The Bad Luck Bride (Cavensham Brides #1) by Janna MacGregor (audiobook) – Narrated by Rosalyn Landor

This title may be downloaded from Audible.

Alexander Hallworth, Marquess of Pembrooke, will not rest until he gets vengeance on the man who destroyed his family. Just one more piece needs to fall into place for Alex to succeed: he needs to convince the man’s fiancée, the tragically beautiful Lady Claire Cavensham, to marry him instead.

Lady Claire’s “curse” has left her one step away from social ruin: her past three engagements have gone awry, and now her fourth one is headed the same way. Before anyone can learn of her latest scandal, she’s caught in an awkward situation with Alex who then shocks everyone by announcing their engagement.

Forced into marriage, Alex and Claire find themselves unexpectedly drawn to each other. But as the two of them grow closer, will the truth of their union shatter their fragile feelings or is love strong enough to survive?

Rating: Narration – A: Content – C-

Ever eager to find new authors to enjoy – and because Rosalyn Landor’s name on an audiobook cover is guaranteed to make me take a second look – I decided to listen to Janna MacGregor’s début historical romance The Bad Luck Bride, the first in her Cavensham Brides series. The book starts well, as our hero, Alexander Hallworth, Marquess of Pembrooke, vows revenge on the former friend whom he holds responsible for his sister’s death. The first few chapters grabbed my attention as Alex sets his plan into motion, ruthlessly and deviously engineering the downfall of Lord Paul Barstowe by using the man’s predilection for high-stakes gaming to bring him to the brink of financial ruin, and then forcing him to jilt the fiancée whose dowry could have saved him. The “heroine-as-revenge” plot isn’t a favourite of mine, but I was keen to see how Ms. MacGregor would redeem a man capable of stooping so low and turn him into a romantic hero I could root for. Unfortunately however, at around a quarter of the way in, things begin to fall apart. Too many plot points, contrived misunderstandings, choppy writing and inconsistencies in the characterisation of the principals combined to fragment the story’s focus – and not even the extremely talented Ms. Landor could recapture my interest, which waned to such a degree that I kept checking my MP3 player to see how much of the playing time was left.

You can read the rest of this review at AudioGals.

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To Sir Phillip With Love (Bridgertons #5) by Julia Quinn (audiobook) – Narrated by Rosalyn Landor

This title may be downloaded from Audible via Amazon

Sir Phillip knew that Eloise Bridgerton was a spinster, and so he’d proposed, figuring that she’d be homely and unassuming, and more than a little desperate for an offer of marriage. Except…she wasn’t. The beautiful woman on his doorstep was anything but quiet, and when she stopped talking long enough to close her mouth, all he wanted to do was kiss her… and more. Did he think she was mad?

Eloise Bridgerton couldn’t marry a man she had never met! But then she started thinking…and wondering…and before she knew it, she was in a hired carriage in the middle of the night, on her way to meet the man she hoped might be her perfect match. Except…he wasn’t. Her perfect husband wouldn’t be so moody and ill-mannered, and while Phillip was certainly handsome, he was a large brute of a man, rough and rugged, and totally unlike the London gentlemen vying for her hand. But when he smiled…and when he kissed her…the rest of the world simply fell away, and she couldn’t help but wonder…could this imperfect man be perfect for her?

Rating: Narration – A+ Content – A-

This fifth instalment in Julia Quinn’s Bridgerton series is one of the books I have somehow not got around to reading, and which, for some reason I can’t remember, I had thought to be one of the weaker books in the series. This new audio version has laid that misconception firmly to rest however, and is, I think, now one of my favourites of the set. To Sir Phillip With Love is perhaps not as light-hearted as many of the author’s other titles, but it clearly shows that she has the ability to tackle difficult themes and write deeply flawed characters that listeners can root for even as we’re wanting to smack some sense into them or questioning the wisdom – of lack thereof – of their actions.

