on, and where some of them linger, usually in hopes of concluding unfinished business.
Wes uses his ability to slip between the planes of existence to earn a living, sneaking into people’s private spaces as a ghost to recover items for interested parties – heirlooms they want back, contracts they shouldn’t have signed and even information they can use for blackmail. He’s treading a fine line; technically he’s committing theft, although he prefers to think of it as ‘retrieval’, but because of the nature of what he does, he has a very strictly defined set of business practices designed to protect him and his identity; clients come to him via a sophisticated set of referrals and anonymous messages, and he never meets directly with any of them. And their targets are usually shady types, people who’ve done things that are not-so-nice, making them dangerous to be around.
Lord Alexander Pyne-ffoulkes, the younger son of the Duke of Ilvar, holds a bitter grudge against his wealthy father. The Duke intends to give his Duchess a priceless diamond parure on their wedding anniversary—so Alec hires a pair of jewel thieves to steal it.
The Duke’s remote castle is a difficult target, and Alec needs a way to get the thieves in. Soldier-turned-criminal Jerry Crozier has the answer: he’ll pose as a Society gentleman and become Alec’s new best friend.
But Jerry is a dangerous man: controlling, remote, and devastating. He effortlessly teases out the lonely young nobleman’s most secret desires, and soon he’s got Alec in his bed—and the palm of his hand.
Or maybe not. Because as the plot thickens, betrayals, secrets, new loves, and old evils come to light. Now the jewel thief and the aristocrat must keep up the pretence, find their way through a maze of privilege and deceit, and confront the truth of what’s between them…all without getting caught.
Murder and mayhem! Betrayal and revenge! Dastardly dukes and scheming criminals! Roll up, roll up! K.J. Charles has another winner on her hands with Any Old Diamonds, a fabulously entertaining and deftly plotted tale of intrigue and suspense in which our hero – son of the aforesaid dastardly duke – sets in motion a plan of vengeance and retribution… and gets rather more than he bargained for. In the best possible way, of course.
Alec Pyne – more accurately, Lord Alexander Greville de Keppel Pyne-ffoulkes, second son of the Duke of Ilvar – has, for the past eight years, supported himself by working as an illustrator for books and newspapers. It’s not the sort of life he could be living as the scion of one of the wealthiest men in England, it’s true, but it’s a far better option than living under his father’s roof. A particularly complicated and ultimately heartbreaking family situation led to Alec and his siblings (two sisters and a brother, the heir to the title) being cut off completely by the duke following a huge family row which had been brewing for years. Not wanting to be a burden on his brother’s meagre income, Alec took lodgings and found work, mostly content to be his own man.
But the recent death of his sister Cara – which went largely unnoticed by the duke – has prompted Alec to exact some sort of retribution, which is what leads him into contact with notorious thieves, the Lilywhite Boys. He wants them to steal the extremely valuable diamond parure the duke is going to present to his wife on the occasion of their anniversary, as payback, of sorts, for his father’s treatment of them all, but most especially Cara, for simply allowing her to die having ignored their requests for the financial assistance that would have enabled them to pay for treatment of her illness.
Her finances are in dire straits, and best-selling author Sarah Blake is struggling to find a big idea for her next book. Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-boat in 1915. What she discovers there could change history.
Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced member of parliament whose family archives might contain the only key to the long-ago catastrophe….
Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, preoccupied with business…and something else on which she can’t quite put a finger. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect – but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander and take charge of her own life….
Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the US, and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems….
As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives…and history itself.
Rating: Narration – B+ : Content – B
Three authors, three main characters, three narrators; The Glass Ocean is a dual timeline story from the pens of the 3Ws – Williams, Willig and White – that weaves together interconnecting stories featuring three very different woman in two different time-periods almost a century apart. I have no idea which author penned which character – and apparently it’s a very closely guarded secret – but the narration is clearly assigned, with Vanessa Johansson reading the chapters told by Sarah Blake, and Brittany Pressley and Saska Maarleveld reading those from the points of view of Caroline Hochstetter and Tess Schaff respectively.
