The Witchfinder’s Sister by Beth Underdown

This title may be purchased from Amazon

“This summer, my brother Matthew set himself to killing women, but without ever once breaking the law.”

Essex, England, 1645. With a heavy heart, Alice Hopkins returns to the small town she grew up in. Widowed, with child, and without prospects, she is forced to find refuge at the house of her younger brother, Matthew. In the five years she has been gone, the boy she knew has become a man of influence and wealth–but more has changed than merely his fortunes. Alice fears that even as the cruel burns of a childhood accident still mark his face, something terrible has scarred Matthew’s soul.

There is a new darkness in the town, too–frightened whispers are stirring in the streets, and Alice’s blood runs cold with dread when she discovers that Matthew is a ruthless hunter of suspected witches. Torn between devotion to her brother and horror at what he’s become, Alice is desperate to intervene–and deathly afraid of the consequences. But as Matthew’s reign of terror spreads, Alice must choose between her safety and her soul.
Alone and surrounded by suspicious eyes, Alice seeks out the fuel firing her brother’s brutal mission–and is drawn into the Hopkins family’s past. There she finds secrets nested within secrets: and at their heart, the poisonous truth. Only by putting her own life and liberty in peril can she defeat this darkest of evils–before more innocent women are forced to the gallows.

Rating: B-

I’ll admit right out of the gate that one of the reasons I picked up The Witchfinder’s Sister for review is because the real-life events that play out in the novel took place in the area in which I now live – North East Essex and South Suffolk.  Matthew Hopkins is a well-known historical figure in the UK; the self-styled Witchfinder General – a title he was never officially granted – lived in the small Essex town of Manningtree, but his influence was felt across all of East Anglia.  Between 1644 and 1647, Hopkins and his associates were responsible for the executions for witchcraft of over three hundred women.

In spite of his notoriety, very little is known about Hopkins’ personal life, but author Beth Underdown has painted an intriguing and menacing picture of the man and the events he set in train as seen through the eyes of his (fictional) sister, Alice, who, we learn at the beginning, has been imprisoned – we don’t know why or by whom – and who is using her time to record the full history of my brother, what he has done. 

In 1645, Alice returns to Manningtree following the tragic death of her husband in an accident.  She is apprehensive; her Mother (who is actually her stepmother, her father’s second wife) has recently died, and Alice is not sure if she will be welcomed back at home.  She is closest in age to her younger brother Matthew – the only child of her father’s second marriage – and they were close as children, but he did not approve of her marriage to the son of a family servant and they have not been on good terms ever since.  Yet Alice has nowhere else to go, and is relieved, on reaching the Thorn Inn – now owned by Matthew – that he is willing to let her stay with him.

It’s not long before she starts to hear odd rumours about her brother and to realise that he’s a very different man from the one she’d left when she got married and went to London.  In the intervening years, it seems that Matthew has become a man of some influence in the area, but Alice soon begins to hear some very disturbing things about his involvement in the accusations of witchcraft levelled at several local women.  At first, she is reluctant to believe it, but when she discovers that he is making lists of women suspected and accused, collecting evidence and convening trials, Alice reluctantly has to accept that her brother is a dangerous and unpredictable man.

You can read the rest of this review at All About Romance.

The Ashes of London by Andrew Taylor

This title may be purchased from Amazon

London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer and reluctant government informer.

In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated, and his thumbs have been tied behind his back. Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

Rating: B+

The Ashes of London is an absorbing, intricately plotted historical mystery set in Restoration London in the aftermath of the Great Fire; indeed the book opens with one of the main characters – lowly clerk, James Marwood  – standing amid the crowds one night in early September 1666 watching in horror as St. Paul’s Cathedral is burned almost to the ground.  He saves the life of a boy by dragging him away from the flames, only to discover that “he” is a “she” when she struggles, bites his hand and then makes off with his cloak.  It’s a seemingly innocuous encounter, but one that will very soon start to assume importance for Marwood as it becomes clear that the young woman may somehow be linked to a series of murders.

