There are two things everyone knows about Alexander Ridgely. One, he’s the Duke of Ashbourne. And two, he has no plans to marry anytime soon…
That is until a redheaded American throws herself in front of a carriage to save his young nephew’s life. She’s everything Alex never thought a woman could be—smart and funny, principled and brave. But she’s a servant, completely unsuitable for a highborn duke—unless, perhaps, she’s not quite what she seems…
American heiress Emma Dunster might be surrounded by Englishmen, but that doesn’t mean she intends to marry one—even if she has agreed to participate in one London Season. When she slipped out of her cousins’ home, dressed as a kitchen maid, all she wanted was one last taste of anonymity before her debut. She never dreamed she’d find herself in the arms of a dangerously handsome duke… or that he’d be quite so upset when he discovered her true identity. But true love tends to blossom just when one least expects it, and passion can melt even the most stubborn of hearts.
Rating: Narration – C-; Content – C+
Splendid, the first book in Julia Quinn’s Blydon trilogy (the others being Dancing at Midnight and Minx) was issued in 1995 and is Ms. Quinn’s first published work. I’ve read many of her most recent books, but not her earliest ones, so I was interested to listen to this to find out how it would compare. Naturally, it’s not as polished as her later work, although the writing is confident and there are flashes of the humour for which she has become renowned. On the downside though, the storyline is rather predictable (and goes off the rails a bit towards the end), and the characters – outspoken American heiress, stuffy (but hot) duke, bluestocking cousin etc. – are rather stock-in-trade and never really transcend that. There’s nothing wrong with predictability in a romance – we know where it’s going to end up and who is going to end up with whom, after all – but there has to be something else that makes up for it, whether it’s characterisation, sub-plots or dialogue, but here, unfortunately, that’s not the case, and large portions of the book tend to drag while the hero and heroine – who are clearly crazy for each other – try to make up their minds about how they feel.
But by far the biggest impediment to the enjoyment of this story in audio is the narration. I don’t know what on earth Harper Audio was thinking when they engaged Lucy Rayner to narrate all three audiobooks in this series – were Rosalyn Landor and Mary Jane Wells unavailable? – but they’ve done themselves and one of their best-selling authors a serious disservice. I listened to Ms. Rayner a couple of months back in Kat Martin’s Bold Angel, and gave her narration a C grade, saying: sometimes her tone is overly harsh, and lacking in subtlety or expression. There were times I found myself wincing at obvious and painful overacting… and that her male voices were below par.
Sadly, those things are still true here, and the narration as a whole proved so difficult to listen to that it often distracted me from the story and I found myself having to rewind to listen to large chunks where I’d just zoned out.
You can read the rest of this review at AudioGals