Confessions of a Dangerous Lord (Rescued from Ruin #7) by Elisa Braden

This title may be purchased from Amazon

Never judge a man by his cover…
Society knows the affable Earl of Dunston for his flashy waistcoats and rapier wit. Lady Maureen Huxley knows him as Henry Thorpe, her best friend—an irresistibly kissable, strictly platonic friend. Which means her dreams of marriage, motherhood, part-time cookery, and full-time domestic bliss must be fulfilled elsewhere. But after three seasons and a parade of fickle suitors, Maureen’s hopes are fading. Worse, she suspects Henry is to blame.

Never trust a man with too many secrets…
Years spent hunting his father’s murderer through London’s dark underworld have honed Henry Thorpe into a deadly blade with one purpose—catching a killer of fathomless evil. Nothing mattered more until Maureen Huxley came along. To keep her safe, he must keep her at arm’s length. Yet he can’t resist drawing her close, making her laugh, dreaming of doing wicked things to her lush body. Very well, perhaps he also dissuaded some of her suitors. But what’s a little deception between friends?

Never provoke a man as dangerous as this one…
With his enemy growing bolder and Maureen contemplating marriage to another man, Henry is caught in the crossfire between his mission and his heart. Any move could exact a devastating cost. But losing the woman he loves is one price he refuses to pay.

Rating: B+

Confessions of a Dangerous Lord is the seventh book in Elisa Braden’s Rescued from Ruin series, and although it features a storyline that has obviously been present in some of the earlier novels, this is the first of Ms. Braden’s books I’ve read and I was able to follow along quite easily.  I won’t deny that there were a few times I wished I’d had a stronger grasp of how that plotline had evolved, but that’s down to me, and not any lack of skill on the part of the author – and anyway, it in no way detracted from my overall enjoyment of the book. The writing is strong and the opening scenario drew me in straight away, quickly supplying some necessary back-story without being an info dump.  The two principals are well-drawn, attractive characters, with the hero being one of those Pimpernel-esque types I’m particularly fond of; the garrulous society favourite who is widely believed to be interested only in horses and fashion but who is, beneath it all, fiercely intelligent, highly competent and utterly deadly.

Maureen Huxley has been in love with Henry Thorpe, Earl of Dunston, for pretty much the whole of the two years she has known him.  He’s wealthy, deliciously handsome, charming, kind, clever and makes her laugh – in short he’s perfect for her, apart from one small thing.  He doesn’t want her.  Or rather, he isn’t interested in her romantically, much preferring to remain on terms of friendship with her.  Reckoning that half a loaf is better than no bread at all, Maureen hides her disappointment at his rejection and they continue as friends, but lately, she has begun to wonder if her friendship with Henry may be scuppering her chances of making a suitable marriage.  She has been out for three seasons and hasn’t received so much as a single offer; she longs for a husband and family of her own and realises that the only way she is ever going to stand a chance of getting those things is to cut ties with Henry and try to make room in her heart for someone else.

You can read the rest of this review at All About Romance.

Ruining Miss Wrotham (Baleful Godmother #5) by Emily Larkin

This title may be purchased from Amazon.

If he helps her, he’ll ruin her…

Eleanor Wrotham has sworn off overbearing men, but she needs a man’s help—and the man who steps forward is as domineering as he is dangerous: the notorious Mordecai Black.

The illegitimate son of an earl, Mordecai is infamous for his skill with women. His affairs are legendary—but few people realize that Mordecai has rules, and one of them is: Never ruin a woman.

But if Mordecai helps Miss Wrotham, she will be ruined.

Rating: A-

This fifth instalment in Emily Larkin’s Baleful Godmother series is a charming and beautifully romantic road-trip story that pairs up a most unlikely couple. As she has demonstrated in all the books in this series, Ms. Larkin is a fabulous storyteller with the ability to create memorable, likeable characters and inject new life into well-used tropes by sprinkling in a bit of magic and whimsy while firmly grounding her story in the familiar – to historical romance fans at least – world of early nineteenth century England. Ruining Miss Wrotham is laced with gentle humour, sensuality and tenderness as we watch our heroine discover surprising truths about herself, her wants and her desires, while struggling with her growing feelings for a man she should have no feelings for at all.