Five years earlier, Sarah Blake wrote a very successful book about the mid-nineteenth century Irish Potato Famine. For a year she was feted, interviewed, sought after for book signings and events… but when inspiration for a follow-up book failed to arrive, she more or less fell off the radar, and now, even her agent hardly ever calls her. She’s struggling – both creatively and financially – and in desperation, turns to an old family heirloom, breaking her promise to her Alzheimer-stricken mother and opening the chest that belonged to her great-grandfather, who died when the RMS Lusitania was torpedoed by a German U-Boat in 1915. What she finds there leads her to travel to England to request access to the archives of the Langford family in the hope that the documents contained within it will help her to find answers to the questions raised by her great-grandfather’s papers. The problem is that getting permission to view the Langford family’s documents is going to be difficult. John Langford MP has recently become unwillingly entangled in a scandal involving his ex-wife and is lying low in an attempt to dodge the paparazzi stalking him, so Sarah is going to have to approach him carefully – and probably using subterfuge – if she’s to stand any chance of getting him to agree to her request.
You can read the rest of this review at AudioGals.
Sometimes at night, she can hear the dead calling.
Julie Hall’s job is to find bodies. For the sake of her sanity, she’s taking a much-needed break—but the dead don’t wait. With bodies piling up alongside her guilt, she knows she has to dive back in, despite pushback from her FBI boyfriend, Garrett Pierce. But Garrett is working a troubling case of his own and no longer seems like the man she fell in love with.
Despite his warnings—or maybe because of them—when Garrett goes missing, Julie has no choice but to use her skills to find where the cartel buries their victims…before he becomes part of the body count.
A Grave Peril is the third book in Wendy Roberts’ Bodies of Evidence series featuring Julie Hall, a young woman with the unusual ability to locate dead bodies using a set of dowsing rods. I’ve been meaning to dip into this series ever since I read AAR’s review of the first book, A Grave Calling, but haven’t managed to get round to it yet – so when I saw this book was available for review I decided to pick it up. A Grave Peril works fairly well as a standalone, as the author has included enough information about Julie’s backstory to fill in any gaps for a newbie, although I think I’d have benefitted from reading the earlier books in order to get a fuller picture of the events that have shaped her.
Julie Hall has been in a relationship with her FBI agent boyfriend Garrett Pierce for a couple of years, and they’ve recently bought a house together, a fixer-upper in a quiet neighbourhood near Seattle – which isn’t quiet enough for Julie’s liking, mostly because she grew up in an isolated environment and doesn’t like having neighbours. But… it’s a nice house and she’s starting to feel safe there; plus she knows her aversion to having people around is one of the many issues she needs to work on.
After the truly harrowing events of the last case she worked on (detailed in book two, A Grave Search), Julie is taking a break from her business – Divine Reunions – to recuperate, but lately has been feeling ansty about getting back to work. Her inbox is overflowing with requests for help finding the bodies of loved ones from people desperate for closure and to find and bury their dead, and Julie decides it’s time to ease herself back in. She’ll take on a request she received a few months back from a mother desperate to find the body of the son who went missing while out hiking in the forest near Spokane. Garrett – who has been away from home working a case for the last week – isn’t wild about the idea of Julie taking on this job without him there to support her, but she agrees to take a friend with her when she drives out to Hog Lake, and that eases his mind a little.
My Goodreads stats for 2018 reveal that I read 256 books in 2018 (I challenged myself to 240, so I just passed that goal!) – although 108 of those were audiobooks. I suspect, actually, that I listened to more than that, as I know I did a handful of re-listens, and I don’t tend to count those – I re-listen far more than I re-read (I don’t think I did any re-reads last year) – and I think that number of audiobooks is more than ever. Although I have fifty-six 5 star rated books showing on my stats page, the actual 5 star/A grades only number around a dozen or so; the majority are 4.5 star reads that I rounded up or audiobooks in which either story or narration (usually the narration) bumped the grade up into that bracket. I say this because, despite that number of fifty-six, when I came to make my list of what I thought were the Best Books of 2018 for All About Romance, I didn’t have too much trouble making my list, whereas normally, I’ll have fifteen to twenty I could include and have a tough job to whittle it down.
4 star ratings were my largest group (153) – and these include the 4.5 star ratings I don’t round up (B+ books) and the 3.5 star ratings I do round up (B- books), and then I had thirty-three books and audiobooks in the 3 star bracket, nine in the 2 star, one 1 star and one unrated DNF.
The titles that made my Best of 2018 list are these:
And here are a few more rambling thoughts about the books I read and the audiobooks I listened to last year.