One such character is Sir Phillip Crane, a widower whose eight-year-old twins are a complete handful. He inherited his baronetcy upon the death of his older brother, and seems to have also inherited his brother’s fiancée, Marina, a very distant cousin of the Bridgerton family. When he receives a note of condolence upon Marina’s death from Eloise Bridgerton, his response engenders a cordial correspondence which lasts a year, and ends in his suggesting that perhaps Miss Bridgerton might be open to the idea of marrying him. It’s an odd notion, to be thinking of marriage to a woman he has never met, but from the tone of her letters, Phillip judges Eloise to be an amenable, sensible kind of woman – and quite honestly, he is so desperate for someone to run his house and, more urgently, manage his children, that marriage to almost anyone would be preferable to things continuing as they are.

You can read the rest of this review at AudioGals.

In Celebration of June Is Audiobook Month

To mark June is Audiobook Month, I and my fellow AudioGals have been choosing some of our favourite audiobooks in our favourite genres, and this week it was my turn to choose my Top Five Historical Romance audios. Which wasn’t easy. Last week saw Kaetrin picking her Top Five Contemporary Romances, and the week before that, BJ chose her Top Five Urban Fantasy/Paranormal listens. There’s still time to enter the giveaway for earbuds and downloads – head over to AudioGals and scroll down to the bottom of this week’s post for details.

In the meantime… my Top Five.

I might as well say this right now. I am utterly HOPELESS at choosing favourites. The minute anyone says to me “what’s your favourite (something)?” my mind goes completely blank and I struggle to think of ANYthing, let alone the ones I’d rate above all others. Then after the initial panic has subsided, I can think of too many. But because, when it comes to audiobooks, I’m someone who always places the narrator ahead of the author in terms of importance when it comes to choosing the ones I want to listen to (sorry, authors!), choosing five audiobooks I think would be a good introduction to historical romance in audio for someone who wants to take the plunge but doesn’t know where to start didn’t prove too difficult. My choices are therefore selected by narrator first; and as such, feature my “Fab Four” – four narrators I would quite happily listen to if they were reading the phone book.

You can read the rest of my list at AudioGals.

Slightly Dangerous (Bedwyn Saga #6) by Mary Balogh (audiobook) – Narrated by Rosalyn Landor

This title may be downloaded from Audible via Amazon

All of London is abuzz over the imminent arrival of Wulfric Bedwyn, the reclusive, cold-as-ice Duke of Bewcastle, at the most glittering social event of the season. Some whisper of a tragic love affair. Others say he is so aloof and passionless that not even the greatest beauty could capture his attention. But on this dazzling afternoon, one woman did catch the duke’s eye – and she was the only female in the room who wasn’t even trying.

Christine Derrick is intrigued by the handsome duke…all the more so when he invites her to become his mistress. What red-blooded woman wouldn’t enjoy a tumble in the bedsheets with a consummate lover – with no strings and no questions asked. An infuriating lady with very definite views on men, morals, and marriage, Christine confounds Wulfric at every turn. Yet even as the lone wolf of the Bedwyn clan vows to seduce her any way he can, something strange and wonderful is happening. Now for a man who thought he’d never lose his heart, nothing less than love will do.

Rating: Narration – A+; Content – A-

In this final book in Mary Balogh’s Bedwyn series, the limelight at last turns to Wulfric, Duke of Bewcastle, the eldest of the six Bedwyn siblings who, along with the Marquess of Dain, Sebastian St. Vincent and a handful of others, is one of historical romance’s best beloved and most unforgettable heroes. He’s been a strong secondary presence in the other books in the series and has come across as a rather forbidding man with a reputation for being extremely proper, arrogant and cold, able to wound at twenty paces simply by virtue of a raised quizzing glass and a disdainful look. In Slightly Dangerous, we discover more about what has made him into the man he is and watch him unravel a bit as he finally meets his match.

