After being cruelly jilted by a lord who claimed to adore her, Miss Payton Peppiwell swore her future husband would be as ordinary as she. Now if only her family would listen to her. Then she meets Mikhail Konstantinovich, an untitled horse breeder, in a highly improper and scandalous encounter. Never had Payton expected to be so attracted to the dark, intriguing man, who seduces her to recklessness with a mere stare.
Mikhail abhors anything to do with intimacy. Yet Miss Peppiwell stirs hunger and a need long forgotten in him. But Mikhail has a dark past-one that means his lust must be sated in a way entirely unsuitable for a lady. But his biggest secret will be the hardest for Payton to overcome: Mikhail is not only titled, he’s a prince…
Rating: Narration – D- Content – D
I’m not exaggerating when I tell you that Stacy Reid’s The Royal Conquest is far and away the front runner for the title of “Worst Audiobook I Have Listened to This Year”. I’ve listened to mediocre stories performed by excellent narrators and excellent stories ruined by poor narrators, but this one has it all – a mediocre story performed by an inept narrator. It rarely gets worse than this.
But such is the reviewer’s lot. Sometimes when looking for titles to review, I think – “oh, I’ve not listened to that author/narrator before, so let’s give it a go”, and sometimes I’m lucky – like when I thought “oh yes, Alex Wyndham – I’ve seen him on the telly, so let’s see what he does with an audiobook” – and sometimes I’m not. This is one of those times.
Normally when I write a review of an audiobook, I spend a bit of time talking about the plot and characterisation and leave the discussion of the narration until the end. This time, however, I am going to reverse that, because even if this book had been the best ever written – and that isn’t the case by a long chalk, I assure you – the narration is so dreadful it would have rendered it completely un-listenable-to. (I may have made that term up – put it down to my still being traumatised!)
You can read the rest of this review at AudioGals.