Historical Romance is far and away my favourite genre, and for years, I read very little else. Sadly however, HR made a pretty poor showing in 2018 overall, and while there were a few that were excellent, they really were the exception. The vast majority of the newer authors – and I do try most of them at least once – can’t generally manage anything that deserves more than a C grade/3 stars (if that) and even some of the big-names just didn’t deliver. Elizabeth Hoyt’s new series got off to a terrible start with Not the Duke’s Darling, which was overstuffed, confusing and not very romantic with an irritating heroine of the worst kind (the sort who has to trample all over the hero in order to prove herself). Lorraine Heath’s When a Duke Loves a Woman – which I listened to rather than read (thank you Kate Reading, for the excellent narration!) – stretched the cross-class romance trope to breaking point and was sadly dull in places, and Kerrigan Byrne’s sixth Victorian Rebels book, The Duke With the Dragon Tattoo was a huge disappointment. On the plus side though, just before the end of the year, I read début author Mia Vincy’s A Wicked Kind of Husbandwhich was clever, witty, poignant and sexy, and is the first début I’ve raved about since 2016. Meredith Duran’s The Sins of Lord Lockwood was a triumph, and Caroline Linden’s two Wagers of Sin books – My Once and Future Dukeand An Earl Like You – were very good – intelligent, strongly characterised and deeply romantic. Of the two, I preferred An Earl Like You, a gorgeously romantic marriage of convenience story with a bit of a twist. Honourable mentions go to Joanna Shupe’s A Notorious Vow, the third in her Four Hundred series, Virginia Heath’s A Warriner to Seduce Her and Stella Riley’s Hazard, and my two favourite historical mystery series – Lady Sherlock and Sebastian St. Cyr (Sherry Thomas and C.S. Harris respectively) had wonderful new instalments out. K.J. Charles – who can’t seem to write a bad book! – published three titles – The Henchmen of Zenda, Unfit to Printand Band Sinister – all of which I loved and rated highly, and new author, Lee Welch gobsmacked me with her first full-length novel, an historical paranormal (queer) romance, Salt Magic, Skin Magic, a truly mystical, magical story with a sensual romance between opposites. Bec McMaster’s terrific London Steampunk: The Blue Blood Conspiracy continued with You Only Love Twice and To Catch a Rogue, which were wonderful; fast-paced, intelligent and witty, combining high-stakes plots and plenty of action with steamy, sensual romances.
I’ve turned most often to romantic suspense this year to fill the void left by the paucity of good historical romance – many of them in audio as I backtracked through audio catalogues and got hooked on some series that first appeared before 2018, notably Cut & Run and Psycop. In print, I was really impressed with Charlie Adhara’s first two novels in her Big Bad Wolf series, The Wolf at the Door and The Wolf at Bay. I’m not a big fan of shifters, but a friend convinced me to try the first book, and I’m really glad I did. There’s a great suspense plot, two fabulous leads with off-the-charts chemistry, and their relationship as they move from suspicion to admiration to more is really well done.
The final book in Rachel Grant’s Flashpoint trilogy – Firestorm – was a real humdinger and fantastic end to what’s been one of my favourite series over the past couple of years. Superbly written and researched, topical, fast-paced and featuring fabulously developed characters, Firestorm sees two characters who’ve been dancing around each other for two books having to team up to infiltrate a Russian arms dealing ring, and, when things go south, going on the run in one of the most dangerous places in the world. Ms. Grant is one of my favourite authors and her romantic suspense novels are hard to beat.
My big – and I mean BIG – discovery this year was Cordelia Kingsbridge’s Seven of Spades series which is simply brilliant – addictive. I’ve raved about it to everyone that will listen (sorry!) and will do so again. It’s a series of five books (four are out, the fifth is due in March) that tells one overarching story about the search for a clever, devious serial killer plaguing Las Vegas. Each book advances that plotline while also having another, self-contained storyline that eventually coalesces with the main plot; it’s incredibly well done and the plots themselves are filled with nail-biting tension. The two central characters – Levi Abrams, a tightly-wound, intense homicide detective – and Dominic Russo – a congenial, much more relaxed guy who has serious problems of his own – are wonderful; they’re complex, flawed and multi-faceted, and while they’re complete opposites in many ways, they’re no less perfect for each other because of it. Their relationship goes through terrific highs and terrible lows, but as we head into the last book, they’re stronger than ever – and I can’t wait for what promises to be an incredible series finale.
