Chicago homicide detective Tyler Jamison has accepted the fact that he was born defective. Women just don’t do it for him, and he can’t contemplate any other option. So, loneliness it is.
Ian Alexander has met the man of his dreams, but the guy’s in complete denial of his sexuality. Ian’s not giving up on Tyler, though. Tyler’s a domineering, controlling force of nature…just what Ian has always craved in his bed.
When a serial killer sets his sights on Ian, Tyler will do anything to protect the much younger man. For the first time in his life, Tyler has experienced desire, and it’s for another man. How much will it take for him to become the man he was meant to be?
Rating: Narration: A-; Content: C
April Wilson’s Somebody to Love is very much a book of two halves. It starts out as a (sort of) mystery/suspense story a with Detective Tyler Jamison investigating the murder of three gay men, all killed in the same manner and therefore believed to have been killed by the same person. During the course of the investigation, Tyler meets Ian Alexander; Tyler is deeply, deeply closeted but is strongly attracted to Ian in a way he’s never been to anyone.
The first half of the story (more or less) is taken up with the hunt for the killer – although to be honest, it’s not much of a hunt – during which Ian does some very TSTL things (like asking around at the gay club the victims were known to frequent and skipping out on the police protection he’s been given in order to do so), which of course, bring out Tyler’s growly, protective side. The perpetrator is arrested by the half-way point, but this is no intricate, twisty mystery – it’s all very simplistic and obviously just a plot device to get Tyler and Ian together.
Once the serial killer plot is dispensed with, the second half of the book focuses on the romance. It’s okay but nothing special, although I did like the way Tyler’s coming out was handled; he’s forty-four (to ian’s twenty-eight) and has spent his life trying to bury the part of him that liked men, even dating (and sleeping with) women. He never found the sort of connection he was looking for, but refused to admit why, and had eventually resigned himself to being alone. I can imagine that for someone so strongly entrenched in their ways, coming to the realisation – or at last admitting the truth – would be incredibly difficult and the way things finally come to a head for Tyler is well done. Ian has some issues relating to his childhood, but they seem somewhat superficial, as if they’ve been added simply in an attempt to make him interesting. The romance as a whole is pretty run of the mill stuff.
The best thing about this audiobook is the narration. I’m not familiar with Jack DuPont, but he delivers a strong performance all round – pacing, characterisation and differentiation were all good, as were his female voices. I’m a big fan of J.F. Harding (his name on this was why I picked it up in the first place) – and of course he was excellent in every respect. Interestingly though, both men have very similar types of voices – deep and slightly husky – and actually sound alike, so I wondered why two narrators were used. Jack DuPont reads the chapters from Tyler’s PoV and J.F. Harding those from Ian’s; both men portray the other character very well (JFH’s portrayal of Tyler was perfect) and quite honestly, either of them could have carried the book on his own.
The author sets up the drama for the next book towards the end of this one – I’m not sure I’ll be picking it up as once again, the plot seems fairly contrived and based on someone doing something really stupid it’s hard to believe they would have done.
Somebody to Love isn’t the worst audiobook I’ve ever listened to, but it’s far from the best. The excellent narration kept me listening even though the worst of the eye-rolling parts, but the story is disjointed and clichéd, and the characters are bland and barely two-dimensional. It passed the time and the terrific performances meant it passed mostly pleasantly, but I don’t think I’ll be listening to this one again.
Teancum Leon, who goes by Tean, is a wildlife veterinarian. His life has settled into a holding pattern: He loves his job, he hates first dates, and he only occasionally has to deal with his neighbor Mrs. Wish’s cat-related disasters.
All of that changes, though, when a man appears in his office, asking for help to find his brother. Jem is convinced that something bad has happened to Benny, and he thinks Tean might be able to help. Tean isn’t sure, but he’s willing to try. After all, Jem is charming and sweet and surprisingly vulnerable. Oh. And hot.
Then things get strange: Phone calls with no one on the other end of the line; surveillance footage that shows what might be an abduction; a truck that tries to run Tean and Jem off the road. As Tean and Jem investigate, they realize that Benny might have stumbled onto a conspiracy and that someone is willing to kill to keep the truth from coming out.