Miss Eleanor Wrotham is counting the days until her twenty-third birthday, because then she will be able to choose a magical gift from Baletongue, the malevolent and pitiless faerie godmother who is bound to deliver a supernatural power to the females of her family line as the result of an ages-old curse. Eleanor knows what she will chose; the ability to locate missing people, and with only a few days to go, is impatient for the faerie’s visit so she can use her gift to find her younger sister, Sophia, who eloped with her lover some months earlier and has now gone missing. But when Eleanor receives a months-old note telling her that Sophia is in London – in Seven Dials – she wants to go to her immediately, regardless of the fact that it’s one of the most dangerous areas in the city. She asks her former fiancé – who jilted her once he learned of her sister’s disgrace – for help, but he refuses and as she is storming out of his house, bumps into the last man on earth she would have considered helpful or trustworthy, the deliciously handsome but highly disreputable Mordecai Black, bastard son of the late Earl of Dereham.

It’s apparent from the first page that there is a lot more to Black than meets the eye – and given he’s a hulking six-foot-five, there’s a lot of him to meet! – and that he’s in love with Eleanor and has been for some time. He tries to dissuade her from going to look for her sister by offering to find her himself, but Eleanor will have none of it, and he has no alternative but to allow her to go with him. Ms. Larkin paints a vivid picture of the dank, rubbish-strewn streets of the stews of London, and creates a strong atmosphere of menace as the couple ventures into a part of the city into which only those with no alternative – or no idea of self-preservation – would ever go. They find the place where Sophia was when she sent the note, but learn that she left with a friend some time ago, most likely to travel to Exeter and the home of someone who helps fallen women.

For a young, unmarried lady to travel alone is scandalous and dangerous, but Eleanor doesn’t care and wants to set out for Exeter immediately. Her meagre funds mean she must travel by stagecoach, but Black will not hear of it and insists upon escorting her himself. He also insists on procuring her a disguise in order to protect her reputation, even though Eleanor maintains that the fact of her sister’s elopement has already ruined her good name and she has no reputation left to protect.

You can read the rest of this review at All About Romance.

From Duke Till Dawn (The London Underground #1) by Eva Leigh

This title may be purchased from Amazon

Years ago, the Duke of Greyland gave his heart—and a princely sum of money—to a charming, destitute widow with unparalleled beauty. After one passionate night, she slipped from his bed and vanished without a trace. And just when he’s given up hope of ever seeing her again, Greyland finds her managing a gaming hell. He’s desperate to have her… until he discovers everything about his long-lost lover was a lie.

In truth, Cassandra Blake grew up on the streets, picking pockets to survive. Greyland was a mark—to be fleeced and forgotten—but her feelings for the duke became all too real. Once he learns of her deception, however, the heat in his eyes turns to ice. When her business partner absconds with the gaming hell proceeds—leaving unsavory investors out for blood—Cassandra must beg the man she betrayed for help.

Greyland wants compensation, too, and he’ll assist her under one condition: she doesn’t leave his sight until her debts are paid. But it’s not long before the real Cassandra—the smart, streetwise criminal—is stealing his heart all over again.

Rating: B+

One of the things I’ve enjoyed about other books by this author is the way she manages to create strong, intelligent heroines who are assertive and independent while still continuing to function in a society that essentially thought women were lesser beings and wanted to shove them into a corner marked “seen, not heard”.  It’s a difficult line to tread; if you go too far, your heroine is shrewish and difficult to like, if you don’t go far enough, your heroine may be too much of a doormat to appeal to a modern audience.  But Eva Leigh manages to get the balance just about right, mostly because she writes about women who are not just decorative ornaments; her heroines often have to make their own livings and have learned the hard way that the one person they can always rely on (until they meet their hero, that is!) is themselves – and she does this without making them so modern as to require too much suspension of disbelief that they could exist in Regency England.  Cassandra Blake, her heroine in From Duke Till Dawn is one of those women, someone who has used her wits and intelligence to make a life for herself in a hostile world.