The story takes place over the few months following the fire, and is told through two different viewpoints.  We meet James Marwood first of all, a young man eking out a living as a clerk in the employ of Master Williamson, the editor and publisher of The London Gazette – a man of influence whose position gives him access to governmental circles.  Marwood is caring for his ailing father, a staunch supporter of Cromwell and the Commonwealth who refused the new king’s offer of clemency after the Restoration and was imprisoned as a result.  After several attempts, Marwood managed to have his father released – on condition that he lives quietly away from London.  Marwood senior is becoming ever more confused and subject to the wandering of his wits (we would probably today recognise this as dementia), making it sometimes very difficult for his son to make sure he adheres to the terms of his release.

The other narrator in the story is a young woman, Catherine Lovett, the niece of Henry Alderley, one of the wealthiest men in London.  Her name is tainted in the same way as Marwood’s; her father is a Regicide – one of the men who had been directly instrumental in the execution of King Charles I – and a wanted fugitive.  Catherine – Cat – is just seventeen and dreams of becoming a draughtsman or architect and is desperate to avoid the marriage her uncle has arranged for her with a man much older than herself.  It seems, however that there is no way out – until one night, her cousin Edward forces himself upon her, and, after attacking him with a knife, Cat flees the house with the help of her father’s most trusted old servant, Jem.

You can read the rest of this review at All About Romance.

My Best Books of 2016 – at All About Romance

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Over the past week or so All About Romance has been publishing the team’s lists of their Top Ten books read in 2016. The vast majority of these are books published in 2016, although a few are books published previously that have been read this year.

All my choices are 2016 titles, and as usual, it was a tough list to compile. I’ve had a good reading year (I’ll be taking a look at my stats at some point and posting about those) and at AAR, have awarded a good number of B Grades and up, indicating that I read many more books I enjoyed than books I didn’t, which I count a definite plus.

Pinning it down to ten books was TOUGH, as was picking an outright “book of the year”, because this year (unlike last), that moniker could have been applied to practically every book on my list. But being I’m a bit of an angst-bunny, I went for the book that ripped out my heart and stomped on it a few times, AND which I’d been most eagerly anticipating.  Click on the link and all will be revealed!

My Best of 2016

A Splendid Defiance by Stella Riley (audiobook) – Narrated by Alex Wyndham

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This title may be downloaded from Audible via Amazon.

For two years, England has been in the grip of Civil War. In Banbury, Oxfordshire, the Cavaliers hold the castle, the Roundheads want it back and the town is full of zealous Puritans. Consequently, the gulf between Captain Justin Ambrose and Abigail Radford, the sister of a fanatically religious shopkeeper, ought to be unbridgeable. The key to both the fate of the castle and that of Justin and Abigail lies in defiance…but will it be enough?

A Splendid Defiance is a dramatic and enchanting story of forbidden love, set against the turmoil and anguish of the first English Civil War.

Rating: Narration – A; Content – A

Anyone who – like me – appreciates Historical Romance that has a firm emphasis on the “Historical” will find a great many things to enjoy in this new audiobook version of Stella Riley’s A Splendid Defiance.  Set during the turbulent years of the English Civil War, the novel tells the true story of the small garrison of around three hundred and fifty men who held the strategically important Royalist stronghold of Banbury Castle in Oxfordshire in the face of overwhelming odds, and many of the characters who grace its pages are people who actually existed.

Skilfully interwoven with the story of the castle and its defenders is the glorious (but fictional) slow-burn romance between Justin Ambrose, a cynical, acerbic captain in the King’s army and Abigail Radford, whose brother, Jonas, is a leader of the local community and a die-hard Puritan.  The romance starts very slowly – so anyone who expects the first kiss between the hero and heroine to happen in chapter three is going to be disappointed – but builds steadily throughout and is all the more believable as a result.  Justin and Abigail begin the story as strangers and the author allows their relationship to develop in a manner that feels perfectly realistic, considering he’s a serving army officer with duties to perform and Abby lives a very restrictive life controlled by her harsh zealot of a brother.

You can read the rest of this review at AudioGals

The Chevalier (Chateaux and Shadows #3) by Philippa Lodge

the-chevalier

This title may be purchased from Amazon.

Emmanuel, Chevalier de Cantière, youngest son of a baron, is happiest raising horses far from his complicated family. When news comes his mother is deathly ill, he races to her side only to find she has apparently recovered and moved on, leaving behind her companion, Catherine.

Catherine de Fouet blends into the background, saving up so she’ll never have to wait on waspish, scheming old ladies like the baronesse again. She has no interest in a resentful gentleman, estranged from his mother, no matter how broad his shoulders or intriguing the wounded soul behind his handsome face. She just needs someone to escort her back to Versailles.