Now that his brothers and sisters are all happily settled and starting families of their own, Wulfric is at a loss. He has fulfilled the vow he made when he assumed the title to make sure that they were all well taken care of – and at the age of thirty-five, realises he is lonely. His London home feels empty and he doesn’t much like the idea of returning to his principal seat at Lindsey Hall for the summer because that will be empty, too. He is also mourning the recent death of his mistress of ten years, not because he was deeply in love with her, but because they had been comfortable together and he had cared for her. It is this loneliness that prompts him to accept an invitation to a house-party being held by Lord and Lady Renable, although it doesn’t take him long after his arrival to regret his decision. He feels badly out of step with most of the other guests, having very little in common with any of them, and is not amused when he discovers that several of the younger ladies are setting their caps at him. The only person in attendance who is close to him in age is the widowed daughter of a schoolmaster, Mrs. Christine Derrick, who, he has already observed, is ridiculously impulsive and has no idea of proper behaviour.

You can read the rest of this review at AudioGals.

Romancing Mister Bridgerton (Bridgerton #4) by Julia Quinn (audiobook) – Narrated by Rosalyn Landor


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Everyone knows that Colin Bridgerton is the most charming man in London. Penelope Featherington has secretly adored her best friend’s brother for…well, it feels like forever. After half a lifetime of watching Colin Bridgerton from afar, she thinks she knows everything about him, until she stumbles across his deepest secret…and fears she doesn’t know him at all.

Colin Bridgerton is tired of being thought nothing but an empty-headed charmer, tired of everyone’s preoccupation with the notorious gossip columnist Lady Whistledown, who can’t seem to publish an edition without mentioning him in the first paragraph. But when Colin returns to London from a trip abroad he discovers nothing in his life is quite the same – especially Penelope Featherington! The girl haunting his dreams. But when he discovers that Penelope has secrets of her own, this elusive bachelor must decide…is she his biggest threat – or his promise of a happy ending?

Rating: Narration – A+; Content – B+

The friends-to-lovers trope is one of my favourites in the genre, and one of my favourite examples of it is Julia Quinn’s Romancing Mister Bridgerton, the fourth book in her iconic series about the eight Bridgerton siblings.

Colin is the third son, and has featured in the previous books as a good-humoured, devil-may-care sort of chap; easy going with a killer smile, good sense of humour, able to laugh at himself and always ready with a quip or witty rejoinder. He’s all of those things, but by the age of thirty-three, has started to feel a little disgruntled at being thought of by practically everyone in society as just “A Bridgerton”. His brother is the viscount, his next eldest brother, Benedict, is making a name for himself as an artist but Colin… well, he’s not sure exactly what and who he is, and doesn’t quite know what he wants to do or to be, either.

Penelope Featherington has also appeared in the previous books as a close friend of the Bridgerton sisters, especially of Eloise. She was an object of catty remarks and ridicule for years, owing to her mother’s tendency to dress her in styles and colours that were completely wrong for her and for that lady’s almost maniacal desire to get her daughters married off. At twenty-eight, Penelope is now firmly on the shelf and is resigned to being the spinster daughter who will care for her mother into old age – although the one good thing about her being on the shelf is that she can dress how she wants and eschew the horrible clothes her mother made her wear.

Being a friend of the Bridgerton sisters means that Penelope has also been frequently in the company of the brothers, too, all of whom are friendly and treat her almost as one of the family, making a point of asking her to dance at balls or seeking her out at other functions. For years, Penelope has harboured a tendre for Colin, but has no hope of a return – why should he look at an unprepossessing woman like her when he’s one of society’s darlings; handsome, charming and witty, he is not without female admirers blessed with both youth and beauty and he can have any woman he wants.