Alexander Lewis, Duke of Greyland has been brought up to be perfect.  The perfect duke.  The perfect gentleman.  The perfect… everything.  Even at thirty-eight, he still hears his father’s booming strictures about the importance of duty and responsibility, and he has done everything possible to live up to his sire’s expectations.  But he’s hit a snag in terms of fulfilling one of the most important duties to his dukedom in that the demure and very eligible young lady to whom he had betrothed himself has just run off to Gretna Green with another man.  While there’s nothing Alex would rather do than slope off home to lick his wounds in solitude, he knows he has to put on a brave face and be seen out in society to show that the young woman’s actions have not affected him.  In truth, they haven’t much – Alex wasn’t in love with the girl, he’s just annoyed and embarrassed at being jilted.

He’s in this morose state when his two best friends find him and insist on taking him to the newest gambling den in London.  Alex’s heart isn’t in it, but he goes anyway – and is astonished when he hears a voice he’d thought never to hear again, the voice of the woman he’s nicknamed his Lost Queen. Two years earlier while in Cheltenham, Alex met and fell for a lovely widow named Cassandra Blair, a woman possessed of a quick mind as well as great beauty, and felt a intensely strong connection to her.  She disappeared after their one night together, and although he never expected to see her again, Alex has never forgotten her.  Yet now, here she is, as beautiful and poised as ever and Alex is smitten all over again.

Cassandra Blake is shocked at seeing the Duke of Greyland again and berates herself for returning to London where she’d known she would run the risk of meeting him again.  But when her old mentor, Martin Hughes, offered her a job in which she could earn enough money to leave her life of swindling behind her and go legitimate, she couldn’t turn it down.  She’s tired of the constant dishonesty and wants to live honestly – but first needs to be able to afford to do so.

Alex was supposed to have simply been a mark, a rich man she could take for a few hundred pounds, yet their brief time together meant something to Cassandra, so she falls back into her role of the beleaguered widow and makes up a story to account for the fact she left Alex so precipitately. Naturally, however, secrets such as these will out, and when Alex overhears Hughes suggesting that Cassandra try to fleece him again, he is furious and hurt by her betrayal, swearing to make her pay for her crimes.

Cassandra is completely unprepared for the visceral hurt she experiences at the disgust and betrayal in Alex’s eyes, but she has done what she has done in order to survive and doesn’t back down in the face of his angry accusations.  She can’t help being afraid of his threats of retribution; but when she discovers that Hughes has done a bunk with all their money, she has more pressing concerns to face. Hughes borrowed a lot of money from a lot of shady characters in order to set up the club, and the moment news of his disappearance gets out, Cassandra knows her life will be worth less than nothing if she remains alone and unprotected.  Terrified, she realises that she knows only one person in London she can trust absolutely – but he hates her and may well decide to leave her to her fate.

Alex is astonished when Cassandra arrives at his home begging for his help and has half a mind to have her thrown out – but then he realises that she is genuinely distressed, and while he is still deeply hurt by her deception, he certainly doesn’t want her dead.  Believing that now he knows the truth he will be able to stop himself falling for her all over again, he agrees to help her to find Hughes, and in the process, discovers much about himself and the sort of man he really is and wants to be.  I loved this aspect of the story and watching Alex gradually become his own man in truth, shedding much of his reserve and preoccupation with propriety and perfection, while retaining the parts of his character that make him a truly wonderful and memorable romantic hero.

Cassandra, too, finds her perceptions changing, her mentor’s betrayal finally opening her eyes to the truth about the hurt she must have caused those she had targeted and stolen from in the past.  More than that, though, now that she is no longer part of the underground criminal community, she is forced to deal with her mistakes and face the consequences rather than running from them and jumping into the next con.