But not everything is as it seems, and Tean suspects that Jem has been keeping secrets of his own.
Rating: Narration – A; Content – A
Gregory Ashe’s latest series – The Lamb and the Lion – introduces listeners to another of his wonderfully imperfect but perfect odd-couple pairings in the form of an uptight, existentialist wildlife veterinarian and a damaged freewheeling con-man who, in book one of the series – The Same Breath – team up in order to solve a murder. All the hallmarks of Mr. Ashe’s work are here: complex, flawed principals you can’t help falling in love with (even when you want to bang their heads together!), clever, twisty plots with a heavy dose of gritty realism, sparkling, often laugh-out-loud dialogue, and an intensely powerful connection between the leads that permeates the story. I read the book back in September when it came out, (I chose it as one of my Best of 2020) and have been waiting on tenterhooks for it to come to audio. Having J.F. Harding narrating this series is the icing on the cake; he did an outstanding job with They Told Me I Was Everything and I can tell you right now, that he absolutely nails this one, too.
A vet with the Utah Division of Wildlife Resources, Teancum – Tean – Leon lives a quiet life of work, walks with his dog Scipio and the occasional distress call from his elderly neighbour about her ever growing clowder (yes, really!) of cats. He’s in his mid-thirties, he’s smart and dedicated to his job – but he’s also deeply insecure and struggling to break free from – or learn to live with – the conditioning instilled by his Mormon upbringing, and he’s got a deeply fatalistic outlook that manifests in his tendency to spout random facts and figures (if you want to know the likelihood of bear attacks or the frequency of whale song, he’s your guy!) or ponder the finer points of nihilistic philosophy. He’s a glass-half-empty kinda guy most of the time, but he’s endearing with a dry sense of humour… and he’s dreadfully lonely.
You can read the rest of this review at AudioGals.
2020, huh? I don’t think I need to expound on that particular dumpster fire except to say that I feel lucky to be someone who has managed to read/listen to books pretty much as normal throughout it all. Books – and writing about them – have provided a much-needed escape from everything going on “out there”, and there have been times this past year when I don’t know what I’d have done without them.
So, what was I reading/listening to in 2020? Well, according to Goodreads (which shows an average rating of 4.1 stars overall), I read and listened to 269 books in total (which was 30 fewer than 2019) – although I suspect that number may be slightly higher as I sometimes forget to mark any re-listens I do. But just taking the new reads/listens, I listened to almost as many books as I read – 52.9% ebook and 47.1% audio, according to this new spreadsheet I’ve been using, and almost three-quarters of the total were review copies.
Of that total there are 77 5 star books, 152 4 star books – by far the biggest category – 36 3 star books and 6 2 star books. (Books sorted by rating.)
The 5 star bracket includes those titles I rate at 4.5 but round-up (which I equate to A-); the 4 star bracket (B) includes the 4.5 star grades I don’t round up (B+) and the 3.5 star ones I do round up (B-), the 3 stars are C+/C/C- and so on. Of the 77 5 star ratings, only around 17 are straight A grades in terms of the story (in the case of audiobooks, sometimes a 4 star review will get bumped up because the narration is so fabulous), so the rest of that 77 are A minuses or audiobooks where A and B grades combined to rate a higher overall total. Looking back at my 2019 Books & Audio post, those numbers are fairly consistent, although I didn’t have any one stars or DNFs in 2020, which isn’t a bad thing!
Reviews are linked in the text beneath each image.
As usually happens, I always have a few “also-rans”, books I could have included if I’d had the space:
If you follow my reviews, you’ll already know that in 2020, I awarded more top grades than ever to a single author, which isn’t something that’s ever happened before; sure, I give high grades to some authors consistently (Sherry Thomas, KJ Charles and Meredith Duran spring to mind) but those have been one every few months or per year – not nine in a single year! So, yes, 2020 is, in my head, the Year of Gregory Ashe 😉 I could have chosen any number of his books for these lists as they’re all so very good.
