New York City is decked out for the holidays, and Special Agent Patrick Collins is looking forward to a reunion with his old team when he gets assigned a new case. A human child is missing, and the changeling left in her place causes a prominent witch family to demand justice from the fae.
Meanwhile, continued harassment from the New York City god pack forces Jonothon de Vere to formally establish his own with Patrick. Doing so will mean a civil war within the werecreature community – a war they risk losing from the start without alliances. Making bargains with the fae is never wise, but Patrick and Jono have nothing to lose when a fae lord comes asking for their help.
The Summer Lady has been kidnapped from the Seelie Court, and if they can find her, Patrick and Jono will cement an alliance with the fae. But the clues to her disappearance are found in Tír na nÓg, and the Otherworld has never been kind to mortals.
Venturing past the veil, Patrick and Jono risk losing territory, time, and their very lives while searching for answers. Because the Queen of Air and Darkness knows they are coming – and the ruler of the Unseelie Court has an offer for them they can’t possibly refuse.
Rating: Narration – A-; Content – B+
I’m always a bit daunted when it comes to writing reviews for the books in Hailey Turner’s Soulbound series, because I want to give an accurate flavour of the story without giving too much away – and there’s always a lot going on. That’s not to say the stories are cluttered or overstuffed; Ms. Turner is a master plotter and handles the reins of her various storylines with great skill, but one does need to pay fairly close attention and it’s pretty much essential to have read or listened to the previous books in the series. (Be warned – this review contains spoilers for the previous books).
At the end of All Souls Near & Nigh, Special Agent Patrick Collins was asked by his former commander to join forces with members of his old Mage Corps Special Forces unit in order to retrieve the Morrígan’s Staff, a mysterious and ancient artefact that was stolen from Area 51 some three years earlier. Nobody knows who has it, or what it actually does – although legend has it that the staff has the ability to raise the dead – and it must be returned before it can fall into the wrong hands.
You can read the rest of this review at AudioGals.
Before I started writing this post, I took a look at the one I wrote for 2018 – My 2018 in Books & Audio – to see what I had to say about the books I read and listened to and about the things I was hoping for from 2019. Sadly, my biggest wish – for more winners in historical romance – not only didn’t come true, but didn’t come true in spectactular fashion; I read and listened to considerably fewer historical romances in 2019 (around 60) and of those, only 15 garnered a B+ (4.5 stars) or higher (actually, that was 11 historical romances plus 4 historical mysteries), and only two made the Best of 2019 list I wrote for All About Romance. Looking at the upcoming release lists for 2020, I can’t see that situation improving; very few of the book blurbs for upcoming HR make me want to read them.
So… what did I read and listen to instead? My Goodreads stats show that I read and listened to 299 books and audiobooks in 2019, (that figure includes maybe a dozen or so audio re-listens), which is over 40 books more than my total for last year.
Of that total, 66 were 5 star reads/listens, 184 were 4 star reads/listens – by far the biggest category – 35 were 3 star reads/listens, and there were 9 2 stars, 1 1 star and 1 unrated DNF.
Of the 66 highest graded, around a dozen were actual A grades; I award an A- 4.5 stars but bump the star rating up to five. (And in the case of audiobooks, sometimes a B grade story will get bumped up because of A grade narration). The 4 star ratings cover books/audios I’ve given B-, B or B+ grades, which is quite a large spectrum as it ranges from those books which are given qualified recommendations (B- is 3.5 rounded up to 4 stars) to those which are almost-but-not-quite DIKs (Desert Isle Keepers), the 4.5 stars (B+) I don’t round up. I had around the same number of 3, 2 and 1 star ratings as last year, which is at least consistent!
The books that made my Best of 2019 list at AAR are these:
(although I cheated a bit and actually included the whole Not Dead Yet and Borealis Investivations series!)