But Catherine is suspected of poisoning the baronesse. She rebuffs a pushy courtier who tries to use blackmail to make her his mistress, and her reputation hangs by a thread.

The chevalier wants more than anything to protect this woman whose prickly exterior hides sweetness and passion. They need his family to help him through court intrigues—almost as much as they need each other.

Rating: D+

The Chevalier is the third book in Ms. Lodge’s Châteaux and Shadows series, which is set in late seventeenth century France at the time of the reign of Louis XIV.  In my review of the previous book, The Honorable Officer, I wrote that I had primarily selected it because there is a dearth of historical romance set in that country and that time period (that is written in English), and noted that while the author did a decent job with the mystery storyline therein, the romance was somewhat wooden and underdeveloped. When The Chevalier was offered for review I decided to try it based once again on my liking for the time and setting and in the hope that perhaps the romance might be stronger and more, well, romantic.

Hélas, I’m about to level the same criticisms at this book as at the last one.

This story takes place around twelve years after the events of the previous book, and our hero is Emmanuel de Cantière, the youngest son of the Baron and Baronesse de Brosse.  We learned in The Honorable Officer that Emmanuel – Manu – is considerably younger than his brothers, and that his relationship with his parents is a difficult and complicated one.  His mother and father are estranged, and the baron removed Manu from his mother’s care when he was twelve or thirteen in order for him to be brought up in an environment more suited to a young man.  This continues to be a source of much resentment between the de Brosses and Manu is still filled with animosity, guilt and other conflicting emotions about both his parents.

Manu now resides at one of his father’s properties in Poitou, where he lives quietly, breeding horses.  An urgent message from his father’s house, telling him that his mother is seriously ill, sees him travelling as quickly as he can in response – but when he arrives, he is astonished to discover that she has recovered and is en route to Paris.  His astonishment turns to fury at the thought that she hadn’t bothered to wait for him and he decides to set out after her – and he is further displeased by the information that he can escort his mother’s companion – who had also fallen ill and has just recovered – back to the Baronesse’s side.

Catherine de Fouet is quiet, unassuming and content to fade into the background until she has put aside enough money from her employment and can afford to return to her home in Normandy. She is not completely recovered when she makes the difficult and uncomfortable journey to Versailles – a journey made worse by Monsieur de Cantière’s bad temper and obvious disdain for her.

After Manu and Catherine arrive and are reunited with the Baronesse, there is a lot of filler involving the various members of the family, their rambunctious offspring, a young man who makes improper advances towards Catherine… and eventually, at well past the half-way point, we come to the poisoning which is mentioned in the book’s blurb. It seems that the Baronesse has been ill, on and off, over the past year, and when she is taken ill again, the doctor declares that she has been poisoned. The blurb also says that Catherine is suspected of poisoning her mistress, but it’s all very low key; there is no investigation, no tension and absolutely no drama about this, even though the Affair of the Poisons, which saw a number of high-profile courtiers arrested on charges of poisoning and witchcraft, was in full swing at the time the book is set. I had hoped for more focus on this aspect of the plot, but it feels as though it’s there as an afterthought and isn’t developed or explored at all.

Something else which isn’t developed or explored is the romance between Catherine and Manu, which just… appears. They spend very little time together on the page, and even less time together alone. There is no sense that these two people are getting to know each other; all we get is Catherine looking at Manu and sighing over the breadth of his shoulders and Manu feeling a touch of lust for his mother’s companion, and then, hey presto! they’re in love. There is zero romantic tension between them and no emotional connection whatsoever.

The previous book in this series benefitted from a solidly written mystery element to the storyline, but without something similar to hold this one together, and without anything resembling strong characterisation, engaging protagonists or a decently written romance, The Chevalier is just a seemingly endless succession of flat, uninteresting scenes between the members of the de Cantière family. I really wanted to like it, but I didn’t and can’t recommend it.

Lords of Misrule (Roundheads and Cavaliers #4) by Stella Riley

Lords of Misrule March 2016

This title may be purchased from Amazon

Still tied to his desk in the Intelligence Office, Colonel Eden Maxwell has become increasingly disenchanted with both Oliver Cromwell and his own daily existence; and with the advent of new Royalist conspiracies, he despairs of ever getting away.