Sadly noticeable by its (near) absence on these lists – historical romance. I said in my 2019 post that the amount of really good historical romance around had been declining for a while, and although there were some excellent historicals around in 2020, they were fairly few and far between. Many of the best came from Harlequin Historical – Virginia Heath’s Redeeming the Reculsive Earl is a lovely, funny and warm grumpy-reclusive-hero-meets-breath-of-fresh-air-(and neuroatypical) heroine, while Mia Vincy continues to demonstrate her mastery of the genre with A Dangerous Kind of Lady, a sexy, vibrant, not-really friends-to-lovers story in which the leads embark on a difficult journey of self-discovery while coming to realise how badly they’ve misjudged each other. The “modern” historical is a term being coined for novels set in the more recent past, and Asher Glenn Gray’s Honeytrap, the love story between an FBI agent and Red Army office that spans thirty-five years, would proibably have made my Best of list had I read it in time. Annabeth Albert is a big favourite of mine; Feel the Fire is book three in her Hotshots series, a second-chance romance that just hit the spot.
When I struggled to read something – which fortuantely, didn’t happen often – I could usually find something in audio that suited my mood, plus the fact that there are still back-catalogue titles coming out of books I haven’t got around to reading means that audio is always my preferred method of catching up! I listened to a lot of pretty good stuff over the year, but for my 2020 Favourites for AudioGals, I stuck to titles to which I’d given at least ONE A grade (usually for the narration) and nothing lower than a B+.
So that was 2020 in books and audio. I’m incredibly grateful to those authors and narrators who continued to provide me with such great reading/listening material through what has been an incredibly trying time for all of us; I know some who have really struggled to get words on a page this year, and I just want to say that you’re worth waiting for and I’ll be here whenever you’re ready.
As for what I’m looking forward to in 2021… more of the same, really – lots of good books! There are a number of titles I know are coming up in the first part of the year that I’m really excited about – the third Lamb and the Lion book from Gregory Ashe – The Same End – is out at the end of January, and I’m also eagerly awaiting new adventures with North and Shaw and Theo and Auggie. Then there’s book three in KJ Charles’ Will Darling Adventures, Subtle Blood, at least three (squee!) new books from Annabeth Albert, including the fourth Hotshots book; and a new instalment in Jordan Castillo Price’s long-running Psycop series (Other Half) due out in January, although I’ll be waiting for the audio because Gomez Pugh’s incredible turn as Victor Bayne is well worth waiting for. (I really must catch up with JCP’s ABCs of Spellcraft books, in audio, too!). There’s a new book in Hailey Turner’s Soulbound series coming soon, a new instalment in Jay Hogan’s Southern Lights series, and later on, I’m hoping Josh Lanyon’s The Movie Town Murders will be out this year – I need more Sam and Jason! – and I’m looking forward to new books in her Secrets and Scrabble series. I’m looking forward to more from Lucy Parker, Loreth Anne White, Garrett Leigh, Rachel Reid, Roan Parrish… There are new books slated from many of my favourite authors and narrators, and I’m looking forward to another year of great reading and listening.
I’ll be back this time next year to see if my expectations were fulfilled!
Auggie is starting his first year at Wroxall College. It’s a punishment, and he’s determined to make his way through the year, prove himself, and earn the right to go back home. Theo is a grad student recovering from a terrible car accident. He’s lost his husband and their daughter, and he’s trying to figure out how to keep going. When both are tangled up in a murder, though, they have to set their personal problems aside and work together — first to clear their names, and then, when the killer turns his attention on them, to survive. But what might really kill them is finishing a seminar together on King Lear.
Rating: Narration – A; Content – A
Anyone who follows my reviews already knows I’m a MASSIVE fan of Gregory Ashe’s work, so it will come as no surprise whatsoever when I say that I did the happiest of dances when his latest audio release hit Audible. Book one in The First Quarto series, They Told Me I Was Everything is a compelling blend of intricately plotted mystery and slow-burn romance featuring complex, well-rounded and intensely likeable leads who are obviously meant for one another but who have quite a bit of work to do in order to be together. (So no HEA in this book – but the UST and the genuine affection that grows between the leads is gorgeous and totally wonderful).