I had a list of “also rans” that I would have included had I had more space:
Charlie Adhara’s Thrown to the Wolves was – I believe – originally to have been the final book in her Big Bad Wolf series, but she’s since announced there will be a fourth (yay!). In TttW, we finally get some backstory for the enigmatic werewolf Park when he takes Cooper home to meet the family, together with a clever mystery, complicated family dynamics and a well-deserved HEA that’s perfectly in character. Cordelia Kingsbridge’s A Chip and a Chair was one of my most anticipated books of the year and didn’t disappoint, bringing the rollercoaster ride that was the Seven of Spades series to a rolliking, satisfying close. KJ Charles’ Gilded Cage was (I think?) her first m/f romance; a sequel to Any Old Diamonds, it features tough-as-nails lady detective Susan Lazarus and the other half of the Lilywhite Boys in an intriguing murder mystery with a superbly written and swoon-worthy second chance romance. Sally Malcolm’s Twice Shy is a lovely feel-good romance between a young man struggling to bring up two young children left to his care following the deaths of his sister and brother-in-law, and a school teacher still dealing with the fallout of a failed marriage and career. The romance is warm and tender and funny and simply thrumming with sexual tension and chemistry and is guaranteed to warm the heart and produce happy sighs.
Historical Romance made another really poor showing in 2019; of the authors I’ve previously counted on to deliver really good stories full of interesting and appealing characters, only a few actually managed to do it. KJ Charles and Mia Vincy made my Best of 2019 list, but Lara Temple (The Rake’s Enticing Proposal), Virginia Heath (The Determined Lord Hadleigh), Janice Preston (Daring to Love the Duke’s Heir) and Marguerite Kaye (The Inconvenient Elmswood Marriage) all put out excellent books this year, and I enjoyed Evie Dunmore’s début, Bringing Down the Duke and am keen to read whatever she comes up with next. I still haven’t got around to reading Julie Anne Long’s Angel in a Devil’s Arms, which has appeared on quite a few Best of lists, so I hope I’ll enjoy it when I get around to it!
I did a very quick count the other day, and think that, for the first year ever, I actually listened to more books than I read (by a very small margin). I counted around 150 audiobooks (and probably missed a few re-listens because I often forget to mark those at Goodreads) which is half my total of 299 reads/listens. And according to the spreadsheet I maintain of books and audios I’ve picked up for review, I had an equal number of books and audiobooks to review in 2019. I have definitely struggled, at times, to find books I want to review and have filled the gap with audiobooks. So many are released each month, and I especially love it when backlist titles are made available for authors whose work I enjoy but stand no chance of actually getting to in print!
I chose the following as my Top Five audiobooks of the year at AudioGals:
I also cheated here by including the whole Not Dead Yet series! – which is actually the only title (titles) written in 2019; all the other books were written before last year, but didn’t come out in audio until 2019. But that’s par for the course with audio; not all of them are released simultaneously with the print/digital versions. The “also rans” for my audio Best of 2019 list were:
All boast top-notch performances and got at least an A- for narration, and the stories got at least a B+ each; and quite honestly, I could have substituted any of them for the list I actually posted at AudioGals; my favourites tend to change depending on how I feel from one day to the next! Had I listened to Lily Morton’s Deal Maker before I complied my list, that would certainly have made the cut, too!
So that was 2019. What am I hoping for in 2020? I’d like historical romance to get back on track, but I don’t see that happening in a big way and expect to be reading even more selectively in the genre than I’ve done this year. I’m hoping for more from Mia Vincy and will be checking out more from Evie Dunmore. Right now, most of the good HR is coming from Harlequin Historical authors, so I’ll definitely be reading more from them. In contemporaries, I’m looking forward to two new series from Annabeth Albert (Hotshots and True Colors) as well as to catching up with her Perfect Harmony series in audio, and to making my way through Lily Morton’s backlist – I’m eagerly awaiting the release of the audio of Risk Taker (with Joel Leslie at the helm) and hope she’s planning more audio releases in 2020. I’ll be snapping up the finale of L.J Hayward’s Death and the Devil series as soon as it comes out, nabbing more Victor Bayne (and Gomez Pugh!) in the next book(s) in Jordan Castillo Price’s PsyCop series, and inhaling more Hazard and Somerset from Gregory Ashe. KJ Charles promises some 1920s pulp mysteries, there’s another book to come in Charlie Adhara’s Big Bad Wolf series, so I’m looking pretty nicely set for the first part of 2020 in terms of reading and listening!
