The Road Home by L.A. Witt (audiobook) – Narrated by Greg Boudreaux and Michael Ferraiuolo


This title may be downloaded from Audible via Amazon

David Coleman has made some mistakes, and he’ll be living with the consequences for the rest of his life. He’s made decisions that have left him estranged from his once tight-knit family. Even now, when David is clean and sober, working his way through medical school with a promising future ahead, his parents refuse to forgive or forget.

When he gets some grim news about his father, David realizes he’s running out of time to make amends. As he comes home for the holidays and his sister’s wedding, he knows it’s going to be tense, but he’s desperate to prove they’re wrong about him. And since they won’t take his word for it, he’s bringing reinforcements.

Hunter Scott will do anything for his childhood best friend, but he never thought that would include posing as his boyfriend. Except David’s family has always respected Hunter. Maybe if they see that David is good enough for Hunter to love, they’ll realize he’s good enough for them, too.

But as Hunter and David lean on each other through snowstorms, family drama, and visits from personal demons, maybe this relationship isn’t as much of a performance as it was meant to be.

Rating: Narration: A – Content: A-

Sometimes the ideal book pops into my head for TBR Challenge prompts, and sometimes… it doesn’t.  This was one of those times;  I had a few books on my list, but I wasn’t really feeling any of them.  Then, a few days after my last (unsuccessful) search for something suitable, I picked up a new audiobook without having let the title sink in or reading the synopsis  – I like the author’s work and the narrators are two of my all-time favourites – and realised it would fit!  This is the first time I’ve fulfilled a TBR prompt by listening to a book rather than reading it, but as I tend to read/listen 50:50 these days, I figured it would be allowed 😉

L.A. Witt’s The Road Home is a tender, poignant and sensual romance that combines a number of familiar tropes to produce a story that transcends all of them.  The author tackles some difficult issues – PTSD, addiction, living with chronic illness, the stigma of being HIV positive – incorporating them fully into the story and handling them in a respectful and sensitive manner, but never loses sight of the fact that this is, first and foremost, a romance.

David Coleman and Hunter Scott have known each other for most of their lives, and were even high-school sweethearts at one point, but after a catastrophic break-up in college, ended up deciding they were better as friends.  That friendship has endured through Hunter’s deployments and the addiction that nearly took David’s life, and now, in their thirties, they both seem to have their lives on-track.  David has been clean for seven years and is in his second year of medical school, and Hunter is steadily climbing the ranks in the Navy.

David is practically estranged from his family, who lost all faith in him after he became addicted to meth.  His parents (begrudgingly) accept his sexuality, but his mother in particular rarely misses an opportunity to remind him of ‘everything he put them through’ when he was an addict, and David knows that his parents and brother are just waiting for him to relapse; the fact that he’s been through hell and emerged stronger, that he has the strength to remain sober, and that he got into one of the best medical schools in the country counts for nothing with them; all they see is a fuck-up who will never change.  And even worse, as far as his family is concerned, is the fact that David used to work in the porn industry –in front of the camera – and although he’s apologised profusely for disappointing them and scaring them over his addiction and the fact that he is HIV positive, the porn is something he refuses, point blank, to apologise for.  He’s not ashamed of it and sees no reason why he should be.  But when he receives the news that his father is terminally ill and that this Christmas may well be his last, David decides to have one last try at patching things up. His family doesn’t think much of him, but they do respect Hunter, so David asks Hunter if he’ll accompany him home for Christmas (and to his sister’s New Year wedding) – and pretend to be his boyfriend.  After all, if someone like Hunter thinks David is ‘good enough’, then surely his parents will… maybe not change their minds exactly, but ease off a bit and accept him back into the fold.

Hunter has been the best of friends to David, ready to help however he can and literally helping to save his life more than once.  Despite their breakup, he’s always been in love with David, but hasn’t pushed for anything more, believing it’s better to have David in his life as a friend than not to have him at all.  He knows how toxic David’s family is and privately thinks he’s probably better off without that kind of negativity in his life, but he also knows how important it is to David to at least try to end their estrangement, and he agrees to the plan.

For good reason, they decide to drive from Los Angeles to Washington, even though December is probably not the best time to be driving any distance in the Midwest.  Their plan to arrive the day before Christmas Eve is scuppered when the weather takes a turn for the worse and it becomes dangerous for them to proceed.  In true romance-novel fashion, There Is Only One Bed at the crappy motel they end up at, and one thing leads to another, which leads to … their agreeing it was a mistake that they should go back to how things were before. Which is, of course, impossible.

The Road Home is so much more than the sum of its tropes.  It’s a story about family being more than blood-ties and about learning when to hold on and when to let go.  David and Hunter are beautifully realised characters; they’re flawed and damaged, and their strength and willingness to fight every day to be who and what they want to be is admirable.  Their romance is sensual and passionate and is underpinned by an undeniable emotional connection and sizzling chemistry, a slow-burn which feels completely right for the tone of the story.

I definitely ran the gamut of emotions while listening to this.  The sheer awfulness of David’s family (apart from his sister) has to be read/listened to to be believed (seriously, they made me so angry!) but kudos to the author for making them into characters rather than caricatures.  This is a romance, so the story ends with an HEA for David and Hunter, but it’s also a bittersweet reminder that not everything in life is fixable and that sometimes, the thing you want isn’t always the thing you need.