Wroxall College freshman Auggie Lopez is a social media star with tens of thousands of followers who, after a serious screw up at home in California, is determined to keep out of trouble, focus on building his brand and business, and looks forward to securing a lucrative sponsorship deal. His internet persona isn’t who he really is, though; he’s tired of continually hiding his true self, (and his sexuality) behind kooky, funny “Internet Auggie”, and longs to be truly seen. On the Saturday night before the semester begins, Auggie goes to the Sigma Sigma pledge party, where he meets a fellow pledge named Robert; they get talking and Auggie, who is more than a little tipsy and a lot angry and frustrated with the need to keep playing a role, declares he wants to go “fuck some shit up”. Robert steals a Porsche and with Auggie at the wheel, they hit the streets of Wahredua at high speed – and on the road out of town they only narrowly miss hitting a man wandering along the road by swerving off into a drainage ditch.
You can read the rest of this review at AudioGals.
My Goodreads stats for 2018 reveal that I read 256 books in 2018 (I challenged myself to 240, so I just passed that goal!) – although 108 of those were audiobooks. I suspect, actually, that I listened to more than that, as I know I did a handful of re-listens, and I don’t tend to count those – I re-listen far more than I re-read (I don’t think I did any re-reads last year) – and I think that number of audiobooks is more than ever. Although I have fifty-six 5 star rated books showing on my stats page, the actual 5 star/A grades only number around a dozen or so; the majority are 4.5 star reads that I rounded up or audiobooks in which either story or narration (usually the narration) bumped the grade up into that bracket. I say this because, despite that number of fifty-six, when I came to make my list of what I thought were the Best Books of 2018 for All About Romance, I didn’t have too much trouble making my list, whereas normally, I’ll have fifteen to twenty I could include and have a tough job to whittle it down.
4 star ratings were my largest group (153) – and these include the 4.5 star ratings I don’t round up (B+ books) and the 3.5 star ratings I do round up (B- books), and then I had thirty-three books and audiobooks in the 3 star bracket, nine in the 2 star, one 1 star and one unrated DNF.
The titles that made my Best of 2018 list are these:
And here are a few more rambling thoughts about the books I read and the audiobooks I listened to last year.
Historical Romance is far and away my favourite genre, and for years, I read very little else. Sadly however, HR made a pretty poor showing in 2018 overall, and while there were a few that were excellent, they really were the exception. The vast majority of the newer authors – and I do try most of them at least once – can’t generally manage anything that deserves more than a C grade/3 stars (if that) and even some of the big-names just didn’t deliver. Elizabeth Hoyt’s new series got off to a terrible start with Not the Duke’s Darling, which was overstuffed, confusing and not very romantic with an irritating heroine of the worst kind (the sort who has to trample all over the hero in order to prove herself). Lorraine Heath’s When a Duke Loves a Woman – which I listened to rather than read (thank you Kate Reading, for the excellent narration!) – stretched the cross-class romance trope to breaking point and was sadly dull in places, and Kerrigan Byrne’s sixth Victorian Rebels book, The Duke With the Dragon Tattoo was a huge disappointment. On the plus side though, just before the end of the year, I read début author Mia Vincy’s A Wicked Kind of Husbandwhich was clever, witty, poignant and sexy, and is the first début I’ve raved about since 2016. Meredith Duran’s The Sins of Lord Lockwood was a triumph, and Caroline Linden’s two Wagers of Sin books – My Once and Future Dukeand An Earl Like You – were very good – intelligent, strongly characterised and deeply romantic. Of the two, I preferred An Earl Like You, a gorgeously romantic marriage of convenience story with a bit of a twist. Honourable mentions go to Joanna Shupe’s A Notorious Vow, the third in her Four Hundred series, Virginia Heath’s A Warriner to Seduce Her and Stella Riley’s Hazard, and my two favourite historical mystery series – Lady Sherlock and Sebastian St. Cyr (Sherry Thomas and C.S. Harris respectively) had wonderful new instalments out. K.J. Charles – who can’t seem to write a bad book! – published three titles – The Henchmen of Zenda, Unfit to Printand Band Sinister – all of which I loved and rated highly, and new author, Lee Welch gobsmacked me with her first full-length novel, an historical paranormal (queer) romance, Salt Magic, Skin Magic, a truly mystical, magical story with a sensual romance between opposites. Bec McMaster’s terrific London Steampunk: The Blue Blood Conspiracy continued with You Only Love Twice and To Catch a Rogue, which were wonderful; fast-paced, intelligent and witty, combining high-stakes plots and plenty of action with steamy, sensual romances.