Contemporary Romance isn’t a genre I gravitate towards, but for what I think is the first time EVER, one made my Best of list – Sally Malcolm’s Between the Lines. I’ve really enjoyed the three books she’s set in New Milton (a fictional Long Island resort); in fact, her novella, Love Around the Corner could easily have made the list as well. She has a real gift for creating likeable but flawed characters and for writing emotion that sings without being over the top. And I have to give a shout-out to Kelly Jensen’s This Time Forever series, three books that feature older (late thirties-fifty) characters finding happiness and their forever afters – wonderful, distinct characters, each facing particular challenges and the need to sort out all the emotional baggage that comes with having been around the block a few times.
I listened to more audiobooks than ever this year – partly, I think, because I was trying to fill the gap in my reading because so much HR was just not measuring up, and partly because the fact that I tend to genre-hop more in audio has introduced me to a number of new (to me) narrators that I’ve begun to seek out more. (Plus, I’ve had some long commutes lately!) My favourites are still my favourites: Rosalyn Landor, Kate Reading, Mary Jane Wells, Alex Wyndham and Nicholas Boulton are unbeatable when it comes to historical romances; Andi Arndt reigns supreme when it comes to American contemps, Steve West could read me cereal packets and Greg Tremblay/Boudreaux is my hero. But my list of narrators to trust has grown to include J.F. Harding, Sean Crisden, Joe Arden, Carly Robbins, Saskia Maarleveld and Will Damron.
I’ve become hooked on m/m romantic suspense this year, and have been catching up with two long-running series – Cut & Run by Abigail Roux and Madeline Urban and Psycop by Jordan Castillo Price. The Cut & Run books are fast-paced hokum, the sort of thing you see in a lot of procedurals and action films – enjoyable, but frequently full of holes. But the series is made by its two central characters – Special Agents Ty Grady and Zane Garrett – who strike sparks off each other from the get go and fight, snark and fuck their way through nine books I enjoyed to differing degrees. Unusually, the series has three narrators; the first one (Sawyer Allerde) wasn’t so great, but Sean Crisden and J.F. Harding do fabulous work in books 3-9, and while I know there’s a lot of mixed feeling out there over the later books, I’d still recommend them and the series in audio.
I’ve also been drawn to a number of books that feature psychics in some way or another – I have no idea why – and again, some were more successful than others. I enjoyed Z.A. Maxfield’s The Long Way Home– which is excellently narrated by J.F Harding – and I’m working my way through Jordan Castillo Price’s hugely entertaining Psycop series (I’ve listened to 6 books so far) narrated by Gomez Pugh who doesn’t just portray, but completely inhabits the character of Victor Bayne, the endearingly shambolic protagonist of the series. I plan to listen to the final three books very soon.
Contemporary Romance is a genre I rarely read and don’t listen to often, as it doesn’t do much for me in general. Nonetheless, I’ve listened to a few great contemporary audios in 2018, several of them in Annabeth Albert’s Out of Uniform series, notably Squared Away and Tight Quarters, the latter being one of my favourites. Greg Boudreaux’s narration was the big draw for me in picking up this series on audio (although books 1-3 use different narrators) and he continues to be one of the best – if not THE best – male romance narrators around. The praise heaped on Kate Clayborn’s début, Beginner’s Luck prompted me to pick it up in audio, although I confess that Will Damron’s name attached to it factored into that decision as well. Helen Hoang’s début, The Kiss Quotient was another contemp that generated a huge buzz, which again, prompted me to listen – and the fact that I’d enjoyed Carly Robins’ performance in Beginner’s Luck once again proved the power of the narrator when it comes to my decisions as to what I want to listen to.
As for what I’m looking forward to in 2019? First of all, I’d like a few more winners from my favourite historical romance writers, please! Although to be honest, it’s looking a bit bleak, with Meredith Duran on hiatus, and only one – I think? – book due from Caroline Linden this year. I am, however, looking forward to reading more from Mia Vincy, who has three more books in her series to come, and I’ve already read a fantastic book by K.J. Charles – I believe there’s a sequel on the way, which I’m sure will be equally fabulous. I can’t wait for the finale in the Seven of Spades series – and for whatever Cordelia Kingsbridge comes up with next, and the same is true of Charlie Adhara, whose final Big Bad Wolf book is due out in April. There are new books in their respective series coming from Sherry Thomas and C.S. Harris, so I’ll be there for those, and I’m looking forward to Deanna Raybourn’s next Veronica Speedwell book. Audio often lags behind print, so many of the audiobooks I’m eagerly awaiting are books I read in print this year, such as Amy Lane’s A Few Good Fish (which I read in August) with Greg Tremblay once again doing the honours, and Lee Welch’s Salt Magic, Skin Magic, performed by Joel Leslie, who I’m sure is going to be terrific. I’m also looking forward to the final book in Kate Clayborn’s Chance of a Lifetime Trilogy, Best of Luck, again narrated by Will Damron and Carly Robbins.