Ms. Quinn freshens up the trope and gives it extra depth by virtue of her characterisation of the two principals. Colin is restless; he travels a lot and in fact spends more time abroad than he does in England. He is tired of being thought of as someone who is only good for a laugh and wants to actually do something with his life but he has no idea what until one day, Penelope inadvertently stumbles upon one of his travel journals and is so engrossed by his writing that she suggests he publish them. At first, Colin is furious at her having read his private journals and they quarrel, but eventually, her genuine enthusiasm and praise for his writing surprise and humble him and start him thinking that perhaps this is what he’s meant to do, and he takes her suggestion to heart.

Previously the perennial wallflower, Penelope has discovered that spinsterhood has its benefits; not only because she can dress as she wants, but because she feels free to be more herself and doesn’t have to put up with her mother’s constant attempts to marry her off. But Penelope has been keeping a huge secret from everyone around her for years; something that started as a way for her to fight back at those who looked down on her and that would ruin her if it ever got out. I’m not going to say more here because it’s a massive spoiler; but this secret is the book’s other major plotline and leads to some major conflict between Colin and Penelope later on.

But the real strength of this instalment in the series is in the characterisation and subtle development of the two leads. Penelope’s infatuation with Colin is of long-standing; she fell for his looks and charm without really knowing him, and during the course of the story discovers that he’s not the perfect man she had imagined. Colin knows Penelope only as the slightly plump, shy friend of his sisters, but through spending time with her, comes to realise that she’s also intelligent, quick-witted and lovely. Neither of them really knows how or why things are changing between them, they just know that they are, and those moments when they both start to really see each other – the best parts of any friends-to-lovers romance – are beautifully done.

Rosalyn Landor is, without question, one of the best narrators of historical romance around and her narrations of these previously unrecorded Bridgerton books (6, 7 and 8 were recorded some time ago, but not books 1-5) have been absolutely stellar. Romancing Mister Bridgerton is no exception; Ms. Landor’s pacing is excellent, her vocal characterisations of every single character are superb and in scenes where large numbers of characters appear, listeners can have no problems whatsoever working out who is speaking, so clear and expert is her manner of differentiating between all of them. It doesn’t matter if a character is old or young, male or female, aristocrat or servant, all are perfectly portrayed. I’m particularly fond of her interpretation of the formidable Lady Danbury, a wonderfully acerbic, perceptive but (secretly) kind elderly dowager of the sort so often found in historicals. Her portrayal of Colin, too, is spot on, and absolutely consistent with the way he was voiced in the earlier books in the series; suitably youthful and with a jaunty air that befits his reputation as a carefree young gentleman about town. But here, Ms. Landor is afforded the chance to explore another side of him, and she does it very well, adding a slight edge to his tone in some moments of heightened emotion or giving him a more seductive, husky note in the more intimate scenes.

If you’re a fan of historical romance audiobooks, you’ve no doubt listened to Rosalyn Landor already and know that her name on the front cover is a guarantee of an excellent narration. If you haven’t tried one, then the Bridgerton books can be listened to in any order, although I think you’ll get more out of them if you listen to them in order, as it will allow you to meet each sibling as they pop in and out of other stories in the series and get to know them better.

Whatever you do, though, Romancing Mister Bridgerton is another must listen for fans of this talented author/narrator pair and for fans of historical romance in general.

Someone to Hold (Westcott #2) by Mary Balogh (audiobook) – Narrated by Rosalyn Landor

This title may be downloaded from Audible via Amazon

With her parents’ marriage declared bigamous, Camille Westcott is now illegitimate and without a title. Looking to eschew the trappings of her old life, she leaves London to teach at the Bath orphanage where her newly discovered half sister lived. But even as she settles in, she must sit for a portrait commissioned by her grandmother and endure an artist who riles her every nerve. An art teacher at the orphanage that was once his home, Joel Cunningham has been hired to paint the portrait of the haughty new teacher. But as Camille poses for Joel, their mutual contempt soon turns to desire. And it is only the bond between them that will allow them to weather the rough storm that lies ahead.