I’ll (hopefully) be back again this time next year to tell you now it all panned out!
Detective Sergeant James Henderson’s remarkable gut instincts have put him on a three-year fast track to becoming an inspector. But the advancement of his career has come at a cost. Gay, posh and eager to prove himself in the Metropolitan Police, James has allowed himself few chances for romance.
But when the murder of barrister Maria Curzon-Whyte lands in his lap, all that changes. His investigation leads him to a circle of irresistibly charming men. And though he knows better, James finds himself enticed into their company.
Soon his desire for photographer Ben Morgan challenges him to find a way into the other man’s lifestyle of one-night stands and carefree promiscuity. At the same time his single murder case multiplies into a cruel pattern of violence and depravity.
But as the bodies pile up and shocking secrets come to light, James finds both his tumultuous private life and coveted career threatened by a bitter legacy.
Rating: Narration – A; Content – A
OMG, this book! My good friend Em has been nagging me to read Bitter Legacy ever since it came out (in 2016) and I’ve honestly been intending to read it… but time and other commitments have conspired against me and I just haven’t got to it. So when I saw it was coming out in audio I eagerly snapped it up for review and am happy to report that it’s every bit as good as Em said it was. It’s a complex, brilliantly written and constructed combination of mystery and seriously fucked-up, angsty romance, Gary Furlong’s narration is superb and I was completely captivated by all fourteen-plus hours of it.
Detective Sergeant James Henderson is one of the Met’s (Metropolitan Police) rising stars. He’s on the professional fast-track, his instinct and ability to think his way around and through complicated situations contributing to a high success rate, and his modesty and congenial personality give rise to strong and comfortable relationships with his colleagues. He loves what he does and feels he’s in a better place professionally than he’s ever been… which is something of a contrast to his personal life, where he lacks confidence and is still smarting from the pain of his father’s rejection two years earlier after James finally came out and told him he intended to pursue a different career to the one expected of him.
You can read the rest of this review at AudioGals.
You can’t bargain with death if you’ve already sold your soul.
Special agent Patrick Collins has been reassigned by the supernatural operations agency to New York City. Navigating his new relationship with Jonothon de Vere, the werewolf he’s now soulbound to, is nothing compared to dealing with territorial disputes between the vampires and werecreatures who call the five boroughs home. But the delicate treaties that have kept the preternatural world in check are fraying at the edges, and the fallout is spilling into the mundane world.
Manhattan’s club scene is overrun with the vampire drug known as shine and the subways have become a dumping ground for bodies. When the dead are revealed as missing werecreatures, Patrick and Jono find themselves entangled in pack politics twisted by vampire machinations.
Learning to trust each other comes with problems for both of them, and the gods with a stake in Patrick’s soul debt aren’t finished with him yet. Bound by promises they can’t break, Patrick and Jono must find a way to survive a threat that takes no prisoners and is stalking them relentlessly through the city streets.
Old and new betrayals are coming home to roost but the truth – buried in blood – is more poisonous than the lies being spun. Trying to outrun death is a nightmare – one Patrick may never wake up from.
Rating: Narration: B+; Content: B+
Note: As this is a series where the books need to be listened to in order, there will be spoilers for the previous instalment in this review.
All Souls Near and Nigh is the second book in Hailey Turner’s inventive Soulbound series, which takes place in a world very similar to our own where supernatural creatures and mythical beings exist alongside humans and the gods continue to interfere with the actions of mere mortals. And of one mere mortal in particular.
Combat mage turned federal agent Patrick Collins owes a soul debt to the goddess Persephone, who rescued him from death at the hands of his crazed father when Patrick was just eight years old. At the time he was too young to know what he was doing when she offered him escape in return for his soul, but now he’s paying that debt whenever the gods want something done in the human world and don’t want to get their hands dirty.
You can read the rest of this review at AudioGals.
When the gods come calling, you don’t get to say no.
Patrick Collins is three years into a career as a special agent for the Supernatural Operations Agency when the gods come calling to collect a soul debt he owes them. An immortal has gone missing in New York City and bodies are showing up in the wake of demon-led ritual killings that Patrick recognizes all too easily from his nightmares.