Hopefully, I’ll be back this time next year to let you all know how things have panned out!
Charged with high treason, Lady Jessamine Fane is under the watchful eye of icily calm Lord Peter Flint. It’s a task this spy won’t be swayed from, no matter how alluring his prisoner! Only it’s not long before Flint realises that tenacious Jess hides a lifetime of pain. With so much at stake, can he afford to take a chance on their powerful attraction?
Virginia Heath’s first historical romance was published just over two-and-a-half years ago, and in the time since, she’s published a dozen more novels, maintaining a high standard of writing and characterisation that earned places on my keeper shelf for quite a few of them. She’s one of my favourite authors and none of her novels has received anything lower than a B grade from me – until now. Much as it pains me to say it – because I’m a big fan of her work – The Uncompromising Lord Flint, the second book in her current King’s Elite series, doesn’t really hit all the bases and was – dare I say it – even a bit boring in places. It has an intriguing plot and a strongly drawn heroine, but the romance is rushed and the hero never really came to life for me.
The King’s Elite series has an overarching plotline concerning the search for The Boss, the person behind a widespread smuggling ring whose profits are being channelled into the campaign to free Napoleon from his prison on Elba. Each book in the series – judging from the two published so far – is progressing that particular plotline; in The Mysterious Lord Millcroft, the identities of several members of the English aristocracy involved in the smuggling ring were uncovered, and The Uncompromising Lord Flint sees the eponymous hero on the trail of one of the key players in the French side of the operation.
Lord Peter Flint has been detailed to escort a very valuable prisoner to London where she will be interrogated, tried and very likely convicted of treason. Lady Jessamine Fane has lived in France since the age of twelve, taken away from her home when her mother absconded with her lover, the Comte de Saint-Aubin-de-Scellon. Disowned by her father, neglected by her mother, Jess has, to all intents and purposes, been alone for all of her adult life, living in captivity and in constant fear of St. Aubin’s cruelty, a fear that has only grown in the years since her mother died and Jess was forced to take her mother’s place as ‘secretary’ in St. Aubin’s smuggling/espionage ring. She has a detailed knowledge of his vast network of contacts and his many illegal operations, and knows that sooner or later, that knowledge will get her killed – so she has very carefully been sending encoded hints and information across the channel, and waiting for her opportunity to escape. Jess is clever, resourceful and resilient, she’s survived emotional and physical cruelty only to be facing death at the hands of the people she’s trying to help. And while her frustration with their refusal or inability to realise the danger they face from St. Aubin, the trouble is that Jess is so secretive that it’s no wonder they don’t believe a word she says, and unfortunately, that secretiveness goes on for way too long.
The characterisation of the hero is… off. Ms. Heath normally creates wonderfully attractive, witty, sexy heroes, but here, Flint fades into the background somewhat, and I had real trouble buying him as an elite super-spy because he comes across as so ineffectual. Jess is the driving force in this book, and she overshadows everyone else (except maybe for Flint’s mother). We know little about Lord Peter Flint other than that he’s the only male in his immediate family of mother and five sisters (who are all, naturally, nagging him to get married) and that he made a huge mistake with a female prisoner in the past which almost cost his father his life – a mistake he’s determined NEVER to repeat, and which makes him doubly cautious when it comes to Jess. Even though he isn’t, because right from the off, he somehow intuits she isn’t a traitor and ignores his own warnings to be circumspect. He’s fairly bland, and hasn’t stuck in my memory in the way that many of Ms. Heath’s other heroes have.
Sadly, the romance between Jess and Flint is underdeveloped and feels rushed; there is little chemistry between them, and there is more telling than showing going on, which was another disappointment; Ms. Heath normally excels at creating terrific sexual tension and showing readers her protagonists falling in love, but neither of those things happened here.
It’s never pleasant to be writing negatively about a book by a favourite author, but I’m afraid The Uncompromising Lord Flint was a disappointment. Still, a run of a dozen successful, highly-rated books is an incredible achievement for any author, and I suppose everyone is entitled to the occasional misfire. This book may not have worked well for me, but I’m still invested in the King’s Elite series and am looking forward to the next instalment.