Rating: Narration – A+; Content – B+

Someone to Hold, the second book in Ms. Balogh’s Westcott series, tells the story of Miss – formerly Lady – Camille Westcott, the eldest daughter of the late Earl of Riverdale, who discovered after his death that she, along with her brother and sister, was illegitimate because their parents’ marriage was bigamous.

In the previous book, Someone to Love, which announced this discovery, Camille was cold, hard, disdainful and full of hatred for the newly discovered half-sister whom she regarded as the cause of her own loss of rank and position. Making Camille into a heroine listeners could like and root for was something of a tremendous ask, but Mary Balogh does it with aplomb, giving a clear, warts-and-all portrait of a young woman who suddenly finds out that the life she has known is a lie, and who is struggling to gain a sense of self and identity in a world which has drastically changed around her.

You can read the rest of this review at AudioGals.

Slightly Wicked (Bedwyn Saga #2) by Mary Balogh (audiobook) – Narrated by Rosalyn Landor

slightly-wicked-audio

This title may be downloaded from Audible via Amazon

With his laughing eyes and wild, rakish good looks, Lord Rannulf Bedwyn is a hard man to resist. To Judith Law, a woman in need of rescue when her stagecoach overturns, Rannulf is simply her savior, a heroic stranger she will reward with one night of reckless passion before she must become a companion to her wealthy aunt.

Imagine Judith’s shock when the same stranger turns out to be among England’s most eligible bachelors, and when he arrives at Harewood Grange to woo her cousin. Certainly, they had made no vows, no promises, but Rannulf never did forget his uninhibited lover – nor did she forget that one delicious night. And as scandal sets the household abuzz, Rannulf proposes a solution. But when Judith refuses to have him – in love or wedlock – Rannulf has only one choice: to wage a campaign of pure pleasure to capture the heart of the woman who has already won his.

Rating: Narration – A+; Content – B

One of the many things I love about audiobooks is that they’re a great way for me to catch up with older titles that, with the best will in the world, I’m unlikely to get around to reading for at least the next ten years or more. Another great thing is that it’s such a treat when books you’ve really wanted to listen to are finally recorded and made available. Last year – at long last – Mary Balogh’s popular Slightly series (originally published between 2003 and 2004) was given the audio treatment, and thankfully, production company, Tantor audio, had the very good sense to employ the incredibly talented Rosalyn Landor as narrator.

Book two in the series, Slightly Wicked is a variation on the Cinderella trope and while it’s perhaps a little clichéd, I enjoyed it and was reminded of how a truly great narrator can elevate a story so that it ultimately transcends the sum of its parts.

Our hero is Lord Rannulf, brother to the Duke of Bewcastle and one of the six Bedwyn siblings. He is on his way to visit his ailing grandmother, Lady Beamish, at Grandmaison Park when he comes across an overturned coach and stops to see what is to be done. The weather is inclement and Rannulf is travelling alone, so all he can really do is ride to the nearest town or village and send help and transport for the passengers as quickly as possible. A man with an eye for the ladies, Rannulf quickly spots a lovely, red-headed woman among the group and offers to take her with him to the inn; after all, someone has to be able to give clear instructions to the rescue party.

The woman introduces herself as Claire Campbell, an actress on the London stage who is taking a bit of a break. Rannulf tells her he is Mr Ralph Bedard, and they set off, both of them feeling an intense spark of attraction to the other and Rannulf, especially, thinking that this lovely armful of curvy, warm woman will provide a satisfying diversion for the night.

But just as Rannulf is concealing his true identity, so is Claire, who is actually Miss Judith Law, the daughter of an impoverished country parson. With her younger brother – who is their parents’ only son – living well beyond his means and beggaring his family in order to do so, Judith’s parents can no longer afford to support their whole family, so she is being sent to live with her aunt Effingham, where she will live out the rest of her life as an unpaid drudge with no prospects for love, marriage or a family of her own.  So when the chance is offered her to spend the night with an attractive, charming man who desires her intensely, and knowing she is unlikely to ever again have the opportunity to experience passion, she decides to take it.  Nobody will ever know, and it will be a memory she can cherish forever.