Unable to walk away, Patrick finds himself once again facing off against mercenary magic users belonging to the Dominion Sect. Standing his ground alone has never been a winning option in Patrick’s experience, but it’s been years since he’s had a partner he could trust.
Looking for allies in all the wrong places, Patrick discovers the Dominion Sect’s next target is the same werewolf the Fates themselves have thrown into his path. Patrick has been inexplicably attracted to the man from their first meeting, but desire has no place in war. That doesn’t stop Patrick from wanting what he shouldn’t have. Jonothon de Vere is gorgeous, dangerous, and nothing but trouble – to the case, to the fight against every hell, and ultimately, to Patrick’s heart and soul.
In the end, all debts must be paid, and Patrick can only do what he does best – cheat death.
Rating: Narration: B+; Content: B
I’ve been snapping up and enjoying the audiobooks in Hailey Turner’s military/sci-fi Metahumansseries and was pleased to discover that last year, the author had begun a new Urban Fantasy series called Soulbound, set in and around a recognisably familiar New York City and featuring characters with magical and supernatural abilities. I added book one, A Ferry of Bones and Gold, to my TBR mountain but surprise, surprise, haven’t got to it yet, so I was delighted to see it come out in audiobook format with Gary Furlong – a narrator I enjoy listening to – at the helm.
Patrick Collins, a mage working for the Supernatural Operations Agency (which seems to be a kind of supernatural FBI), isn’t pleased when he gets a call from his boss cancelling his vacation and sending him instead to New York City, where a spate of ritualistic killings (the bodies are mutilated and have astrological symbols carved into their eyelids) seems to be ramping up as the Summer Solstice approaches. A former combat mage-turned-supernatural law enforcement agent, Patrick is assigned to investigate the most recent murders and immediately senses the presence of dark, demonic magic pointing to the involvement of the Dominion Sect, a cult set on stealing the godhood from one of the ancient gods and then transferring it to their leader.
You can read the rest of this review at AudioGals.
Librarian Carter Matheson is determined to enjoy himself on a Scottish bus tour for fans of mystery author Dame Vanessa Rayburn. Sure, his ex, Trevor, will also be on the trip with his new boyfriend, leaving Carter to share a room with a stranger, but he can’t pass up a chance to meet his favorite author.
Carter’s roommate turns out to be John Knight, a figure as mysterious as any character from Vanessa’s books. His strange affect and nighttime wanderings make Carter suspicious. When a fellow traveler’s death sparks rumors of foul play, Carter is left wondering if there’s anyone on the tour he can trust.
Drawn into the intrigue, Carter searches for answers, trying to fend off his growing attraction toward John. But as unexplained tragedies continue, the whole tour must face the fact that there may be a murderer in their midst – but who?
Rating: Narration – A- : Content – B-
I’m a relative newcomer to Josh Lanyon’s work, although I’ve enjoyed the few books of hers I’ve read or listened to and am definitely planning on reading and listening to more. Murder Takes the High Road is a new standalone romantic mystery set in Scotland, wherein our hero, California-based librarian Carter Matheson, is spending his holiday on a To Die For tour of the locations associated with the work of his favourite author. If you enjoy stories in which the author throws a subtle wink or three in your direction, then this is likely to appeal; Ms. Lanyon references many of the conventions and tropes found in genre fiction, name-dropping everything from classic mystery writers to Midsomer Murders and skilfully creates a Christie-like scenario culminating in a shocking murder at a remote Scottish castle. It’s low-angst, light-hearted fare, and the focus is definitely on the mystery – so anyone expecting something akin to the author’s normal brand of romantic suspense might be a bit disappointed. Murder Takes the High Road is more of a “cozy” mystery; it’s enjoyable, but lacks the steamy, fast-paced thrills I associate with the kind of m/m romantic suspense novels I’ve been listening to lately.
Carter Matheson definitely fits the definition of a superfan when it comes to British crime author Dame Vanessa Rayburn. There is only one To Die For tour each year and the highlight is the four nights spent on a remote Scottish island owned by the lady herself, where her superfans get to stay in her castle, spend time with her and talk to her about her work.
You can read the rest of this review at AudioGals.