I’ve turned most often to romantic suspense this year to fill the void left by the paucity of good historical romance – many of them in audio as I backtracked through audio catalogues and got hooked on some series that first appeared before 2018, notably Cut & Run and Psycop. In print, I was really impressed with Charlie Adhara’s first two novels in her Big Bad Wolf series, The Wolf at the Door and The Wolf at Bay. I’m not a big fan of shifters, but a friend convinced me to try the first book, and I’m really glad I did. There’s a great suspense plot, two fabulous leads with off-the-charts chemistry, and their relationship as they move from suspicion to admiration to more is really well done.
The final book in Rachel Grant’s Flashpoint trilogy – Firestorm – was a real humdinger and fantastic end to what’s been one of my favourite series over the past couple of years. Superbly written and researched, topical, fast-paced and featuring fabulously developed characters, Firestorm sees two characters who’ve been dancing around each other for two books having to team up to infiltrate a Russian arms dealing ring, and, when things go south, going on the run in one of the most dangerous places in the world. Ms. Grant is one of my favourite authors and her romantic suspense novels are hard to beat.
My big – and I mean BIG – discovery this year was Cordelia Kingsbridge’s Seven of Spades series which is simply brilliant – addictive. I’ve raved about it to everyone that will listen (sorry!) and will do so again. It’s a series of five books (four are out, the fifth is due in March) that tells one overarching story about the search for a clever, devious serial killer plaguing Las Vegas. Each book advances that plotline while also having another, self-contained storyline that eventually coalesces with the main plot; it’s incredibly well done and the plots themselves are filled with nail-biting tension. The two central characters – Levi Abrams, a tightly-wound, intense homicide detective – and Dominic Russo – a congenial, much more relaxed guy who has serious problems of his own – are wonderful; they’re complex, flawed and multi-faceted, and while they’re complete opposites in many ways, they’re no less perfect for each other because of it. Their relationship goes through terrific highs and terrible lows, but as we head into the last book, they’re stronger than ever – and I can’t wait for what promises to be an incredible series finale.
Contemporary Romance isn’t a genre I gravitate towards, but for what I think is the first time EVER, one made my Best of list – Sally Malcolm’s Between the Lines. I’ve really enjoyed the three books she’s set in New Milton (a fictional Long Island resort); in fact, her novella, Love Around the Corner could easily have made the list as well. She has a real gift for creating likeable but flawed characters and for writing emotion that sings without being over the top. And I have to give a shout-out to Kelly Jensen’s This Time Forever series, three books that feature older (late thirties-fifty) characters finding happiness and their forever afters – wonderful, distinct characters, each facing particular challenges and the need to sort out all the emotional baggage that comes with having been around the block a few times.
I listened to more audiobooks than ever this year – partly, I think, because I was trying to fill the gap in my reading because so much HR was just not measuring up, and partly because the fact that I tend to genre-hop more in audio has introduced me to a number of new (to me) narrators that I’ve begun to seek out more. (Plus, I’ve had some long commutes lately!) My favourites are still my favourites: Rosalyn Landor, Kate Reading, Mary Jane Wells, Alex Wyndham and Nicholas Boulton are unbeatable when it comes to historical romances; Andi Arndt reigns supreme when it comes to American contemps, Steve West could read me cereal packets and Greg Tremblay/Boudreaux is my hero. But my list of narrators to trust has grown to include J.F. Harding, Sean Crisden, Joe Arden, Carly Robbins, Saskia Maarleveld and Will Damron.