Of course, this is Romancelandia, so the idea that ‘nobody will ever know’ is doomed the moment it is thought or uttered.  Because of course, ‘Claire’ and ‘Ralph’ are destined to meet again in their true guises.

Rannulf is his grandmother’s heir and he loves her dearly, but she is very ill, and he knows that the one thing he can do to ease her mind before she dies is to find a wife and set up his nursery. He is planning to tell her during this visit that he is now ready to do just that.  Lady Beamish thinks that Julianne Effingham, the daughter of her neighbour might suit him, and Rannulf has no objections to offering for the girl if she proves agreeable.

When he escorts his grandmother to tea at nearby Harewood House, home of the Effinghams, Rannulf doesn’t at first take notice of the shabbily dressed woman who is obviously some sort of poor relation.  Her clothes are ill-fitting, her hair is completely covered by an ugly cap – but when their gazes inadvertently meet, he’s shocked to the core to recognise Claire Campbell.

Learning of Judith’s true identity and realising that she is the daughter of a gentleman, Rannulf knows he must do the honourable thing, and proposes marriage.  But Judith will have none of it; she has accepted her lot in life and that their fling was just that – and besides she doesn’t want to be anyone’s duty or to force a man to marry her.  Rannulf is surprised at her rejection, but accepts it, and tries to focus instead on courting the lady his grandmother has suggested.  The problem is that he can’t get Judith out of his mind or ignore the strength of the pull between them.

The story isn’t especially original, it’s true, but Ms. Balogh’s writing and characterisation is so strong that the familiarity of the plot doesn’t matter; what’s important is that the listener can feel the emotions experienced by the protagonists and understand their dilemmas.  Rannulf is perhaps a little too good to be true, but he does show personal growth during the story because by the end he’s ready to settle and assume the responsibilities of the estate he will soon inherit because he wants to, not because he has to.  Judith really has drawn life’s short straw; not only does she have to put up with the indignities heaped upon her by her awful relatives, she is going to have to watch the man she loves court her brattish cousin, and all of it through no fault of her own.  She’s stoic and resigned to her fate, and I enjoyed the way that, with some assistance from Rannulf, she gradually comes to realise that she’s worth more and to stand up for herself and what she wants.

Rosalyn Landor is, quite simply, the best narrator of historical romances around.  There are a few others who come close and whose narrations I enjoy very much, but she really is the perfect choice for Mary Balogh’s understated yet emotionally-charged prose.  Her performances are technically flawless; her pacing is spot on, she hits all the right emotional notes and her character differentiation is superb because there is never any question as to which character is speaking at any given point.  In the few scenes in this book which feature several male characters, it’s easy to distinguish between Rannulf, the jauntily voiced Alleyne and the far more serious – and imperious – Wulfric, Duke of Bewcastle.  All the female characters are similarly individualised. Judith’s ‘dual personality’ is given two slightly different vocal inflections, her aunt is portrayed using a suitably unpleasant, nasal tone and her cousin, Julianne an appropriately higher pitched, whiny timbre.

But it’s not just Ms. Landor’s technical ability that continues to impress me.  She also gets right to the emotional heart of any given story, gets into the heads of the characters and clearly demonstrates her understanding of them and the journey they are undertaking. She’s a narrator who really understands what audiobook listeners want to hear when it comes to romance – and that’s not true of every narrator of romance out there.

While there are certainly a number of inconsistencies in the story – it’s quite difficult to accept Judith’s belief in her own unattractiveness, and the secondary plotline regarding the missing jewels is a little obvious, for example – I nonetheless enjoyed listening to Slightly Wicked, in no small part due to Rosalyn Landor’s excellent performance.  The remaining books in the series are set for release over the next few months, and I’m sure they will be equally entertaining.  I’ll certainly be snapping them up as soon as they become available.