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Having a father can be hard. Being a good one might be even harder.
The call-out for the double homicide, when it comes, is a strange one: two men gunned down in a motel room, no witnesses, no real clues. Even stranger, the men were enemies, and no one seems to know why they were in that motel room together. And stranger still, people won’t stop calling John-Henry Somerset, telling him he needs to find some answers—preferably nice, easy ones—fast.
Hazard and Somers set out to learn what happened, but they quickly find themselves mired in shifting factions: the ultraconservative political machine of the Ozark Volunteers; a liberal activist group protesting the local gun show; a reclusive fundamentalist church; even a hint of Mexican drug cartels. The further they press their investigation, the clearer it becomes that the killer—or killers—wants something, and they’ll stop at nothing to get it.
As Hazard and Somers struggle to find the truth, they face trouble at home as well. Their foster-son, Colt, has received a letter from his estranged father, the same man who attacked Colt and Somers in their home. Worse, Colt seems open to more communication, which leaves Hazard grappling with his fears for Colt and his helplessness against a world that seems to be conspiring to take his foster-son away.
But when a pair of gunmen come after Hazard at home, two things are crystal clear: he’s going to get to the bottom of these murders, and he’ll do anything to keep his family together.
Rating: A
Note: This book is part of a long-running series which really needs to be read in order; there are spoilers for earlier books in this review.
With Father Complex, we’re heading into the home straight of this third Hazard and Somerset series, Hazard and Somerset: Arrows in the Hand. The guys have been through a significant number of major life changes since we first met them; the original series saw them uneasily reconnecting after more than a decade, starting to work through the various issues between them and – eventually – falling in love. In A Union of Swords, they’re adjusting to life as a couple with all its ups and downs, learning how to be in a relationship and then getting married; and in Arrows in the Hand they return from their honeymoon to find themselves becoming ‘insta-parents’ to a troubled teen and working – not always successfully – to redefine and remake their family unit. There are never any easy answers – these are complex, flawed, very human characters with individual baggage that often has a very real impact on their relationship and family dynamics, from Somers’ need to be liked and his desire to prove himself to his father (regardless of the fact that Glennworth Somerset is an arsehole), to Hazard’s PTSD and the anger issues that have been surfacing more and more frequently in his relationship with their foster son Colt, many of them arising as the result of his complicated relationship with his own – now deceased – father.
But through it all, there’s never been any doubt that these two love each other deeply; they get each other like nobody else ever has (or will) and best of all, they Put In The Work; it’s not easy and often it’s not pretty (they really do know how to push each other’s buttons) but every victory is all the sweeter for being hard won, and one of the many highlights of the series is the way Hazard and Somers are continuing to change and grow while remaining recognisably the same guys we met in Pretty Pretty Boys.
The mystery in Father Complex kicks off when Somers receives the news of a double homicide at a run-down motel, two men shot and killed, no witnesses and no real clues. After the events of the previous book, Somers is taking on board the fact that his role as Chief of Police means trusting his team to do what they’re supposed to and that he can’t become personally involved in every investigation, so when Dulac asks him to come to the motel to take a look around, Somers initially refuses. However, learning that one of the victims was engaged to Naomi Malsho – Somers’ former sister-in-law and one of the leaders of the ultra-right wing Ozark Volunteers (and a perennial thorn in his and Hazard’s sides) – and that the other was a liberal activist and son of a family deeply involved in local politics starts the alarm bells ringing. Sure enough, it’s not long before his father is on the phone demanding he ‘handle’ it, and fast.
Somers brings Hazard in to help with the investigation, and they’ve really got their work cut out trying to figure out why two men with such strongly opposed views were even in the same room to begin with, and then following a winding trail down some dangerous paths and into confrontations with participants at the local gun show, the members of a fundamentalist church/cult and the Ozark Volunteers (Gregory Ashe is a master at writing seriously fucked-up and creepy characters who really make your skin crawl!), as connections slowly begin to emerge and weave themselves together into an ever expanding web of lies and deceit – with Naomi somehow in the middle of it. It’s an incredibly complex but incredibly well-executed plot as the significance of each seemingly unconnected and confusing clue is revealed and the full picture slowly comes into view. Watching Hazard and Somers work together so intuitively and seamlessly is always a delight, and I thoroughly appreciate the way they can do that even when they’re at odds off the job.
Tensions are running high at home, especially after Colt receives a letter from his deadbeat dad that pushes Hazard’s curiosity and protective instincts through the roof, and the pair are butting heads even more than usual. I’m sure anyone who has parented a teen will recognise many of the arguments and thought-processes at work here, and it’s tough to watch these two people who so badly want to love and be loved continually hurt each other. Colt’s a teenager doing what teenagers do, but also, he’s a kid who has never been able to rely on anyone but himself, and who is, deep down, terrified that eventually Hazard will leave him, just as every other adult in his life has done – so he keeps on challenging him and pushing boundaries, which is his mixed-up way of checking that Hazard cares enough about him to keep loving him regardless. And Hazard, well, sometimes he behaves every bit as badly as Colt does, rising to the bait every time even as he tells himself to be the adult, doing or saying exactly the wrong thing even though he knows it – and doing it anyway. Unfortunately, this tendency is spilling over into his relationship with Somers, too – especially professionally, where he screws up the investigation or endangers them on several occasions because he can’t keep his mouth shut or his temper under control. (I really hope he’s going to get some help with his anger issues soon! If he carries on like this he’s heading for a meltdown of epic proportions.)
After the heartache of watching Somers floundering so badly in the previous book, I was delighted to see him finally starting to get to grips with his new role and moving towards finding a proper work/life balance in this one. I don’t envy his role as referee in the ongoing Emery-Colt battles, but he’s on much more of an even keel here and is on hand to provide support and a badly needed voice of reason.
The cast of regulars is augmented by North and Shaw, who show up as the unlikeliest cavalry ever – and who inject some quite ridiculous (but needed) light-heartedness into the story. All is clearly not well with Dulac and Darnell, despite their outward show of having patched things up, and I’m still worried about Nico, who seems to be swinging from one end of the emotional spectrum to the other. With only one more book in the series to go, it might be a bit much to hope there’s room for those issues to be resolved alongside what (from the preview chapter I read) looks set to be an explosive finale… but if anyone can do it, Gregory Ashe can.
Father Complex is another gripping and unputdownable read from a writer at the top of his game, a tough, complex mystery with a rollercoaster ride of breathless emotion on the side.