I’ve become hooked on m/m romantic suspense this year, and have been catching up with two long-running series – Cut & Run by Abigail Roux and Madeline Urban and Psycop by Jordan Castillo Price. The Cut & Run books are fast-paced hokum, the sort of thing you see in a lot of procedurals and action films – enjoyable, but frequently full of holes. But the series is made by its two central characters – Special Agents Ty Grady and Zane Garrett – who strike sparks off each other from the get go and fight, snark and fuck their way through nine books I enjoyed to differing degrees. Unusually, the series has three narrators; the first one (Sawyer Allerde) wasn’t so great, but Sean Crisden and J.F. Harding do fabulous work in books 3-9, and while I know there’s a lot of mixed feeling out there over the later books, I’d still recommend them and the series in audio.
I’ve also been drawn to a number of books that feature psychics in some way or another – I have no idea why – and again, some were more successful than others. I enjoyed Z.A. Maxfield’s The Long Way Home– which is excellently narrated by J.F Harding – and I’m working my way through Jordan Castillo Price’s hugely entertaining Psycop series (I’ve listened to 6 books so far) narrated by Gomez Pugh who doesn’t just portray, but completely inhabits the character of Victor Bayne, the endearingly shambolic protagonist of the series. I plan to listen to the final three books very soon.
Contemporary Romance is a genre I rarely read and don’t listen to often, as it doesn’t do much for me in general. Nonetheless, I’ve listened to a few great contemporary audios in 2018, several of them in Annabeth Albert’s Out of Uniform series, notably Squared Away and Tight Quarters, the latter being one of my favourites. Greg Boudreaux’s narration was the big draw for me in picking up this series on audio (although books 1-3 use different narrators) and he continues to be one of the best – if not THE best – male romance narrators around. The praise heaped on Kate Clayborn’s début, Beginner’s Luck prompted me to pick it up in audio, although I confess that Will Damron’s name attached to it factored into that decision as well. Helen Hoang’s début, The Kiss Quotient was another contemp that generated a huge buzz, which again, prompted me to listen – and the fact that I’d enjoyed Carly Robins’ performance in Beginner’s Luck once again proved the power of the narrator when it comes to my decisions as to what I want to listen to.
As for what I’m looking forward to in 2019? First of all, I’d like a few more winners from my favourite historical romance writers, please! Although to be honest, it’s looking a bit bleak, with Meredith Duran on hiatus, and only one – I think? – book due from Caroline Linden this year. I am, however, looking forward to reading more from Mia Vincy, who has three more books in her series to come, and I’ve already read a fantastic book by K.J. Charles – I believe there’s a sequel on the way, which I’m sure will be equally fabulous. I can’t wait for the finale in the Seven of Spades series – and for whatever Cordelia Kingsbridge comes up with next, and the same is true of Charlie Adhara, whose final Big Bad Wolf book is due out in April. There are new books in their respective series coming from Sherry Thomas and C.S. Harris, so I’ll be there for those, and I’m looking forward to Deanna Raybourn’s next Veronica Speedwell book. Audio often lags behind print, so many of the audiobooks I’m eagerly awaiting are books I read in print this year, such as Amy Lane’s A Few Good Fish (which I read in August) with Greg Tremblay once again doing the honours, and Lee Welch’s Salt Magic, Skin Magic, performed by Joel Leslie, who I’m sure is going to be terrific. I’m also looking forward to the final book in Kate Clayborn’s Chance of a Lifetime Trilogy, Best of Luck, again narrated by Will Damron and Carly Robbins.
Hopefully, I’ll be back this time next year to let you all know how things have panned out!
Fifty years ago, Roland Mills belonged to a violent activist group. Now, someone is willing to kill to prevent him from publishing his memoirs.
When ex-FBI agent Elliot Mills is called out to examine the charred ruins of his childhood home, he quickly identifies the fire for what it is–arson. A knee injury may have forced Elliot out of the Bureau, but it’s not going to stop him from bringing the man who wants his father dead to justice.