Ms. Leigh’s depiction of London’s criminal underworld is one of the book’s many strong points.  Once Alex agrees to help Cassandra, he is plunged into a world he had never really known existed, one which has its own rules and pecking order, where morality is fluid and where nothing is ever black and white.  It’s a real eye-opener for Alex, who soon discovers that he has to set aside some of his most deeply entrenched beliefs if he is to protect Cassandra, and ends up asking himself some difficult questions about what is truly important to him as a man versus the Greyland title.

Alex and Cassandra’s romance is imbued with sensuality and a palpable longing which builds deliciously to a fever pitch and some nicely steamy love scenes.  But their emotional connection is strong, too, with both of them gradually lowering their defences to allow the other to see them as they truly are.  There’s a real sense of honesty between them once they start to work together, with  Alex even coming to respect and understand some of Cassandra’s choices while she recognises this new blossoming of trust for the gift it is.

From Duke Till Dawn is a terrific read, and one I’m happy to recommend most strongly.  I thoroughly enjoyed my journey through the London Underground, and I’m eagerly looking forward to more.

A Counterfeit Heart (Secrets and Spies #3) by K.C. Bateman


This title may be purchased from Amazon.

As Sabine de la Tour tosses piles of forged banknotes onto a bonfire in a Paris park, she bids a reluctant farewell to her double life as a notorious criminal. Over the course of Napoleon’s reign, her counterfeits destabilized the continent and turned scoundrels into rich men, but now she and her business partner must escape France—or face the guillotine. Her only hope of surviving in England is to strike a deal with the very spy she’s spent her career outrunning. Now after meeting the arrogant operative in the flesh, Sabine longs to throw herself upon his mercy—and into his arms.

Richard Hampden, Viscount Lovell, is prepared to take any risk to safeguard England from the horrors of the French Revolution. To lure the insurgents out from the shadows, he’s even willing to make a pact with his archenemy: Philippe Lacorte, the greatest counterfeiter in Europe. But when a cheeky, gamine-faced beauty proves herself to be Lacorte, Richard is shocked—and more than a little aroused. Unlike the debutantes who so often hurl themselves at him, this cunning minx offers a unique and irresistible challenge. Richard will help her. But in return, he wants something that even Sabine cannot fake.

Rating: B+

I counted K.C. Bateman as one of my “discoveries” of 2016 after I read her terrific début novel, To Steal a Heart, an action-packed, sexy, adventure story set in Napoleonic France. The book boasted many of the ingredients l love in historical romance – a central couple forced into proximity by circumstance, lots of sexually-charged and very funny banter, an intriguing plot, chemistry off the charts and a charming, deliciously dangerous hero. Ms. Bateman followed that with A Raven’s Heart and delivered another fabulous adventure story, this time featuring a couple who have loved each other for years, but have never owned up to it for fear of rejection. In A Counterfeit Heart, the third book in the author’s Secrets and Spies series, the action takes place almost entirely in England and the story draws on some of the real life plots made by Napoléon to destabilise the English economy by flooding the country with millions of pounds worth of forged banknotes.

Richard Hampden, Viscount Lovell, has appeared as a secondary character in the previous books, and we have learned that, like his brother Nicolas (To Steal a Heart) and his closest friend, William Ravenswood (A Raven’s Heart) he works for the British government. Even though Napoléon has been defeated, he still has many sympathisers who would like spark a revolution in England, and for the past few months, Richard has been tracking a group of anti-monarchists in London who are part of the old network of spies placed in England by the French. Richard has been trying to locate the elusive forger, Philippe Lacorte, with a view to engaging him to forge letters from Napoléon to his English sympathisers in order to lure them out, but Lacorte remains stubbornly hard to pin down and all Richard’s efforts to find him have so far been unsuccessful. Imagine his shock, therefore, when a young woman, a lovely, elfin creature, arrives at his London home late one night, introduces herself as Sabine de la Tour – and promptly announces that she is Philippe Lacorte.

