Jasper Detchard is a disgraced British officer, now selling his blade to the highest bidder. Currently that’s Michael Elphberg, half-brother to the King of Ruritania. Michael wants the throne for himself, and Jasper is one of the scoundrels he hires to help him take it. But when Michael makes his move, things don’t go entirely to plan – and the penalty for treason is death.
Rupert of Hentzau is Michael’s newest addition to his sinister band of henchmen. Charming, lethal, and intolerably handsome, Rupert is out for his own ends – which seem to include getting Jasper into bed. But Jasper needs to work out what Rupert’s really up to amid a maelstrom of plots, swordfights, scheming, impersonation, desire, betrayal, and murder.
Nobody can be trusted. Everyone has a secret. And love is the worst mistake you can make.
Rating: Narration – C+ : Content – A-
A retelling of Anthony Hope’s 1894 classic adventure story The Prisoner of Zenda from a different point of view, K.J. Charles’ The Henchmen of Zenda introduces us to Jasper Detchard, a disgraced and debauched former army officer who unrepentantly fights and fucks his way around Europe, making his living as soldier of fortune. He’s approached by Michael Elphberg, Duke of Strelsau (from the small European kingdom of Ruritania) to join his trusted bodyguard – known as “the six” – and take part in the overthrow of Michael’s half-brother, the country’s new king, Rudolf V.
The original novel is narrated by one Rudolf Rassendyll, an English gentleman who bears an uncanny resemblance to King Rudolf, and who is holidaying in Ruritania when he is approached by the king’s closest advisers and asked to impersonate the monarch during his upcoming coronation because he’s falling down drunk and unlikely to be sober in time to attend. When Michael’s men kidnap the king, things get even more complicated; Rassendyll falls in love with the king’s betrothed, the Princess Flavia, and all ends well after Rassendyll rescues the king and then honourably bows out, leaving Flavia to do her duty to king and country. It’s a “Boy’s Own” swashbuckling adventure, a piece of Victorian pulp fiction complete with all the clichés and conventions demanded by the genre; an altruistic, honourable hero, a damsel in distress and a black-hearted villain… or two. K.J. Charles does a superb job of turning these conventions on their heads, inside out and backwards to create a story that immediately takes on a life of its own separate from the source material, and of turning the characters into fully-rounded individuals rather than the rather two-dimensional cyphers they are in Hope’s tale.
You can read the rest of this review at AudioGals.