Agent Tucker Lance is still working to find the serial killer who’s obsessed with Elliot and can’t bear the thought of his lover putting himself in additional danger. Straightlaced Tucker has never agreed with radical Roland on much–“opposing political viewpoints” is an understatement–but they’re united on this: Elliot needs to leave the case alone. Now.
Tucker would do nearly anything for the man he loves, but he won’t be used to gain Elliot access to the FBI’s resources. When the past comes back to play and everything both men had known to be true is questioned, their fragile relationship is left hanging in the balance.
Rating: Narration – B+ : Content – B
This second book in Josh Lanyon’s All’s Fair trilogy takes place a few months after the apprehension of the serial killer The Sculptor who was revealed to be Andrew Corian, a colleague of Elliot Mills, a history professor at Puget Sound University. An ex-FBI agent, Elliot was drawn into the investigation of the disappearances of a couple of students during the course of which he reunited with his former lover, Special Agent Tucker Lance. The two parted badly after a serious knee injury ended Elliot’s FBI career, but when the investigation in the previous book threw them back together, they were finally able to work things out between them, and when Fair Play opens, they’re an established couple in it for the long haul, although they are still getting used to being a couple and the compromises and adjustments that are necessary to make a relationship work.
You can read the rest of this review at AudioGals.
Ever since the accident that cost him his job on the Seattle police force, Kevin Quinn has been living with psychic abilities he refers to as the ‘gift that keeps on taking’. His attempts to use his talents to help the police have been met with limited success. Yet, when teenage boys start going missing from the beach cities of Southern California, Kevin gets on a plane.
Connor Dougal has every reason to believe all psychics are fakes and charlatans. He’s still numb from the disappearance of his first love, a boy who went missing 10 years earlier. Everything he aspires to is a direct result of that tragedy, even the acquisition of his detective shield. The irony of having to babysit Kevin Quinn is not lost on him.
These two suspicious men must develop trust and respect for one another to solve the case and, on the way, maybe fall in love.
Rating: Narration – B+ : Content – B-
Z.A. Maxfield is a new-to-me author, and I was intrigued by the synopsis for The Long Way Home, a romantic mystery featuring an ex-cop who gained some sort of psychic ability following a serious car accident, and the detective assigned to babysit him when he is called in to consult on a particularly disturbing case.
Kevin Quinn liked his job and his life, but after the accident – in which he lost the sight in one eye – he started to realise that something else had changed as well, and that he could somehow sense feelings and emotions by touching inanimate objects. For the past five years, he’s hidden himself away on a ranch in Wyoming with only his faithful dog for company, has a friends-with-benefits relationship with the local vet, and is fortunate enough to be able to make a decent living as a romantic novelist (under a pseudonym of course.) 😉
You can read the rest of this review at AudioGals.
Ex–FBI agent Elliot Mills thought he was done with the most brutal case of his career. The Sculptor, the serial killer he spent years hunting, is finally in jail. But Elliot’s hope dies when he learns the murderer wasn’t acting alone. Now everyone is at risk once again—thanks to a madman determined to finish his partner’s gruesome mission.
I am not reprinting the rest of the book synopsis here as it contains a MASSIVE spoiler which I think would certainly have affected by reaction to the story had I been aware of it – so I’m leaving it up to potential listeners as to whether they want to look it up or not.
Rating: Narration – B+; Content – B
Fair Chance is the third book in Josh Lanyon’s All’s Fair series featuring ex-FBI agent-turned history professor Elliot Mills and his partner, FBI agent Tucker Lance. I confess that I haven’t yet read or listened to either of the first two books, but because the synopsis for this indicated that the plot is related to that of book one (Fair Game), I did a bit of homework in preparation for listening to this in order to familiarise myself with the basic storyline and background, and had no trouble following along.
In Fair Game, Elliot – who was invalided out of the FBI a couple years earlier – became involved with the investigation into the disappearance of a student from Puget Sound University (where he now teaches) at the request of his father, a friend of the missing boy’s family. The disappearance turns out to be the work of a serial killer – Andrew Corian, known as the Sculptor – who, at the beginning of Fair Chance is in prison, awaiting sentence.
You can read the rest of this review at AudioGals.