For years, Sabine’s friend and partner, Anton Carnaud, acted as go-between for her and the man who had overseen Napoléon’s counterfeiting operation, General Jean Malet. With Napoléon now imprisoned on St. Helena, Malet is the only man at large who knows about the fake fortune Bonaparte had amassed – and he wants it for himself. Sabine’s home has been ransacked and Anton, as Malet’s only link to Lacorte, is in danger. Sabine decides to flee to England; the English have been trying to engage Lacorte’s services for months, and with the money she can earn working for them, she will be able to afford to buy passage to America for Anton and to make a new life for herself wherever she wants to go.

Stunned by Sabine’s announcement though he is, Richard is no fool and is naturally suspicious of her claim. Being young, handsome, wealthy and in possession of a title, he is used to women throwing themselves at him and at first suspects that some sort of entrapment scheme is afoot, but when Sabine writes a note in a perfect copy of his own hand in front of his very nose, he can’t deny that she’s who she says she is and demands to know what she wants in exchange for her services as a forger.

Even though desperation has led her to Richard Hampden’s door, Sabine is not naïve enough to believe that he will meekly agree to her ten-thousand pound price. She is well aware that she is facing a wily, clever man, and calmly explains that she is still in possession of the half a million pounds in forged notes with which Napoléon had planned to flood Britain, and that if Richard does not agree to her terms, then she will put the counterfeit notes into circulation.

What ensues is a sexy game of cat-and-mouse between two equally sharp-witted, devious opponents whose intense attraction to each other burns up the pages. Sabine is brave and smart, matching wits with Richard every step of the way and holding her own against him in their battle of wills, while he, having believed her at first to be a blackmailing baggage, is surprised to find himself utterly captivated by her sneaky, conniving brain every bit as much as he lusts after her body. The chemistry between the couple is scorching, and Ms. Bateman once again proves herself a master of the art of sexually-charged banter and saucy double-entendre. Both protagonists are strongly drawn and well-rounded, and I enjoyed the way Sabine is gradually disabused of her belief that Richard is little more than an arrogant, self-entitled aristocrat, discovering that he is also incredibly resourceful, useful in a fight and not above getting his hands dirty – literally and metaphorically – when the need arises. As the story progresses, the real Richard emerges as a deeply loyal and honourable man who is dedicated to rooting out evil and protecting his countrymen and who will stop at nothing to protect his country and those close to him.

The other main relationship in the book is the one between Richard and his brother-in-law, Raven, which is characterised by sharp insight and brotherly mockery as Raven watches his friend finally succumb to the thrall of the one woman stubborn and infuriating enough to capture his heart. It’s nicely written with just the right amount of teasing on Raven’s part and sardonic denials on Richard’s, and there’s no question that these two will always have each other’s backs.

If I have a criticism, it’s that in the early stages of the story, the relationship between Sabine and Richard relies rather too heavily on insta-lust; the pair of them are pretty much panting for each other from the off, which felt rather overdone. But that’s really the only thing that didn’t work for me; the romance is otherwise well developed, with Richard and Sabine gradually coming to recognise and value the person behind the prickly forger and the haughty aristocrat as they get under each other’s skin and allow themselves to be emotionally vulnerable in a way they have done with no-one else.

A Counterfeit Heart is a treat of a read for anyone who enjoys a well-plotted romantic adventure featuring a plucky heroine and a dangerously sexy hero who match wits and fall in love while foiling dastardly plots and rooting out the bad guys. I have enjoyed each book in the Secrets and Spies series and am looking forward to reading more by this talented author in the near future.

Lord of Chance (Rogues to Riches #1) by Erica Ridley

This title may be purchased from Amazon

Disguised as a country miss, Charlotte Devon flees London, desperate to leave her tattered reputation behind. In Scotland, her estranged father’s noble blood will finally make her a respectable debutante. Except she finds herself accidentally wed to a devil-may-care rogue with a sinful smile. He’s the last thing she needs…and everything her traitorous heart desires.

Charming rake Anthony Fairfax is on holiday to seek his fortune…and escape his creditors. When an irresistible Lady Luck wins him in a game of chance—and a slight mishap has them leg-shackled by dawn—the tables have finally turned in his favor. But when past demons catch up to them, holding on to new love will mean destroying their dreams forever.