Greg Boudreaux and Michael Ferraiuolo are, as I said earlier, two of my very favourite narrators, and are legends in the world of m/m romance narration, so having both of them working together again was a dream come true!  The story is narrated from both Hunter’s (Mr. Boudreaux) and David’s (Mr. Ferraiuolo) points of view in alternating chapters, so both narrators get to portray almost all the characters, and have achieved a remarkable consistency when it comes to the supporting cast. (A common complaint about dual narrations is that a character as performed by one narrator sounds too different to their portrayal by the other, but that isn’t the case here.) The same is true of the leads; in both performances, Hunter’s voice is pitched lower than David’s so the listener is never confused as to which character is speaking  regardless of who is narrating that particular portion of the story.  But the absolute best thing about these narrators is that not only are they both as technically accomplished as they come, they’re also incredibly good vocal actors – which, in a book like this, is vital. Their ability to perfectly judge every emotional nuance means that the listener is right there with the characters, experiencing their joy and sadness, passion and heartbreak alongside them.  Both performances are exceptionally good, elevating the author’s words to a new level and bringing the story and characters to full, vibrant life.

The Road Home deals with some difficult issues and isn’t always an easy listen, but I enjoyed every minute of it.   Moving, intense, sad and passionate, it’s a wonderful story about true love and second chances – and the fantastic narration makes it a must for fans of romance audiobooks.

Rebound (Pucks and Rainbows #1) by L.A. Witt (audiobook) – Narrated by Michael Ferraiuolo and Nick J. Russo

This title may be downloaded from Audible via Amazon

A 40-something single dad, a 20-something hockey star, and a whole lot of baggage. No, this couldn’t possibly blow up in their faces.

Officer Geoff Logan has his plate full. His cop’s salary and Marine retirement aren’t enough to make ends meet. He’s got war wounds and demons that are in it for the long haul. His teenagers are, well, teenagers, plus they’re pissed that he left the boyfriend they loved. Can’t a guy catch a break?

Seattle Snowhawks center Asher Crowe has it all. A seven-figure salary. A literal house on a hill. A stable, loving relationship with an amazing boyfriend. At least, that’s what the world sees. Behind closed doors, he’s been living in a private hell, and when he finally works up the courage to end things, his boyfriend refuses to go quietly.

One call to the cops, and suddenly Geoff and Asher’s paths cross. But is the connection between them simple chemistry? Kindred spirits? Or just a pair of lonely hearts looking for a hot distraction?

And even if it’s more than physical, is there really a future for two men from such vastly different worlds? Especially when the past comes knocking?

Rating: Narration; A – Content; B+

Rebound, book one in L.A. Witt’s Pucks & Rainbows series, pairs a twenty-something hockey star with a forty-something cop and ex-marine, both of whom have recently ended long-term relationships with abusive partners. Naturally, both men bring a lot of emotional baggage to the table, so maybe a no-strings rebound fling is what they both need, a simple distraction while they deal with all the other stuff going on in their lives and sort themselves out. It’s a well-written – if slightly predictable – story featuring two engaging leads that takes a realistic look at the issue of domestic abuse in gay relationships and the perceptions – personal and public – that come with it.

When Officer Geoff Logan and his partner Laura are called to a disturbance at a local restaurant, Geoff is surprised to recognise one of the parties involved as up-and-coming hockey star, Asher Crowe, centre for the Seattle Snowhawks. While Geoff and Laura wait for back-up, Geoff talks to Asher about the fight and learns Asher had just broken things off with Nathan – his long-term , physically abusive boyfriend – having deliberately chosen to do so in a public place in the hope that Nathan wouldn’t make a scene… which obviously didn’t turn out as Asher had hoped. Geoff, who has very recently ended a six-year relationship with a man who manipulated him emotionally for years, sees something of himself and his own situation in Asher, and after seeing him safely home, tells the younger man to call him if Nathan ignores the warnings he’s been given to stay away and offers to check up on him at the end of his shift – an offer Asher gratefully accepts.

You can read the rest of this review at AudioGals.

Static by L.A. Witt (audiobook) – Narrated by Michael Ferraiuolo

This title may be downloaded from Audible via Amazon

After two years together, Alex has been dreading the inevitable moment when Damon learns the truth: Alex is a shifter, part of a small percentage of the population able to switch genders at will. Thanks to a forced implant, though, Alex is suddenly static – unable to shift – and male. Overnight, he’s out to a world that neither understands nor tolerates shifters…and to his heterosexual boyfriend.

Damon is stunned to discover his girlfriend is a shifter and scared to death of the dangers the implant poses to Alex’s health. He refuses to abandon Alex, but what about their relationship? Damon is straight, and with the implant both costly and dangerous to remove, Alex is stuck as a man.

Stripped of half his identity and facing serious physical and social ramifications, Alex needs Damon more than ever, but he doesn’t see how they can get through this.

Especially if he’s static forever.

Rating: Narration: A; Content: A-

I think it’s safe to say that the premise of L.A. Witt’s Static is one of the most original I’ve come across. It’s set in a world very like our own with one major difference – shifters are known to exist, but instead of being able to assume animal shapes, these shifters are able to change gender at will. Some are straight, some are not; some are happy to spend their lives as one gender, some gravitate towards one but do shift sometimes, and others – like Alex in this story – are non-binary which, in Alex’s case, means spending roughly half the time as male and half as female. But while the existence of shifters isn’t a secret, many of them choose to keep their ability under wraps due to the overwhelmingly negative perceptions of them by the “static” public, and the amount of prejudice they encounter.

Damon and his girlfriend have been in a relationship for a couple of years now, and although it’s not been without its ups and downs (Alex can be very moody and sometimes drinks heavily) they love each other and Damon would like them to get married – although Alex keeps dodging the issue. When she doesn’t answer his calls one morning, Damon is immediately worried about her; she went to visit her parents the night before, and he knows she finds those visits incredibly difficult – so he heads over to her house to check on her, and is astonished when a young man opens the door.

You can read the rest of this review at AudioGals.