Their lives defy convention . . .
When an unexpected inheritance elevates her family to the ranks of the aristocracy, Amelia Hathaway discovers that tending to her younger sisters and wayward brother was easy compared to navigating the intricacies of the ton. Even more challenging: the attraction she feels for the tall, dark and dangerously handsome Cam Rohan.
Their desire consumes them both . . .
Wealthy beyond most men’s dreams, Cam has tired of society’s petty restrictions and longs to return to his ‘uncivilized’ Gypsy roots. When the delectable Amelia appeals to him for help, he intends to offer only friendship – but intentions are no match for the desire that blindsides them both. Can a man who spurns tradition be tempted into that most time-honoured arrangement: marriage? Life in London society is about to get a whole lot hotter . . .
Rating: Narration – A; Content – C+
Mine Till Midnight is book one in Lisa Kleypas’s series about the Hathaway family; it was published in 2007 and an audio recording – with Rosalyn Landor at the microphone – was released in 2009. That version was never available worldwide however; only one or two of the series was actually available in the UK before now (the same is true of the earlier and perennially popular (pun intended!) Wallflower series.) Last year, I noticed first two or three titles in the Hathaways series appearing at Audible UK and immediately assumed that they were reissues of the 2009 recordings – but they’re not; they’re brand new recordings.
The five Hathaway siblings were not born to wealth and privilege. Instead, they were thrust into the upper echelons of society when Leo – the only male sibling – inherited a viscountcy from a distant relative, although unfortunately, the title comes with only a modest fortune. Leo has been in a downward spiral for the last year or so, since the death of the young woman he planned to marry, which is how come we first meet our heroine Amelia – the oldest of the four female Hathaways – as she is planning to drag Leo out of Jenner’s (the club owned by Sebastian St. Vincent). She’s accompanied by her adoptive brother Merripen – a Rom (here’s one change from the original – “Gypsy” has been changed to “Rom”) – and they pull up outside the club in time to witness an altercation between some obviously drunk patrons who are vying for the attentions of a prostitute. Before things can get nasty, the fight is broken up by another man – a younger one with dark hair, gleaming hazel eyes and the face of an angel who, for all he is dressed like a gentleman, obviously isn’t one. He’s Cam Rohan (also a Rom), the club’s manager – and just looking at him is enough to take Amelia’s breath away. But she quickly squashes the ripples of nerves and heat that run through her to focus on her reason for being there, irritated when Rohan waves off her concern for her brother as nothing to do with him. It’s only when Merripen speaks to him in their own language that he at last agrees to allow them inside to search for Leo, and on learning that Leo has left the club for a nearby brothel, and of Amelia’s intention to seek him out there, Cam arranges transportation and accompanies them to retrieve the errant viscount.
You can read the rest of this review at AudioGals.