The single title 2017 release is an expanded “Author Edition” of the story that first appeared in the Scandal’s Daughters anthology.

Rating: C+

Erica Ridley’s Lord of Chance is the first in a new series from the author entitled Rogues to Riches. Our rogue this time out is one Mister (not Lord – so what’s with the title?) Anthony Fairfax, a charming but rather rackety young man whose appetite for gaming has seen him run up such large debts in London that he has travelled to Scotland in order to try to win enough money to enable him to repay them and return home.

While enjoying a reasonable streak of luck at a small inn not far from the border, Anthony’s eye is repeatedly caught by a young woman whose face is hidden behind a hood, but whose form is pleasing. He nicknames her ‘Lady Fortune’ in his mind, as her presence seems to have helped turn his fortunes. All that changes, however, when she is invited to the table and decides to play. Anthony’s Lady Fortune makes her own luck, it seems, and she cleans him out, winning everything on the table, and in addition, Anthony’s promise to do her bidding for the night ahead. It will come as no surprise when I say that his idea of doing the lady’s bidding all night is rather more lascivious than hers.

Anthony may be a wastrel, but he’s still a gentleman, so when the lady is accosted on their way out of the public room, he steps in and tells her drunken admirer that she is his wife and he should treat her with more respect. The pair then proceed to her room, where Anthony proceeds to make himself useful by ironing and folding her gowns (er… okay) and, in gentlemanly fashion, spends the night on the lumpy sofa.

Charlotte Devon has travelled to Scotland in search of the father she has never met. Her mother is a famous – or infamous – London courtesan, so when Charlotte ruefully reflects that she was ruined before she was even born, she isn’t wrong. Unfortunately, this is an era where the sins of the father were visited upon the children, and her illegitimacy, her mother’s profession and her strong resemblance to her mother all mean that Charlotte has little chance of achieving the sort of respectability she craves.

You can read the rest of this review at All About Romance.

Splendid (Splendid Trilogy #1) by Julia Quinn (audiobook) – Narrated by Lucy Rayner

There are two things everyone knows about Alexander Ridgely. One, he’s the Duke of Ashbourne. And two, he has no plans to marry anytime soon…

That is until a redheaded American throws herself in front of a carriage to save his young nephew’s life. She’s everything Alex never thought a woman could be—smart and funny, principled and brave. But she’s a servant, completely unsuitable for a highborn duke—unless, perhaps, she’s not quite what she seems…

American heiress Emma Dunster might be surrounded by Englishmen, but that doesn’t mean she intends to marry one—even if she has agreed to participate in one London Season. When she slipped out of her cousins’ home, dressed as a kitchen maid, all she wanted was one last taste of anonymity before her debut. She never dreamed she’d find herself in the arms of a dangerously handsome duke… or that he’d be quite so upset when he discovered her true identity. But true love tends to blossom just when one least expects it, and passion can melt even the most stubborn of hearts.

Rating: Narration – C-; Content – C+

Splendid, the first book in Julia Quinn’s Blydon trilogy (the others being Dancing at Midnight and Minx) was issued in 1995 and is Ms. Quinn’s first published work. I’ve read many of her most recent books, but not her earliest ones, so I was interested to listen to this to find out how it would compare. Naturally, it’s not as polished as her later work, although the writing is confident and there are flashes of the humour for which she has become renowned. On the downside though, the storyline is rather predictable (and goes off the rails a bit towards the end), and the characters – outspoken American heiress, stuffy (but hot) duke, bluestocking cousin etc. – are rather stock-in-trade and never really transcend that. There’s nothing wrong with predictability in a romance – we know where it’s going to end up and who is going to end up with whom, after all – but there has to be something else that makes up for it, whether it’s characterisation, sub-plots or dialogue, but here, unfortunately, that’s not the case, and large portions of the book tend to drag while the hero and heroine – who are clearly crazy for each other – try to make up their minds about how they feel.