Then a brick hurled through the window of a small workshop sets in motion a new and unexpected chain of events. After all, who would want to hurt Lydia Neville – a young widow, giving work and self-respect to maimed war veterans considered unemployable elsewhere? But when the assaults in Duck Lane escalate, threatening the life and remaining limbs of some of Eden’s former troopers, finding the culprit becomes a personal crusade.

At their first meeting, Lydia finds Colonel Maxwell annoying; by their second, having discovered that he had arrested and questioned her brother in connection with the Ship Tavern Plot, she mistrusts his motives. On the other hand, it swiftly becomes plain that she needs his help … and has difficulty resisting his smile.
Solving the increasingly hazardous mystery surrounding Lydia is not Eden’s only task. Between plots to assassinate the Lord Protector and a rising in Scotland, he must also mend the fences within his own family and get to know his son. Life suddenly goes from mind-numbing boredom to frenetic complexity.

With reckless Cavaliers lurking around every corner and a government still struggling to find its way, Lords of Misrule is set against a time of national discontent and general failure. But readers of the previous books in the series can look forward to catching up with old friends as well as meeting new ones … while, against all the odds, Eden and Lydia find danger and reward in equal measure.

Rating:A

Stella Riley’s Roundheads and Cavaliers series of books set during the English Civil Wars is an absolute treat for those who enjoy well-researched historical fiction AND historical romance. Each book in the series is grounded strongly in historical fact and the stories Ms Riley layers atop her chosen background are cleverly constructed and closely interlinked with the events of the day, often so skilfully that it’s difficult to see the join. As well as immersing the reader into the world of seventeenth century England, she puts a strongly written and sensual romance at the centre of her books, creating attractive, believable protagonists who really seem to act and think like men and women of their times.

Each book can be read as a standalone, although there are a number of recurring characters throughout and given that the historical events are followed chronologically, I’d advise reading them in order. The first book, The Black Madonna opens in 1639, which is when we first meet Eden Maxwell as a hopeful, optimistic young man of twenty or twenty-one. He is desperately in love with the daughter of a neighbouring family, Celia Langley, and determined to marry her in spite of the warnings of friends and family who say she is wrong for him. Sadly for Eden, they are right. Celia is beautiful, vain and selfish and only agreed to marry him because he was so thoroughly besotted with her that she believed he’d be easy to manage and because she liked being so adored.

Eden’s troubles did not end there, however, for when civil war broke out, the Maxwells and the Langleys were on different sides of the conflict and even though Celia was now his wife, her sympathies were with the Royalists. She bore Eden a son, Jude, and some years later, a daughter Eden knows is not his. Celia eventually ran off with a Royalist officer, leaving her children at Eden’s family home of Thorne Ash, while disillusioned and embittered, Eden concentrated on his army career and rarely returns home.

Lords of Misrule opens in late 1653, around four years after the execution of King Charles I and more than a decade after the start of a series of bloody civil wars that divided England and its people. But regicide has not solved any of the problems that beset the country, and in fact things seem to be getting worse. While there were many factors that led to Charles’ trip to the executioner’s block – unpopular taxes, expensive wars and Charles’ insistence on his divine right to rule – England is still in political and social turmoil, so much so that many of Cromwell’s supporters have begun to ask themselves just what exactly they had been fighting for.

Lords of Misrule opens in late 1653, around four years after the execution of King Charles I and more than a decade after the start of a series of bloody civil wars that divided England and its people. But regicide has not solved any of the problems that beset the country, and in fact things seem to be getting worse. While there were many factors that led to Charles’ trip to the executioner’s block – unpopular taxes, expensive wars and Charles’ insistence on his divine right to rule – England is still in political and social turmoil, so much so that many of Cromwell’s supporters have begun to ask themselves just what exactly they had been fighting for.

Colonel Eden Maxwell is one of those people. A highly trained and skilled officer, he has risen through the ranks and is now a trusted member of Cromwell’s inner circle. He is currently working for the Secretary of State, John Thurloe, as an intelligencer and cryptographer, but as the days pass, finds being chained to his desk increasingly frustrating. His repeated requests for a leave of absence have been denied and he is stuck in London buried under the mounds of paper generated by reports of unrest, possible insurrection, royalist plots and a myriad of other dull, fruitless tasks – until he receives information of a more plausible plot against Cromwell’s life (there were several at this point in time). One of the suspected conspirators, Sir Aubrey Durand, leads Eden to the citylorinery run by his widowed sister, and in the course of his investigations into the plot, Eden uncovers far more than he’d initially been looking for.

