A Lady Ready for Battle
Miss Harriet Manning once made the mistake of falling completely, totally, and irreversibly in love with a duke’s son. It’s a mistake she won’t repeat twice. Truly. Especially since he abandoned her just when they were about to elope to Gretna Green. Five years later, Harriet hasn’t forgotten the way Lord Garret’s smoldering gaze and wicked sense of humor touched her soul. Still, there’s no way she’ll forgive the traitorous libertine, no matter how he stirs her passions. Now, Harriet is determined to show him she doesn’t care, and never did, by making merry right under his nose but a tragic turn of events at her cousin’s wedding has her wondering if just maybe, love deserves one last chance.
A Lord Who Lost His Heart
Lord Garret Hart, second son of a duke and now brother to the present Duke of Huntsdown, is never ever EVER getting married. Bachelorhood is for him. After all, women are the very devil. Especially one woman. Miss Harriet Manning is Garret’s own personal Medusa and she has turned his heart to stone. Indeed she has, but not before she absolutely ripped it to shreds, leaving him a complete wreck. Nothing will ever induce him to matrimony or nauseating protestations of boyish love again. But when he is forced into close proximity at his brother’s wedding with the woman who first taught him to dream and see the world as a wondrous place, sparks flash and passions explode. Still, Harriet is not to be trusted. She callously betrayed him once. So how can he ever allow himself another chance at love when love always seems to hurt so much?
Rating: Narration – A- Content – C+
Eva Devon (who has also written as Maire Claremont) opens her Must Love Rogues series with The Rogue and I, a story she says in her author’s note is an homage to her favourite Shakespeare play, Much Ado About Nothing (which is one of my favourites, too). Many, many romances feature couples who bicker à la Beatrice and Benedick, but Ms. Devon has taken that one step further and the first part of her story follows the plotline of the play fairly closely, mirroring some scenes and adapting dialogue to fit characters of the nineteenth rather than the sixteenth century. I enjoyed spotting those similarities (such as, when faced with confronting the heroine, the hero says “Send me anywhere… anywhere but here”, while Benedick begs: “Will your grace command me any service to the world’s end?”), although I felt that sometimes the implied bawdiness didn’t quite fit the regency setting.
As the play is a well-known one, I think it’s probably pointless for me to try to avoid spoilers in this review. The plot of the book and the plot of the play do diverge after the half-way point, however, so I’ll keep those events under wraps as far as possible for the potential listener.
You can read the rest of this review at AudioGals.