But by far the biggest impediment to the enjoyment of this story in audio is the narration. I don’t know what on earth Harper Audio was thinking when they engaged Lucy Rayner to narrate all three audiobooks in this series – were Rosalyn Landor and Mary Jane Wells unavailable? – but they’ve done themselves and one of their best-selling authors a serious disservice. I listened to Ms. Rayner a couple of months back in Kat Martin’s Bold Angel, and gave her narration a C grade, saying: sometimes her tone is overly harsh, and lacking in subtlety or expression. There were times I found myself wincing at obvious and painful overacting… and that her male voices were below par.

Sadly, those things are still true here, and the narration as a whole proved so difficult to listen to that it often distracted me from the story and I found myself having to rewind to listen to large chunks where I’d just zoned out.

You can read the rest of this review at AudioGals

The Bad Luck Bride (Cavensham Heiresses #1) by Janna MacGregor

This title may be purchased from Amazon

IS MARRIAGE A BLESSING OR A CURSE?

A man of honor, Alexander Hallworth, Marquess of Pembrooke, will not rest until he exacts revenge on the man who destroyed his family. Just one more piece must fall into place for him to succeed he needs to convince his enemy s fiancee, the tragically beautiful Lady Claire Cavensham, to marry him instead.

Lady Claire s curse has always left her one misstep away from social ruin her past three engagements have gone awry, and now her fourth is headed in the same direction. . .until Alex, a man she barely even knows, shocks the ton and Claire by announcing their engagement. What begins as a sham turns into something deeper, and more passionate, than either Claire or Alex could have imagined. But when their secrets are revealed, will the truth behind their union scandalize them both or is their love strong enough to break the curse and lead them toward their happily ever after?

Rating: C+

The first twenty-five percent or so of Janna MacGregor’s début novel, The Bad Luck Bride, had me eagerly turning the pages, so thoroughly drawn was I into the story of a man who was so bent on revenge upon the former friend he held responsible for the death of his sister, that he would go to any lengths to completely ruin him, even going so far as to steal his fiancée. Unfortunately however, at around that point, the first of what turned out to be several rather flimsy misunderstandings made its appearance and although I was still interested to discover where the story was headed, my former enthusiasm had waned. There were also a number of issues – choppy writing, odd word choices – that took me out of the story on several occasions, as well as inconsistencies in the characterisation of both principals that were impossible to ignore and which have affected my final rating.

Alex Hallworth, Marquess of Pembrooke is distraught with grief over the suicide of his beloved sister, and is determined to exact rather more than a pound of flesh from the man he believes fathered the child she carried and was thus responsible for her final desperate act. When a friend prevents Alex issuing a challenge to Lord Paul Barstowe, he turns instead to a far more devious manner of engineering the man’s downfall. Knowing that Barstowe is deeply in debt as a result of his liking for high-stakes gaming, Alex secretly arranges for him to receive all the credit he asks for and then buys up all his debts, putting the other man completely at his mercy. The final humiliation is that Barstowe must break his betrothal to a wealthy heiress, Lady Claire Cavensham, the daughter of the late Duke of Langham, a young woman whose “bad luck” in having suffered three broken betrothals (for good reasons) has made her … if not quite a laughing stock, then someone who is frequently a subject of gossip among the ton.

Alex plans to marry the lady himself, but knows he’s got his work cut out for him given that Barstowe will be ex-fiancé number four. But, well, Alex is tall, dark, handsome and wickedly charming, so I’m not giving away any secrets when I say that he manages things to his satisfaction, although not without a hiccup or two along the way. Up to this point, I was fully engaged with the story, wondering when and how the cat was going to be let out of the bag and what angsty twists and turns would follow. But then, during a discussion just a couple of days before the wedding, when Alex jumps to a not completely unreasonable conclusion about Claire – a misunderstanding which is quickly corrected, I might add – she decides that he doesn’t trust her and that she can’t marry him. Having some inkling that she might try to bolt, Alex unfortunately compounds his mistake by laying a wager under a false name (sort of) which backs Claire into a corner and gives her no alternative but to go through with the wedding.

You can read the rest of this review at All About Romance