Lydia Neville was contented in her marriage a man several decades older than herself. On his death, she inherited all his property, including the lorinery, which she continues to run successfully and in spite of the constantly expressed disapproval of his relatives, all of whom invade her home on an almost daily basis to try to persuade her to give it up. But Lydia is no shrinking miss and makes it clear each time that she will do no such thing – although her assurances fall upon deaf ears and do not dissuade them from their latest scheme to marry her off to her late husband’s smarmy cousin.

When Eden visits the lorinery, he is pleasantly surprised to find some of his former comrades working there, for the business employs invalid ex-soldiers who would not otherwise be able to find work, regardless of which side they fought on. He is quite impressed by Lydia – or perhaps “impressed” is the wrong word, although she certainly makes an impression upon him by virtue of her strength of character, quick mind and sharp tongue. But what Eden has learned from the men concerns him. Someone has been making threats against Lydia, and those threats have started to get serious. Although she has tried to dismiss them as the prejudice any woman in business might expect to encounter, deep down she knows this is not the case and that she needs help if she is to be able to get to the bottom of them before anyone is seriously hurt – or worse.

Anyone who has read any of Stella Riley’s other books won’t need me to tell them that her plot is impeccably constructed, her characterisation is superb, her research is detailed and extensive and that she writes the most exquisitely ‘romantic’ romances in which the sexual tension between the hero and heroine is built gradually and subtly. There is no repetitive mental lusting and no insta-lust, just a wonderfully developed relationship between two people who are obviously attracted to each other but who have to function in the real world around them and can’t just drop everything while they moon over the object of their affections.

Ms. Riley’s greatest strength – and she has many – is probably characterisation. She has the knack of creating the most gorgeous heroes, men who are physically attractive, of course, but who are also intelligent, honourable, kind and quick-witted with a dry sense of humour and possessed of the kind of competence and confidence which is extremely sexy. Eden is no exception, and readers who have been waiting for his story for the last couple of decades certainly won’t be disappointed now that he’s the centre of attention. His unhappy marriage and the strain it put on his relationship with his family – especially Jude, who is now a teenager – play an important part in the novel, and I loved watching the gradual reconciliation between father and son. It’s not easy for either of them and Ms. Riley wisely shows that there is still a way to go; but what we are shown is touching and very believable. Lydia is a great heroine, a woman in a man’s world who refuses to bow to outside pressure but who has sense enough to recognise that she needs help and isn’t too proud to accept it. There is one time when she makes an unwise decision – even though she’s been warned against it – that leads to near disaster, but otherwise, she’s strong, independent and very likeable, a good match for Eden, in every way.

There is a very strongly-drawn set of secondary characters in the book, some of whom, like Eden’s younger brother, Toby, and his house-guest, Sir Nicholas Austin, we have met before. Toby is a real scene-stealer – handsome, charming, roguish and forever having to step over the pile of women who fall at his feet – can we have a book about him next, pretty please? Fans of Gabriel Brandon from Garland of Straw will be very pleased to encounter him again as he travels to London to take up a seat in Parliament, and at the continuance of the strong friendship between him and Eden. One of those other many strengths of Ms Riley’s I mentioned is her ability to write thoroughly convincing male friendships; and that talent is showcased here in both Eden’s relationship with Gabriel and in his interactions with Toby, which are often funny and, for want of a better word, very brotherly.

I’ve only scratched the surface of what readers can expect to find in Lords of Misrule. There’s a well-conceived and well-executed mystery, a tender, sensual romance, and a fascinating historical background which never feels like too much information or as though one is being given an history lesson. If you’re tempted to start here, I think you could probably do so with minimal effort, but ultimately, all the books in the series are such damn good reads that I’d suggest starting with The Black Madonna. Before you’re half-way through, you’ll want to turn off your phone, ignore your kids/work/friends, lock yourself away and not come out until you’ve finished them all.