After the most amazing week of his life, at Dunloch Castle on the banks of Loch Ness, in Scotland. The charming, mysterious Samuel Aiken has turned Declan Ramsay’s life upside down. Declan has experienced a remarkable change. He has come to terms with the fact he is bisexual, and he has fallen head-over-heels in love with his boss’s son Sam.
However, falling for his boss’s son was never going to be an easy path to happiness, mainly because the boss in question is multi-millionaire property tycoon and former MI5 operative, Sir James Aiken.
Sir James is repulsed by his son’s homosexuality, and so discovering that his employee Declan Ramsay – the man he installed to run his luxury property rental empire – is in a relationship with Sam, does not go down well.
The lovers cannot hide from the looming presence of Sir James Aiken for long! Soon enough James makes his move, and Declan finds out what he will have to endure to stay with Sam, and what he will have to give to feel worthy of Sam’s love.
Rating: Narration – B+: Content – C
I listened to As You Wish, the first book in Isobel Starling’s Shatterproof Bond series a few months back, and while I had some issues with parts of it (there was a fair bit of head-hopping and the writing was choppy in places), I liked the characters and the premise sufficiently to want to give the next book, Illuminate the Shadows, a try.
(Warning: Spoilers ahead for As You Wish.)
In As You Wish, brawny Scot Declan Ramsey and his boss’s son, Sam Aiken, met online when they worked together to plan the wedding of Sam’s sister to Declan’s brother. Over a year or regular correspondence – Sam was working abroad – they got to know each other quite well, but nothing could have prepared Declan for the incredible pull of attraction he felt towards Sam when they finally met, especially as Declan had always identified as straight. Declan and Sam entered into a relationship (and had a lot of sex!) but at the end of the book, Declan learned that Sam, whom he’d been led to believe was an interpreter, actually worked for the covert security agency run by his father, Sir James Aiken, a former MI5 operative whose company now works with and for both MI5 and MI6. Sam wants out – but his father – who is already Declan’s boss because Declan works for his international property management company – gave the couple an ultimatum; Declan joins the agency or they can never see each other again. Unwilling to be separated, they go for option one.
At the beginning of Illuminate the Shadows, Declan is kidnapped by Sir James’ people and taken to his “interview” – which basically consists of his being tied to a chair, injected with various drugs and questioned for a week. (And it’s all a bit silly, really!) We learn that Sir James has actually been interested in him for longer than Declan has known Sam, owing to what Declan avers is his completely unwitting involvement in a number of covert operations. When the “interview” is over, Declan is dumped, unconscious, on his doorstep, leaving Sam to take care of him.
And that’s about it as far as the plot goes. There’s an interesting snippet of information dropped about Declan’s childhood that I suspect may come to play a greater role in the overarching plot, but overall, I was quite disappointed with this story. I know that this is a serial, so each instalment isn’t self-contained, but other than Sam and Declan both being assigned to the same job, and a bit of drama when the couple tells their respective siblings about their relationship –and Declan’s brother freaks out – there’s not much going on here, other than Sam and Declan dirty talking, groping and having more sex. Which isn’t a bad thing, I just wanted a bit more story.
Sam’s father is a total git, freely acknowledging that he hates that his only son is gay, and so deliberately sends him to locations – Saudi Arabia, Russia – where actually engaging in homosexual acts could get him imprisoned or killed; he’s downright creepy. As with the previous book, there’s a lot of head-hopping going on, switching from a single PoV to an omnipotent one and back again; the first chunk of the book is pretty much entirely devoted to the “interview” and there’s not a lot of relationship development. Which there should have been, given these guys only met face to face a few months earlier, they’ve been apart for the last three months and Declan has never had a male lover before. I like them together and they’re clearly head-over-heels for one another, but I didn’t much sense of a connection that went beyond sex.
Gary Furlong does a more than decent job with the narration, and the Scottish accent he adopts for Declan is consistent (and sexy). He gets Sir James’ smarminess down pat, Sam’s youthful enthusiasm is expertly rendered and the secondary characters are all clearly delineated. His participation as narrator is the reason I picked up this and the previous book, but the story in this one isn’t strong enough to encourage me to continue with the series.