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Kill or Be Kilt (Highland Spies #3) by Victoria Roberts

Kill or Be Kilt
This title may be purchased from Amazon

Lady Elizabeth Walsingham pined after the same man for years. When she finally realizes the brawny Highland laird doesn’t return her feelings, she decides to leave for London and start anew. It seems that her prayers are answered when she catches the eye of a charming actor at the Globe Theatre – a man who is the complete opposite of the Highlander she once loved.

Laird Ian Monroe spends his time avoiding the bothersome young girl who dreams of their union. But when he travels to London and discovers that she has a new love interest with a dishonorable agenda, his perspective changes. Ian soon realizes that Elizabeth is no longer a child with a crush, but a beautiful woman in need of his help. He may have what it takes to rescue Elizabeth from her scheming beau, but does he have the courage to reclaim Elizabeth’s heart as well?

Rating:C

Kill or Be Kilt is one of those books that is like a frothy dessert – enjoyable while it lasts, but easily forgotten. It’s decently written and the central characters are reasonably engaging, but it’s ultimately insubstantial, and there are inconsistencies to some aspects of the plot that had me shaking my head at such obvious contrivances.

It’s the third book in Victoria Roberts’ Highland Spies series featuring the Walsingham sisters, daughters of Francis (Elizabeth I’s renowned spymaster) and nieces of Walter Mildmay, also a spy for the Crown. Elizabeth Walsingham’s older sisters are both happily married to highlanders, Laird Ruairi Sutherland and his guard captain, Fagan Murray and Scotland has become their home, but Elizabeth is starting to feel restless. Her older sisters are happy and her younger sister shows every sign of finding her happily ever after in Scotland, too, but Elizabeth feels as though she doesn’t belong and thinks that perhaps it’s time for her to go back to England to find a husband.

Three years earlier, she had developed a massive crush on Laird Ian Munro, a close friend of Ruairi’s. Unfortunately, everyone – including the object of her affections – knew how she felt, but now, at eighteen, she is over him and wants to move on with her life. When news of her uncle’s death in a carriage accident reaches Sutherland, Elizabeth and her sisters travel to England to pay their respects, escorted by Ruairi, Fagan and Ian, and then while Ravenna and Grace go to Apethorpe Hall to visit their aunt, Elizabeth, with the men as her guardians, travels on to Hampton Court, so that the men can present themselves to King James and Elizabeth can experience something of English court life.

Having stayed away from Sutherland for three years simply to avoid Elizabeth’s youthful pestering, Ian is astonished to discover that the girl who annoyed him to distraction has turned into a beautiful young woman. Of course, he doesn’t want her for himself – like her sisters, she’s too clever, too sharp-tongued and altogether too much trouble – but when she attracts the attention of a young nobleman and a respected actor, Ian starts suffering from a severe attack by the green-eyed-monster. And as if that weren’t bad enough, when other members of the King’s Privy Council are found dead under mysterious circumstances, it begins to look as though Mildmay’s death was not an accident, and Elizabeth and her guardians are drawn into the hunt for the killer.

Ian is a bumblingly endearing hero, a big, brawny man who has absolute confidence in his sword-arm, but surprisingly low self-esteem when it comes to his appearance, and has no idea how to woo a woman. Elizabeth is a likeable heroine and doesn’t have as many TSTL moments as Grace did in Kilts and Daggers, but she isn’t very well defined as a character and is ultimately rather bland.

The mystery element is very simplistic and while I enjoyed the banter between Ian, Fergus and Ruari, which is often quite funny, the idea of these big, brawny Scotsmen sitting around discussing women is pretty unrealistic and made me wonder when they were going to start braiding each other’s hair. One thing I found particularly problematic was the author’s use of a number of Gaelic words and phrases in the story. I don’t quibble with her using them, but each time, the phrase is immediately translated into English, which is jarring and quickly became annoying. These examples appear exactly as they appear in the text:

”Turas math dhut,”said Ian. Have a good journey.
Or
”Tha e a-bhos an seao!” It’s over here!

I venture to suggest that there is little point in using a language few of your readers will understand if you’re going to have to translate every word. I’m sure it was done for a reason, but unfortunately, the effect is probably not the one that was intended.

Kill or Be Kilt will perhaps suit someone wanting to while away a few hours with a solidly written, but undemanding story. I didn’t dislike the book, but it’s extremely lightweight – on both the plot and emotional content – and isn’t one I can recommend without reservation.

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